The most recommended Dracula books

Although Bram Stoker was a fiction writer presenting us with a fantastic, supernatural story, he did meticulous research in an effort to create a convincing backdrop: history, geography, psychology, vampire lore, dreaming and somnambulism, animal behavior, the history of the Devil—yes, even seamen’s yarn was the subject of Stoker’s studies. Dracula scholar Clive Leatherdale has done a superb job by tracking the novelist’s key sources, summarizing them for us and highlighting their relevance for the making of Dracula. A decade later, Leatherdale would release Bram Stoker’s Dracula Unearthed, an annotated edition of the novel. To find affordable second-hand editions of both classics, you have to search the Internet a bit, but for everyone aspiring to become a Dracula expert, both books are indispensable.

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.

The story unfolds with sections both from Watson and Count Dracula and is just a great deal of fun.

Saberhagen wrote an entire series starring Dracula, but this one, with Holmes in it, is the best of the lot and Saberhagen does some really fun, fun things with the conflict between the two.

I have a weakness for authors who can seamlessly write in another author’s style, and The Adventure of the Sanguinary Count blends Conan Doyle and Stoker perfectly. Holmes and Watson are drawn into the tale of Count Dracula when they are called to investigate the mystery of a ship whose crew have vanished, adding their genius to the vampire hunters working to keep the Count from the shores of England. With Dracula Daily taking the online world by storm, this is the perfect time to look up another take on these classic tales. 

Frayling’s book is very much a forerunner of Groom’s, being one of the first serious (but also immensely readable) studies of the vampire in culture. This one keeps its sights trained more on the nineteenth-century vampire. It begins with The Vampyre, the story written by John Polidori at the Villa Diodati at the same infamous gathering that spawned Marty Shelley’s Frankenstein. Polidori was Lord Byron’s physician, but the two men fell out badly, and Polidori’s aristocratic bloodsucker Lord Ruthven is widely regarded as modeled on Byron. Although now little remembered, The Vampyre began the Victorian craze for vampires that culminated in Bram Stoker’s Dracula. Frayling is the perfect guide, being not only a cultural historian of wide learning but also a splendid communicator.

As a Romanian-born reader who is fascinated by Vlad the Impaler's life and folklore I was drawn to Grigorcea's presentation of the ancestral homeland and Dracula's haunting legacy. Her portrayal of a post-communist society still grappling with its past echoed my own experiences and observations. 

The atmosphere is eerie, dreamlike in places, and the lines between history and fiction are blurred. But Grigorcea's exploration of fate and the enigmatic figure of Dracula adds depth and complexity to the story. Yet it is not a bloodthirsty vampire novel or a modern Dracula à la Bram Stoker - which I appreciated.

It's a novel that delves not only into the historical and supernatural, but also into the enduring power of Romania's cultural heritage. Overall, a captivating and evocative read that held my attention.

I love that this book is set in an alternative Victorian-era Britain where vampires are citizens rubbing shoulders with humankind. At the heart of the book is the Jack the Ripper mystery with vampire, rather than human, prostitutes.

The crimes are investigated by Charles Beauregard, assisted by one of Newman’s original creations – a 400-year-old female vampire, Geneviève Dieudonné.

Along the way, the pair encounter other monsters – with humans as monstrous as the undead – as well as popular 19th-century literary figures and political events like the growth of communism/socialism.

I loved the main characters and unique mystery but also the fascinating cast Newman spiced and seasoned the story with – figures taken from the literature of Conan Doyle, Bram Stoker, and Alexander Dumas among others.

A man is sent to visit a mysterious count in his secluded mountaintop fortress, where a diabolical plot unfolds, involving an attack on England using his Angels of Death, women under his hypnotic command. The man finds himself slowly becoming a prisoner, leading to his planning an escape and a race to stop the Count’s plot from unfolding.

Sound familiar? It is, essentially, the plot of Dracula. It is also the plot of Ian Fleming’s On Her Majesty’s Secret Service, the tenth James Bond novel. If Count Dracula is the king of vampires, then James Bond is inarguably the king of spies.

This book is key to understanding the “transmediation” of Dracula: the metamorphosis of Stoker’s story by adapting it for new media, such as theatrical and movie versions. As Bram Stoker died in 1911, his widow Florence played a key role in negotiating the rights for such modifications, and fighting the pirated screen version of Nosferatu created in Germany by Prana Film. As David Skal put it, Dracula is very much a story about control, and the subsequent developments show how Bram and then Florence tried to keep the lid on the unauthorized dissemination and adaptation of the Dracula novel—but failed in the end. Highly recommended reading for all who are interested in the question of how Dracula became so popular all over the world.

Another Detroiter like myself, Estleman, is known for both great westerns and a number of hard-boiled mystery series that are all good, but he did this one early in his career, and the immaculate execution and thorough research showcase this book.

Dracula is moving on London, but Holmes is moving behind the scenes to support Van Helsing’s defense of London, and it makes all the difference!