80 books like Vampires Today

Religion and Its Monsters started this whole conversation.

Timothy Beal successfully transitioned from an author of academic books to an author of trade books, and this one shows how he did it. He selected two unexpectedly compatible subjects and demonstrated that they lurk in the same mental spaces.

I was inspired by this book to allow myself to reclaim my childhood interest in monsters as an adult. If serious scholars wrote about such things, why shouldn’t I read about them?

Unfortunately, Beal never followed up with another book on the topic.

Thinking of this book still leaves me with a warm, fuzzy feeling. I can’t say precisely why, but this book by a Jesuit monk discussing horror struck me as intelligent and deeply personal.

Conversant with many kinds of scary stories associated with religion, this is the most academic book on my list. The fact that Edward Ingebretsen discusses Stephen King really gives readers something to think about. This isn’t the only book to discuss Stephen King and religion—Douglas Cowan also wrote a book about this—but it does so in a way that brings some “aha moments” to your reading.

This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.

Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.

Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.

Brandon Grafius is a prolific author in this area and I found this book to be a very good interaction between someone who is a Christian minister and a horror movie fan.

While this isn’t Grafius’ first book on the subject, it is his first to attempt to explain “why”—why would a normal, upstanding citizen watch horror? It helps debunk the idea that only social outcasts or disgruntled individuals watch horror. (Surveys indicate well over half of people in the United States admit to liking horror films.)

This coming out of the horror closet is a personal and very readable account.

Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.

Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like… show more.

After a near-death experience, PI Harper Blaine gains the ability to navigate the occult world of magic. But the realm between our world and the next is filled with monsters. Some are malicious, but some are looking to hire. The concept of the Grey is fascinating and slightly terrifying to me. Harper deserves to be on this list because only a true badass could survive her client list.

Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”

This book holds a very special place in my heart because this is the book I was reading on the day I decided to become an author. The way the characters, world-building, mythos, and action came together in this story was pure magic, and I wanted more.

I’ve since read the entire series, though it’s ongoing, and I haven’t been disappointed. The heart and soul of this book is how much the main character cares about her friends and how far she will go to keep them safe. Joining Mercy’s pack, even for just a few pages at a time, feels like coming home.

Vampires, shifters, and reincarnation; I’ll read that again and again and again. It’s like if A Walk to Remember met The Mortal Instruments with a dash of Twilight. This was a fun read that I sailed through far too quickly. 

Each character had their own mini story which makes this book a well-rounded story with a main focus but also intriguing characters. With the female main character having a fatal disease, and the male main character being immortal, the desperation to hang onto each other makes for a rare romance.

A world exists around us that we never knew existed. When all you want is to be accepted, it is hard to find love.

I found that two people can find love regardless of what creature bore them. Family may not always understand what you want, but as long as there is trust and a little bit of humor, anything is possible.