Fans pick 100 books like Collected Ghost Stories

This is a book you wouldn't want to lend to a friend, but you might want to buy it for a friend! It’s a genre-defying memoir of a grieving daughter that I found inspirational and validating in the wake of my own parents' deaths. Helen MacDonald loses her father and embarks on a journey to find, adopt, and train a goshawk, one of the fiercest and most feral predators on Earth...a remarkable metaphor for her own wild grief.

As her relationship evolves with the goshawk, Mabel, they learn together the beauty and terror of being alive. I found great inspiration here because it taught me that you can talk about hard things in a lyrical, uplifting way, leaving your readers to soar on the last page, not jumping out of windows. 

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

Dickens did not “invent” Christmas, of course, but our modern understanding of it undoubtedly derives from him.

For long a Londoner, because of Dickens, Christmas still seems to me at heart a matter of foggy London streets, enclosed city houses, and window-lights and passers-by at dusk. Christmas means rituals, and I, among others, go through the yearly rite of re-reading A Christmas Carol. And every year, it’s just as vivid, as funny, and as moving as the years before.

Dickens celebrates Christmas as a time of renewal, and Scrooge finds redemption by finding the person he used to be and the person he ought to be now. Robert Louis Stevenson said that reading it made him want to do good things, and what better recommendation could there be?

When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.

It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.

Oscar Wilde gave us a genuinely chilling gothic tale in The Picture of Dorian Gray, but in this short story, the supernatural is a source of fun.

The Otis family, pleasant, sensible, and up-to-date Americans, move into a haunted English manor and immediately antagonize Sir Simon de Canterville, the house’s resident spectre. Sir Simon has a theatrical flair for haunting, pulling out all the stops to terrify his victims into gibbering wrecks, but it’s all wasted on the Otis family, who are hilariously unbothered by the spookiness.

If you’re staying in a haunted house, I highly recommend channeling your inner Otis.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!

The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.

It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF. 

“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”

This list would not be complete if I did not include one of Lovecraft’s books, as he is a true icon of the macabre, having created his own pantheon of Gods. He inspired Anne Rice, Clive Barker, and Stephen King to name a few. His stories are unique, entrenching, groundbreaking, and stay embedded within you long after you’ve read them. Horror fans know him well, but to most people who aren’t familiar with his name, they actually inadvertently know about his work. John Carpenter’s The Thing is based on Lovecraft’s In the Mountains of Madness. The character Pennywise from It is based on Lovecraft’s ideas of “outer gods” and evil beings that exist in dimensions outside of normal human experience. 

The Lurker at the Threshold remains my favorite story because it encompasses everything Lovecraft wrote about – unspeakable revelations, fractured characters, and boundaries of space and time. To me,… show more.

This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.