77 books like The Cambridge Companion to 'Dracula'

Nick is a professor of English at the University of Exeter in the UK – but he is better known as the “Prof. of Goth”, being interested in all things Gothic. He is an example of the generation of humanities scholars who have broken down traditional boundaries between “high” and “low” culture, having written on topics ranging from Shakespeare to J. R. R. Tolkien and Nick Cave. Nick’s book on vampires is a comprehensive history that traces the evolution of these creatures from feral beasts of folklore to the aristocratic Dracula and his screen portrayals from Bela Lugosi to Christopher Lee. His book leaves no doubt that, whatever else vampires might be, they are an important cultural phenomenon.

Frayling’s book is very much a forerunner of Groom’s, being one of the first serious (but also immensely readable) studies of the vampire in culture. This one keeps its sights trained more on the nineteenth-century vampire. It begins with The Vampyre, the story written by John Polidori at the Villa Diodati at the same infamous gathering that spawned Marty Shelley’s Frankenstein. Polidori was Lord Byron’s physician, but the two men fell out badly, and Polidori’s aristocratic bloodsucker Lord Ruthven is widely regarded as modeled on Byron. Although now little remembered, The Vampyre began the Victorian craze for vampires that culminated in Bram Stoker’s Dracula. Frayling is the perfect guide, being not only a cultural historian of wide learning but also a splendid communicator.

Auerbach’s book takes the vampire story into more contemporary territory and, some might say, into more treacherous waters. Although beginning again with Polidori, she follows the evolution of the vampire tale through to Stephen King’s Salem’s Lot, Anne Rice’s Vampire Chronicles, and Tony Scott’s 1983 film The Hunger (starring an elegantly wasted David Bowie). She shows how homoeroticism has been a part of the vampire narrative since its nineteenth-century inception, notably with Sheridan Le Fanu’s 1872 novella Carmilla, and how readily the narrative lent itself as an allegory of the 1980s AIDS epidemic. I don’t agree with all of Auerbach’s interpretations, but she has some zinging one-liners.

Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.

This book is key to understanding the “transmediation” of Dracula: the metamorphosis of Stoker’s story by adapting it for new media, such as theatrical and movie versions. As Bram Stoker died in 1911, his widow Florence played a key role in negotiating the rights for such modifications, and fighting the pirated screen version of Nosferatu created in Germany by Prana Film. As David Skal put it, Dracula is very much a story about control, and the subsequent developments show how Bram and then Florence tried to keep the lid on the unauthorized dissemination and adaptation of the Dracula novel—but failed in the end. Highly recommended reading for all who are interested in the question of how Dracula became so popular all over the world.

Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.

Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like… show more.

Like most of the other authors on my list Joseph Laycock has written several books that address religion and horror. I picked this one because it is the first of his books that I read and it awakened me to several of his other titles.

Laycock, who is a professor of religion, writes in an engaging way and has a great sense for what is happening in the wider culture, particularly about occult concerns. Vampire books are a guilty pleasure of mine, so reading this author on this subject seems both a natural and a supernatural choice. The book discusses modern vampire societies in a clear-eyed and informative way.

After a near-death experience, PI Harper Blaine gains the ability to navigate the occult world of magic. But the realm between our world and the next is filled with monsters. Some are malicious, but some are looking to hire. The concept of the Grey is fascinating and slightly terrifying to me. Harper deserves to be on this list because only a true badass could survive her client list.

Johnathan Newman is a novice hunter who teams up with a five-hundred-year-old vampire named Vic on a dangerous mission.

The town is plagued by mythological creatures in need of saving and they work together to solve the mystery. However, Vic’s secrets bring trouble, and their mutual attraction doesn’t make things any easier.

A Bargain of Blood and Gold is one of the best-written books I’ve ever read. There hasn’t been a book where every word was chosen so perfectly to my liking. It has the exact amount of descriptions and dialogue. The style is simply perfect.

Additionally, the characters were so vivid and fun to read. John and Vic had such distinguished ways of expressing themselves that I knew every time who was talking without being told.

They are easily one of my favorite M/M couples.

There are people out there who think they are (or at least call themselves) vampires. At the extreme end, a handful of violent, deranged individuals believe they are the real article and are entitled to attack the living for sustenance. At the other end are role-players, cosplayers, and fans that are just in it for the fangs and the finery. In the middle, there are a wide range of types and personalities. Some believe they are physically addicted to drinking blood and seek out willing donors. Others find a morbid, sexual thrill in the practice. Still others believe they can, and need to, drain the energy of those around them (Colin Robinson, anyone?).

The subculture is vast, nuanced, and always growing. But what it is more often than not is misunderstood. While many are happy to talk about their practices, others shun attention for fear of being mocked, misunderstood, and… show more.