86 books like The Lurker at the Threshold

Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!

The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.

It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF. 

“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”

The other recommendations on my list are titles that will help you if you want to calm yourself down, maybe even get some sleep, whilst staying in a haunted house. But maybe you want to lean into the atmosphere. If that’s the case, you need M. R. James. 

His ghosts are rarely glimpsed clearly, you get troubling hints of their appearance, or you just see the horrible things they have done to their victims, and that makes them all the more terrifying. In these stories, anything could turn on you: a doll’s house, your Latin homework, the advert you see on your daily commute. Proceed with caution.

This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.

A very funny book based on the John Carpenter movie of the same name. It’s about the crew of the malfunctioning Dark Star, engaged in the suitably pointless mission of “destroying unstable planets.” Highlights include the alien shaped like a beach ball, and the philosophical bomb agonizing over its purpose in life – to blow or not to blow. Sadly, the book is out of print, although you might bag a second-hand copy. One of us (Corben) obtained a manky copy on the No. 47 bus as he made his way with his greyhound Professor Wagglesworth to the Catford Dog track in 1974. The Professor performed poorly that night – distracted by a frisky poodle in the crowd – so Corben read the book instead. It made him realise that life, unlike greyhound racing, is not to be taken seriously.

The story is set in the Warhammer 40’000 universe, but anyone can read it without feeling lost. I love the way the author subverts the reader’s expectation from a story of “military squad Vs. monster” to “military squad Vs. everything-on-the-planet.”

A fantastic blend of (John Carpenter’s) The Thing and Predator. An enjoyable and easy-to-read tale of claustrophobic, slow-burning tension and Hollywood 80s action hero. I loved the ever-increasing sense of paranoia they endure by gradually discovering that absolutely everything wants to kill them.

Whether it’s the short story, the novella, or the novel, Burke never fails to go for the throat in wonderfully unexpected ways. This book falls into that niche sub-genre of horror often referred to as “Arctic horror,” although that often just means cold, with lots of snow. 

The staff at a seaside hotel take in a group from a nearby retirement community just as a massive snowstorm strands them all in a hotel that feels like an East Coast version of the Overlook. A combination of John Carpenter’s The Thing and The Shining, Burke finds the terror in small moments that string together into something much larger and horrifying than I anticipated.

I read this book at night just as snowflakes started falling outside the office window. One of those stories (like several of Burke’s themed collections that might be best read at a certain time of year, in… show more.

Take the body horror nightmare of John Carpenter’s The Thing and substitute the remoteness of that film’s Antarctic setting for the densely populated familiarity of the UK. When a deadly infection strikes, four friends must cross a chaotic, war-torn England to reach their families. The infection turns people into vile, cannibalistic monsters that are almost Lovecraftian in their grotesqueness. There’s something about the juxtaposition of the normality of UK life and the unrelenting horror of the infection that really hits home. This is a vicious book that pulls no punches and spares no one. Beautifully written, and bleak as hell.

I’m a huge John Carpenter fan, and until recently, I’m ashamed to admit that I didn’t even know he had his own comic book label, Storm King Productions. This book is a graphic novel anthology, part of a series featuring Carpenter himself as well as other great writers. It's a fun, horrific ride in the vein of Creepshow. 

“You never really succeed,” Andrew W. Marlowe tells the editors of Tales from the Script, “You always fail at a higher level.” So: first you can’t finish your script, then you can’t get it read, then you can’t sell it, then you can’t get it made, then it’s made – but badly. Or, in Marlowe’s case, it’s made into Air Force One and you’re asked to repeat the trick. “Even when you get to the top there’s this realization: ‘Okay, the view is great, but tomorrow I gotta get up and start climbing the mountain again.’” If you find that depressing, don’t be a screenwriter. If you see it as a challenge, read on…