Here are 81 books that The Cambridge Companion to 'Dracula' fans have personally recommended if you like
The Cambridge Companion to 'Dracula'.
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I have written more than 20 non-fiction books on a wide range of topics. I was trained as a chemist and physicist, and as both an author and a journalist I am mostly concerned with the sciences and how they interact with the broader culture – with the arts, politics, philosophy, and society. Sometimes that interest takes me further afield, and in my new book The Modern Myths, I present a detailed look at seven tales that have taken on the genuine stature of myth, being retold again and again as vehicles for the fears, dreams, and anxieties of the modern age. Ranging from Robinson Crusoe to Batman, this list also inevitably includes Bram Stoker’s classic Dracula – leading him to examine how we have used the legend of the vampire in the past and present.
Nick is a professor of English at the University of Exeter in the UK – but he is better known as the “Prof. of Goth”, being interested in all things Gothic. He is an example of the generation of humanities scholars who have broken down traditional boundaries between “high” and “low” culture, having written on topics ranging from Shakespeare to J. R. R. Tolkien and Nick Cave. Nick’s book on vampires is a comprehensive history that traces the evolution of these creatures from feral beasts of folklore to the aristocratic Dracula and his screen portrayals from Bela Lugosi to Christopher Lee. His book leaves no doubt that, whatever else vampires might be, they are an important cultural phenomenon.
An authoritative new history of the vampire, two hundred years after it first appeared on the literary scene
Published to mark the bicentenary of John Polidori's publication of The Vampyre, Nick Groom's detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind's fears, to that of an…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
If you’re interested in the literary roots of vampires, and Dracula in particular, I’d heartily recommend this nonfiction title. It delves into the origins of characters like the Count in earlier 19th-century texts and examines how and why Dracula became such a long-lasting cultural influence. It’s also very good on Bram Stoker’s life and less famous works.
Christopher Frayling has spent 45 years exploring the history of one of the most enduring figures in the history of mass culture - the vampire. Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of Eastern Europe to the Romantics and beyond. Frayling recounts the most significant moments in gothic history, while extracts from a huge range of sources - including Bram Stoker's detailed research notes for Dracula, penny dreadfuls and Angela Carter's The Bloody Chamber , new to this edition - are contextualized and analysed. This revised and expanded edition brings…
I have written more than 20 non-fiction books on a wide range of topics. I was trained as a chemist and physicist, and as both an author and a journalist I am mostly concerned with the sciences and how they interact with the broader culture – with the arts, politics, philosophy, and society. Sometimes that interest takes me further afield, and in my new book The Modern Myths, I present a detailed look at seven tales that have taken on the genuine stature of myth, being retold again and again as vehicles for the fears, dreams, and anxieties of the modern age. Ranging from Robinson Crusoe to Batman, this list also inevitably includes Bram Stoker’s classic Dracula – leading him to examine how we have used the legend of the vampire in the past and present.
Auerbach’s book takes the vampire story into more contemporary territory and, some might say, into more treacherous waters. Although beginning again with Polidori, she follows the evolution of the vampire tale through to Stephen King’s Salem’s Lot, Anne Rice’s Vampire Chronicles, and Tony Scott’s 1983 film The Hunger (starring an elegantly wasted David Bowie). She shows how homoeroticism has been a part of the vampire narrative since its nineteenth-century inception, notably with Sheridan Le Fanu’s 1872 novella Carmilla, and how readily the narrative lent itself as an allegory of the 1980s AIDS epidemic. I don’t agree with all of Auerbach’s interpretations, but she has some zinging one-liners.
Nina Auerbach shows how every age embraces the vampire it needs, and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history.
"[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from…
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.
With a legacy stretching back into legend and folklore, the vampire in all its guises haunts the film and fiction of the twentieth century and remains the most enduring of all the monstrous threats that roam the landscapes of horror. In The Living and the Undead, Gregory A. Waller shows why this creature continues to fascinate us and why every generation reshapes the story of the violent confrontation between the living and the undead to fit new times. Examining a broad range of novels, stories, plays, films, and made-for-television movies, Waller focuses upon a series of interrelated texts: Bram Stoker's…
I saw Francis Coppola’s movie Bram Stoker’s Dracula in 1992, but studied the novel only after I created a photo story,The Ultimate Dracula(Munich, 2012). Next to the images, my book presented the true location Stoker had in mind for his fictitious Castle Dracula (No, notBram Castle), and the historical person he referred to while speaking about Count Dracula (No, notVlad the Impaler). The next steps were discovering the true locations of Carfax and the Scholomance, unraveling the backgrounds of the Icelandic and Swedish versions of Dracula, and unearthing the first US serialization. I simply love to solve riddles. By now, I am organizing international Draculaconferences.
This book is key to understanding the “transmediation” of Dracula: the metamorphosis of Stoker’s story by adapting it for new media, such as theatrical and movie versions. As Bram Stoker died in 1911, his widow Florence played a key role in negotiating the rights for such modifications, and fighting the pirated screen version of Nosferatu created in Germany by Prana Film. As David Skal put it, Draculais very much a story about control, and the subsequent developments show how Bram and then Florence tried to keep the lid on the unauthorized dissemination and adaptation of the Draculanovel—but failed in the end. Highly recommended reading for all who are interested in the question of how Draculabecame so popular all over the world.
The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David Skal…
In 2009 I published a book on the real vampire community. I didn’t know that Twilightwas about to sweep America and I inadvertently became a “vampire guy” for a few years. I appeared on Geraldo and NPR. I was interviewed by the Colbert Report (but it never aired). I even talked to MTV about hosting a show where I interview teenage vampires. Then we all got into zombies instead and my fifteen minutes of fame were over! I learned a great deal researching my book and giving talks on vampires. In 2010 I taught a special class at Tufts University on vampires where I assigned selections from these books.
Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.
Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like…
. Summers wrote numerous serious books about the witch hunts, vampires, werewolves, and other occult subjects.
This book has all of the apparatus to qualify as an academic study, including footnotes, extensive quotations in the original languages, and references to rare source documents. Of particular interest is the final chapter, which traces the development of the vampire craze in 19th century literature.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Like most of the other authors on my list Joseph Laycock has written several books that address religion and horror. I picked this one because it is the first of his books that I read and it awakened me to several of his other titles.
Laycock, who is a professor of religion, writes in an engaging way and has a great sense for what is happening in the wider culture, particularly about occult concerns. Vampire books are a guilty pleasure of mine, so reading this author on this subject seems both a natural and a supernatural choice. The book discusses modern vampire societies in a clear-eyed and informative way.
This book, about real vampires and the communities they have formed, explores the modern world of vampirism in all its amazing variety.
Long before Dracula, people were fascinated by vampires. The interest has continued in more recent times with Anne Rice's Lestat novels, Buffy the Vampire Slayer, the HBO series True Blood, and the immensely popular Twilight. But vampires are not just the stuff of folklore and fiction. Based upon extensive interviews with members of the Atlanta Vampire Alliance and others within vampire communities throughout the United States, this fascinating book looks at the details of real vampire life and…
I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!
After a near-death experience, PI Harper Blaine gains the ability to navigate the occult world of magic. But the realm between our world and the next is filled with monsters. Some are malicious, but some are looking to hire. The concept of the Grey is fascinating and slightly terrifying to me. Harper deserves to be on this list because only a true badass could survive her client list.
Meet Harper Blaine. She also sees dead people...Harper Blaine is a small-time private investigator trying to earn a living when a low-life savagely assaults her, leaving her for dead. For two minutes, to be precise. When Harper comes to in the hospital, she begins to feel a bit ...strange. She sees things that can only be described as weird-shapes emerging from a foggy grey mist, snarling teeth, creatures roaring. But Harper's not crazy. Her "death" has made her a Greywalker - able to move between our world and the mysterious, cross-over zone where things that go bump in the night…
I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.
Johnathan Newman is a novice hunter who teams up with a five-hundred-year-old vampire named Vic on a dangerous mission.
The town is plagued by mythological creatures in need of saving and they work together to solve the mystery. However, Vic’s secrets bring trouble, and their mutual attraction doesn’t make things any easier.
A Bargain of Blood and Gold is one of the best-written books I’ve ever read. There hasn’t been a book where every word was chosen so perfectly to my liking. It has the exact amount of descriptions and dialogue. The style is simply perfect.
Additionally, the characters were so vivid and fun to read. John and Vic had such distinguished ways of expressing themselves that I knew every time who was talking without being told.
A novice hunter with a mission. A five-hundred-year-old vampire with a strong sense of irony. A town plagued by creatures in need of saving.
When Johnathan Newman arrives in Cress Haven, the last thing he expects is for his life to be irrevocably changed. Sent by a clandestine league of vampire hunters to investigate a string of murders, signs point to a vampire lurking amid the townsfolk. Johnathan’s attempt to enlist the locals leads him to an unlikely partnership with Vic, the town's most eligible, enigmatic bachelor.
As the pair work to solve the mystery, Vic’s secrets come back to…
I’m a paranormal fantasy author who loves vampires. They’re my favorite supernatural creatures. I think my obsession with vamps started when I saw Underworld for the first time. I had watched Blade before and thought, “I’d like to see a movie with just as much action but also romance” and voila! Some prefer the darker, less romantic vampire stories in which the bloodsuckers are monsters, but I prefer to read and write stories where they’re more than just their hunger. So if you’re like me and like a good combination of vampire action and seduction, you will probably enjoy the books on my list.
I love the entire Midnight Breed series. The lore is unlike what I've ever seen in most vampire books. The vampire race was born from alien fathers and human mothers with special talents. These vamps can see their reflections, are not allergic to holy water, and are very much alive. So sexily alive. I spent a solid hour trying to choose one favorite book from this series. They’re all so bloody good! However, Taken by Midnight has some of my fave tropes: badass heroine, protective but gentle hero, interracial relationship, and all the spice. If you like vampires with a unique twist, you’ll love this series.
In the frozen wilds of the Alaskan interior, former state trooper Jenna Darrow was taken hostage by a deadly vampire who terrorized her for hours, feeding on her blood and leaving her more dead than alive. But Jenna did survive - albeit as an altered being...
Now Jenna wants revenge on that vampire, and for that she must turn to the very race of beings who terrify her the most: the Breed. But of all the Breed warriors it is Brock, the immense, forbidding male who makes Jenna feel most at ease. Even…
