10 books like The Vampire

Frayling’s book is very much a forerunner of Groom’s, being one of the first serious (but also immensely readable) studies of the vampire in culture. This one keeps its sights trained more on the nineteenth-century vampire. It begins with The Vampyre, the story written by John Polidori at the Villa Diodati at the same infamous gathering that spawned Marty Shelley’s Frankenstein. Polidori was Lord Byron’s physician, but the two men fell out badly, and Polidori’s aristocratic bloodsucker Lord Ruthven is widely regarded as modeled on Byron. Although now little remembered, The Vampyre began the Victorian craze for vampires that culminated in Bram Stoker’s Dracula. Frayling is the perfect guide, being not only a cultural historian of wide learning but also a splendid communicator.

Auerbach’s book takes the vampire story into more contemporary territory and, some might say, into more treacherous waters. Although beginning again with Polidori, she follows the evolution of the vampire tale through to Stephen King’s Salem’s Lot, Anne Rice’s Vampire Chronicles, and Tony Scott’s 1983 film The Hunger (starring an elegantly wasted David Bowie). She shows how homoeroticism has been a part of the vampire narrative since its nineteenth-century inception, notably with Sheridan Le Fanu’s 1872 novella Carmilla, and how readily the narrative lent itself as an allegory of the 1980s AIDS epidemic. I don’t agree with all of Auerbach’s interpretations, but she has some zinging one-liners.

Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”

Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.

Again, it’s so hard to choose between all the amazing books in The Black Dagger Brotherhood, and the Black Dagger Legacy series, but Blood Fury has one of my favorite M/M romances ever. Ruhn and Saxton aren’t even the main couple, but gods, do they steal the show! I got all the feels. I shivered and teared up, laughed, and swooned. Ruhn is a gentle giant, and Saxton has had his poor heart broken in quite a spectacular way, but they find each other, and… I’ll stop because I’ll spoil the awesomeness. The spice is hot as hell too, so don’t read in public ;)

My teen years were spent in the early 2000s, so Anne Rice was the OG to me for urban fantasy. Tale of the Body Thief is my favorite story of hers. Like my novel and current city, it also takes place in DC (Georgetown!) and I love retracing Lestat’s footsteps through the novel as he visited notable places like Martin’s Tavern. The plot focuses on Lestat body-switching with a human who ends up stealing the vampire’s body. If you’ve seen Interview With the Vampire, you don’t really need to have read the other books in the series to read this one. For me, I love that it’s a fun literary ride with familiar characters and setting. 

Whereas Barber expounds upon the anthropological origins of the vampire myth, McClelland focuses on the practices, principles, and logistics of killing the dead. The most familiar form comes in the unearthing and mutilation of bodies. McClelland explains the whys and wherefores of that practice, but he also gives their killers more than their due, explaining the role of vampire slayers as shamans, village elders, and quasi-religious figures during Europe’s transition from its pagan roots to modern Christianity. He demonstrates that vampires fell into an uneasy space between a fading system of peasant folklore and the organized religious rituals and beliefs that ultimately took their place. There are no vampires in the Bible, so where was the church during the vampire hysteria of the 1800s and how did they regard these mythical creatures? McClelland answers that and more. He also includes an overview of our modern conception of vampire slayers from… show more.

I’ve always been a fan of vampire stories and the related lore. From Dracula to Buffy to Anne Rice, I love all the different takes on vampire mythology, so The Incurables was a really neat book to discover. It takes a different approach to vampire lore, making it a viral disease that affects certain people based on their biology. The main character, Eveleen, contracts the disease and is put in an underground bunker with other infected, as the government tries to cure them, but there are much darker forces at play, and conspiracies to uncover and escapes to plan. The story was dark and twisty with threads of romance and really high stakes, and basically everything I love about vampire stories. 

This was a breakthrough in our (and my) understanding of vampires as an explanation for disease in the context of pre-industrial, agrarian societies. Everyone understood that there were (and to some degree, are still) persistent folk beliefs about vampires around the world, with Slavic and Balkan variants having gained a foothold in the popular imagination. Paul Barber explains the intricacies of belief, the particulars of that folklore, and illuminates one of humanity’s oldest tendencies that lies at the root of vampire stories—to blame death on the dead. There are gruesome anecdotes aplenty and Barber explains the logistics of vampire “attacks” down to every last, bloody detail. 

Wow! Talk about meaty and juicy with substance! I bought this book in paperback and it is the definition of a tome! When I first read it, it reminded me of a good gothic literature tale with a dash of the beautiful world-building of Anne Rice’s Interview With the Vampire sprinkled with the language of Gabaldon’s Outlander book. It’s another book that deals with life through the paranormal characters’ lives in a human world which I can never get enough of. 

Blood Tears takes place across the centuries throughout the large world wars and other historical events that nicely tie into our real timeline. Every time I cracked open the book to read just a little bit I would find myself entranced in the story and the characters.