Here are 78 books that Vampires Today fans have personally recommended if you like
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I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Religion and Its Monsters started this whole conversation.
Timothy Beal successfully transitioned from an author of academic books to an author of trade books, and this one shows how he did it. He selected two unexpectedly compatible subjects and demonstrated that they lurk in the same mental spaces.
I was inspired by this book to allow myself to reclaim my childhood interest in monsters as an adult. If serious scholars wrote about such things, why shouldn’t I read about them?
Unfortunately, Beal never followed up with another book on the topic.
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films.…
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Thinking of this book still leaves me with a warm, fuzzy feeling. I can’t say precisely why, but this book by a Jesuit monk discussing horror struck me as intelligent and deeply personal.
Conversant with many kinds of scary stories associated with religion, this is the most academic book on my list. The fact that Edward Ingebretsen discusses Stephen King really gives readers something to think about. This isn’t the only book to discuss Stephen King and religion—Douglas Cowan also wrote a book about this—but it does so in a way that brings some “aha moments” to your reading.
From its beginnings in Puritan sermonising to its prominent place in contemporary genre film and fiction, this book traces the use of terror in the American popular imagination. Entering American culture partly by way of religious sanction, it remains an important heart and mind shaping tool.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.
Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.
Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Brandon Grafius is a prolific author in this area and I found this book to be a very good interaction between someone who is a Christian minister and a horror movie fan.
While this isn’t Grafius’ first book on the subject, it is his first to attempt to explain “why”—why would a normal, upstanding citizen watch horror? It helps debunk the idea that only social outcasts or disgruntled individuals watch horror. (Surveys indicate well over half of people in the United States admit to liking horror films.)
This coming out of the horror closet is a personal and very readable account.
Horror can be a valuable conversation partner for the spiritual questions that animate so many of us.
Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, which shows us the consequences of stretching knowledge farther than it's safe to go, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can…
In 2009 I published a book on the real vampire community. I didn’t know that Twilightwas about to sweep America and I inadvertently became a “vampire guy” for a few years. I appeared on Geraldo and NPR. I was interviewed by the Colbert Report (but it never aired). I even talked to MTV about hosting a show where I interview teenage vampires. Then we all got into zombies instead and my fifteen minutes of fame were over! I learned a great deal researching my book and giving talks on vampires. In 2010 I taught a special class at Tufts University on vampires where I assigned selections from these books.
Montague Summers was a really unusual fellow for the early twentieth century. He was a closeted gay man (closeted because homosexuality was brutally repressed at the time) who was obsessed with the occult and liked to present himself as a religious witch hunter/demonologist. Reportedly he was often seen leaving libraries with a big black file that read “Vampires” across the front where everyone could see it.
Despite being a colorful character, Summers is one of the best early scholars of vampire lore. His work is even more interesting because it reflects the occult revival underway at the end of the nineteenth century. Occult groups such as the Theosophical Society and the Order of the Golden Dawn were reimagining what vampires could be. They hypothesized that vampires could be real but are perhaps more akin to invisible ghosts that feed on human life force. Summers also discusses things like…
. Summers wrote numerous serious books about the witch hunts, vampires, werewolves, and other occult subjects.
This book has all of the apparatus to qualify as an academic study, including footnotes, extensive quotations in the original languages, and references to rare source documents. Of particular interest is the final chapter, which traces the development of the vampire craze in 19th century literature.
I have written more than 20 non-fiction books on a wide range of topics. I was trained as a chemist and physicist, and as both an author and a journalist I am mostly concerned with the sciences and how they interact with the broader culture – with the arts, politics, philosophy, and society. Sometimes that interest takes me further afield, and in my new book The Modern Myths, I present a detailed look at seven tales that have taken on the genuine stature of myth, being retold again and again as vehicles for the fears, dreams, and anxieties of the modern age. Ranging from Robinson Crusoe to Batman, this list also inevitably includes Bram Stoker’s classic Dracula – leading him to examine how we have used the legend of the vampire in the past and present.
Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”
Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of…
I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!
After a near-death experience, PI Harper Blaine gains the ability to navigate the occult world of magic. But the realm between our world and the next is filled with monsters. Some are malicious, but some are looking to hire. The concept of the Grey is fascinating and slightly terrifying to me. Harper deserves to be on this list because only a true badass could survive her client list.
Meet Harper Blaine. She also sees dead people...Harper Blaine is a small-time private investigator trying to earn a living when a low-life savagely assaults her, leaving her for dead. For two minutes, to be precise. When Harper comes to in the hospital, she begins to feel a bit ...strange. She sees things that can only be described as weird-shapes emerging from a foggy grey mist, snarling teeth, creatures roaring. But Harper's not crazy. Her "death" has made her a Greywalker - able to move between our world and the mysterious, cross-over zone where things that go bump in the night…
I’ve been obsessed with fantasy stories for as long as I can remember, but the books I read growing up usually took place “somewhere else.” When I first started seeing books that brought magic to a world that resembled mine, I fell in love. Reading magic in a modern setting brought it home and made it real. Now, I gobble up every story I can find that brings magic to the mundane, and I even write my own. I hope the books on this list inspire you to look for the magic in your own life, as they have for me.
This book holds a very special place in my heart because this is the book I was reading on the day I decided to become an author. The way the characters, world-building, mythos, and action came together in this story was pure magic, and I wanted more.
I’ve since read the entire series, though it’s ongoing, and I haven’t been disappointed. The heart and soul of this book is how much the main character cares about her friends and how far she will go to keep them safe. Joining Mercy’s pack, even for just a few pages at a time, feels like coming home.
The third novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade
'I love these books!' Charlaine Harris
'The best new fantasy series I've read in years' Kelley Armstrong
MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER
It wasn't hard to follow the scent of blood to the living room where the fae had been killed. It had been a violent death, perfect for creating ghosts.
Mercy Thompson enjoys life as a mechanic, but life is never simple given her increasing closeness to the local werewolf pack, and her ability to change into coyote…
I’m a paranormal fantasy author who loves vampires. They’re my favorite supernatural creatures. I think my obsession with vamps started when I saw Underworld for the first time. I had watched Blade before and thought, “I’d like to see a movie with just as much action but also romance” and voila! Some prefer the darker, less romantic vampire stories in which the bloodsuckers are monsters, but I prefer to read and write stories where they’re more than just their hunger. So if you’re like me and like a good combination of vampire action and seduction, you will probably enjoy the books on my list.
Again, it’s so hard to choose between all the amazing books in The Black Dagger Brotherhood, and the Black Dagger Legacy series, but Blood Fury has one of my favorite M/M romances ever. Ruhn and Saxton aren’t even the main couple, but gods, do they steal the show! I got all the feels. I shivered and teared up, laughed, and swooned. Ruhn is a gentle giant, and Saxton has had his poor heart broken in quite a spectacular way, but they find each other, and… I’ll stop because I’ll spoil the awesomeness. The spice is hot as hell too, so don’t read in public ;)
In this sexy paranormal romance novel set in the world of the Black Dagger Brotherhood, #1 New York Times bestselling author J. R. Ward tells the story of two couples - both fighting to find love in the midst of the war with the Lessening Society.
A vampire aristocrat, Peyton is well aware of his duty to his bloodline: mate with an appropriate female of his class and carry on his family's traditions. And he thought he'd found his perfect match - until she fell in love with someone else. Yet when his split-second decision in a battle with the…
I've had many professions over the years: theatrical stage technician, stage manager, scenic artist, teacher, writer, driver, husband, and father. I've always had a love for horror and fantasy stretching from the classic Gothic to the incredible worlds of Tolkien, Pratchett, and many more. I never set out to write, but I love the escapism and freedom that both reading and writing allows. I was a military child and having followed my father across Europe, I settled in the beautiful cathedral city of Lincoln, UK, which itself has its horror, hauntings, and history. Fantasy writing seemed to be the next stage of my development, combining macabre with the fascinating task of creating a fantastical world.
This is a terrific take on the ‘what if…’ scenario that Dracula survived. I thoroughly enjoyed this tale, twisting and turning through the streets of Paris and London setting the scene for another blood fest of vampiric terror. Dacre has certainly captured some of his ancestor’s penchant for horror and this book takes you on a mysterious trip through the minds of its fascinating yet disturbing characters.
The official sequel to Bram Stoker's classic novel Dracula, written by his direct descendent and endorsed by the Stoker family.
The story begins in 1912, twenty-five years after the events described in the original novel. Dr. Jack Seward, now a disgraced morphine addict, hunts vampires across Europe with the help of a mysterious benefactor. Meanwhile, Quincey Harker, the grown son of Jonathan and Mina, leaves law school to pursue a career in stage at London's famous Lyceum Theatre.
The production of Dracula at the Lyceum, directed and produced by Bram Stoker, has recently lost its star. Luckily, Quincey knows how…
