Fans pick 89 books like Hollywood Gothic

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.

Barbara Belford’s 1996 book is one of the classics in its field, next to the Stoker biographies by Harry Ludlam, Daniel Farson, and Paul Murray. With a background in journalism, Belford created a very readable introduction to Stoker’s life. Her book still is an invaluable source for fans and scholars trying to understand the making of Dracula. It is a good stepping stone for readers who would like to dive deeper later on, e.g., by studying David Skal’s more recent work, Something in the Blood. For me personally, it gave me a very colorful image of Stoker’s life and helped me better understand him as a person and an author.

Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.

Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.

Although Bram Stoker was a fiction writer presenting us with a fantastic, supernatural story, he did meticulous research in an effort to create a convincing backdrop: history, geography, psychology, vampire lore, dreaming and somnambulism, animal behavior, the history of the Devil—yes, even seamen’s yarn was the subject of Stoker’s studies. Dracula scholar Clive Leatherdale has done a superb job by tracking the novelist’s key sources, summarizing them for us and highlighting their relevance for the making of Dracula. A decade later, Leatherdale would release Bram Stoker’s Dracula Unearthed, an annotated edition of the novel. To find affordable second-hand editions of both classics, you have to search the Internet a bit, but for everyone aspiring to become a Dracula expert, both books are indispensable.

Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.

Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”

This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.

The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.

I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.

This graphic novel adaptation of Bram Stoker’s novel incorporated an idea that I thought was brilliant—“casting” Bela Lugosi once again as Dracula, with the blessing of the Lugosi family. The adaptation is faithful to the book, and the artwork is a loving and beautiful rendition of Lugosi as the vampire who started it all. 

I love this book because, after a period when I could never find the time to read, I picked it up in my local supermarket, and my love affair with reading began all over again. Being a huge fan of Dracula, I was intrigued to discover if this title would carry the same level of eeriness, and I was delighted to find that it did!

The story provokes thoughts of ‘Could this be real?’ I finished it early one winter morning and found myself a little nervous to step outside into the darkness to call my dog in, which is a rarity for me. It was a thoroughly enjoyable, albeit jumpy, read.