100 books like Carmilla

The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.

I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.

I picked this book up from a second-hand street bookshop. It was the wisteria that did it. Something about those climbing vines made me fall right into the world of Lestat and Louis, and I’ve never fallen out again. Also, I love love, and there’s nothing more intriguing than three unrelated people/beings managing to stay together for sixty-five years.

Of course, there was murder and mayhem, but the love endured, and my secret romantic heart ate that shit up.

I’m a big fan of a story with quirky details that really add to getting to know the characters. It's even better when magic is thrown in the background in a way that makes it seem ordinary and acceptable—not strange at all.

This story does all of that and then some by taking outcasts and explaining their stories one by one while weaving them all together into one quiet redemption.

I love Anita Blake, the feisty, insecure, kick-butt heroine of this story. She’s everything I want in a protagonist: Strong and clever enough to solve her own problems, naive enough to think that will always be the case, and a stranger to her own heart. Lots of room for growth. And grow, she does.

This book (and series) lean more toward the paranormal romance side of urban fantasy, but it also has a dark and gritty noir feel that walks the line of horror. This genre mash-up checked all the boxes for me, keeping me invested in the characters, the world, and the heart-pounding plot.

I desperately want to be best friends with Henry (Monty) Montague, the delightful, ridiculous, irrepressibly queer gentleman of this book.

The story follows Monty on a joyous and, at times, harrowing romp through 18th-century Europe, accompanied by his prickly but secretly brilliant sister and his quiet, kind-hearted best friend (who he’s totally in love with but far too clueless to do anything about.)

What I love the most about this story is the way it depicts queerness in a way that feels true to its historical setting. Monty interrogates his identity with the flawed language and beliefs he inherited from the world around him, which I suspect anyone who didn’t grow up with access to an open and loving queer community, i.e., most of us, can relate to.

The Mirror Season is a difficult and beautiful novel about trauma – sexual assault, specifically – and it’s handled so compassionately, kindly, and brightly. Its central metaphor losing your magic after something unthinkable happens to you, left only with broken shards, works on many levels (as all good metaphors do). Ciela and Lock are brought together after one horrible night at a party, and their relationship is rendered realistically – they struggle separately and together. The something queer is pan: enchanted pan dulce, and a pansexual protagonist. 

I recommend this book because, like many kids, it was one of my first introductions to the world of fiction. And given its popularity, it is a story I have always thought back on when thinking about my own writing. What elements of it are a reason for its popularity that I could establish in my own work?

The big one I took away was how the story is intermixed with our reality. I think contemporary urban fantasies, or those in the magical realism realm, I think a big part of the appeal is that readers find it believable and more relatable because it is set in our “reality." Of course, to reach such a status as Harry Potter, it needs to be a great story, but that was an element I tried to mimic, albeit in a space opera sense. This is the first book in the series… show more.

A formative book from my childhood, The Weirdstone of Brisingamen kick-started my love of all things magic, heroic, and fantastical. Not only that, but the setting was close to where I grew up – these were locations I knew but viewed through a mythic lens. Loosely based on the legend of the Wizard of Alderley Edge, Alan Garner creates a fantasy world that feels so real as two children are pulled into an adventure where the very future of the world of men is on the line. It remains so influential on my own writing that I still return to the old dwarf caves of Fundinvale as an adult and enjoy the tale every bit as much as I did when I was a ten-year-old reading by torchlight under the duvet.

This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.

As contemporary Gothic author and artist Franklin Bishop observe, John Polidori ‘was responsible for introducing into English fiction the enduring image of the vampyre in the guise of a suave, cynical, and murderous English Lord. With the presentation of Lord Ruthven [Byron] as a vampyre, Polidori created a personification of evil that countless authors have since imitated in attempting to satisfy the enormous public interest in this genre of literature. The literary-metamorphosed vampire that emerged from the Villa Diadoti ‘ghost story’ contest quickly developed a life force of its own – which was not surprising since it was the collective brainchild of Byron and his physician John Polidori – and created a minor literary scandal when it was published in 1818. The Vampyre was based on Lord Byron’s unfinished story "Fragment of a Novel," but it is arguably the most influential vampire work of the early 19th century.

I loved… show more.