Fans pick 85 books like The Vampire

If you’re interested in the literary roots of vampires, and Dracula in particular, I’d heartily recommend this nonfiction title. It delves into the origins of characters like the Count in earlier 19th-century texts and examines how and why Dracula became such a long-lasting cultural influence. It’s also very good on Bram Stoker’s life and less famous works.

Auerbach’s book takes the vampire story into more contemporary territory and, some might say, into more treacherous waters. Although beginning again with Polidori, she follows the evolution of the vampire tale through to Stephen King’s Salem’s Lot, Anne Rice’s Vampire Chronicles, and Tony Scott’s 1983 film The Hunger (starring an elegantly wasted David Bowie). She shows how homoeroticism has been a part of the vampire narrative since its nineteenth-century inception, notably with Sheridan Le Fanu’s 1872 novella Carmilla, and how readily the narrative lent itself as an allegory of the 1980s AIDS epidemic. I don’t agree with all of Auerbach’s interpretations, but she has some zinging one-liners.

Although this book focuses on just the most famous vampire narrative of all, you don’t need to look far into Dracula to find universal vampire themes: sexuality, paranoia, misogyny, xenophobia, psychoanalysis, and the sacred power of blood. This collection of essays also sets Stoker’s tale within the wider context of the Victorian vampire boom, and looks at what became of his tale on stage and screen. It shows how Stoker was tapping into richer, deeper seams than even he realised, making Dracula “one of the most obsessional texts of all time, a black hole of the imagination”, in horror expert David Skal’s words. “The most frightening thing about Dracula’, says Skal, “is the strong probability that it meant far less to Bram Stoker than it has come to mean for us.”

Before you can understand contemporary manifestations of zombies and vampires in shows like The Walking Dead or The Strain, it helps to know the long and varied cultural history of these monsters. Gregory Waller explores how each generation imagined and interpreted zombies and vampires, both in print and on-screen. How do they speak to our fears and prejudices, or even desires? I found it very helpful in writing Planet Auschwitz.

I will argue that the rapid increase in attention to the folkloric basis of the vampire legends in English-language literature is the result of the work of the late Prof. Jan Perkowski, whose book The Darkling: A Treatise on Slavic Vampirism changed my life. I left a fairly lucrative high-tech career to get my doctorate in Slavic Folklore at the University of Virginia, where (full disclosure) I became Perkowski’s teaching assistant.

In 2006, I was asked to write the Preface for a collection of all of Perkowski’s seminal writings on the Slavic vampire. Vampire Lore is a compendium of his complete books, as well as harder-to-obtain articles about more arcane aspects of vampire folklore, in one solid volume.

My copy is well-worn, as this volume contains not only The Darkling but two other complete volumes, including Vampires of the Slavs and Vampires, Dwarves, and Witches among the Ontario Kashubs.… show more.

Again, it’s so hard to choose between all the amazing books in The Black Dagger Brotherhood, and the Black Dagger Legacy series, but Blood Fury has one of my favorite M/M romances ever. Ruhn and Saxton aren’t even the main couple, but gods, do they steal the show! I got all the feels. I shivered and teared up, laughed, and swooned. Ruhn is a gentle giant, and Saxton has had his poor heart broken in quite a spectacular way, but they find each other, and… I’ll stop because I’ll spoil the awesomeness. The spice is hot as hell too, so don’t read in public ;)

My teen years were spent in the early 2000s, so Anne Rice was the OG to me for urban fantasy. Tale of the Body Thief is my favorite story of hers. Like my novel and current city, it also takes place in DC (Georgetown!) and I love retracing Lestat’s footsteps through the novel as he visited notable places like Martin’s Tavern. The plot focuses on Lestat body-switching with a human who ends up stealing the vampire’s body. If you’ve seen Interview With the Vampire, you don’t really need to have read the other books in the series to read this one. For me, I love that it’s a fun literary ride with familiar characters and setting. 

Of all the epistolary horror stories I've yet encountered, this is the most bizarre and puzzling, thanks to a disturbed, unreliable, maddening, yet pitiable narrator.

Is the young diarist insane, or is she the only person who can see the truth of what’s happening in her sheltered boarding school? Is the new girl, Ernessa, a vampire? Is Ernessa even real at all? I couldn't tell, but I kept wondering.

I thoroughly enjoyed the mystery and the experience of trying to determine what was actually going on.

Whereas Barber expounds upon the anthropological origins of the vampire myth, McClelland focuses on the practices, principles, and logistics of killing the dead. The most familiar form comes in the unearthing and mutilation of bodies. McClelland explains the whys and wherefores of that practice, but he also gives their killers more than their due, explaining the role of vampire slayers as shamans, village elders, and quasi-religious figures during Europe’s transition from its pagan roots to modern Christianity. He demonstrates that vampires fell into an uneasy space between a fading system of peasant folklore and the organized religious rituals and beliefs that ultimately took their place. There are no vampires in the Bible, so where was the church during the vampire hysteria of the 1800s and how did they regard these mythical creatures? McClelland answers that and more. He also includes an overview of our modern conception of vampire slayers from… show more.

When I watched Blood: The Last Vampire, a Japanese horror film based on manga by Mamoru Oshii, I was hooked. I discovered Saya, and manga. Saya is a fierce and beautiful vampire killer who wears a modest Japanese school uniform while hunting. The vampires mostly look like normal people. Some are scared and run, others fight back. Either way, they die. I liked the contradicting image of the innocent-looking schoolgirl who is a ferocious killer, but the story was also thought-provoking. When Saya makes a mistake and kills an innocent person, it showed a dilemma most ‘hero’ stories don’t address. Are we either completely good or always evil? Saya is the inspiration for Shoko, the lead character in my novels, and she struggles with this. Can you serve the gods and also be a killer?