87 books like Death World

This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.

This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.

I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).

As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”

Originally, I was looking for a book series to get my 12-year-old (non-reader) nephew interested in reading. The cover art is great, and the description, “a smart-ass skeleton detective and a secret magic world, in the shadows of the real world,” piqued my interest. Yes, an actual walking, talking skeleton.

I first purchased a copy for myself so I would know if it was appropriate for him. I enjoyed reading it so much that I went out the next day and bought him the first four books in the series. They became the first books he voluntarily read. I love the depictions of magic (and magical creatures) in the real world and the constant battle to keep regular humans ignorant of the events that take place virtually right in front of them. 

It's a great read for a cold winter night or a lazy Sunday afternoon. The zombies are slow, methodical, and relentless. I prefer Romero's slow-shambling zombies over Hollywood’s gold-medal-winning sprint demons.

The story revels in claustrophobic tension with plenty of action, stealth, and more zombies than you can throw a pie at (you’ll only get that if you’ve seen the original movie). The story is faithful to the movie, and it was fun to space the book out over a couple of nights.

A different kind of hero. Cerebral and self-contained. Eisenhorn is an Inquisitor who maneuvers within the system and operates within his own complex reality, fighting a never-ending war against all aspects of Chaos. He finds allies in impossible places and uses them to his advantage. Part mystery, part adventure, and expertly crafted to portray the darkest of futures, it is the quintessential dystopian science fantasy. While some may question the rigid morality of the future day, Eisenhorn chooses results over dogma, choosing the lesser of two evils. I learned that characters must choose their own reality, adapting to the dystopia in which they reside. It’s a compelling human trait that transcends any universe.  

What is the essence of creating art? That’s what I took away from this book. The main plot of the book has to do with hamartia and the fall of an angel, but it is the commentary on the perfection of art that really stuck with me.

This is more so because Graham McNeil’s prior attempt to depict corruption in False Gods was such a disappointment, which turns Fulgrim into glorious vindication. Artists always lament and torment themselves over their work. Constant doubt makes an artist strive for perfection, with brief moments of feeling like we succeeded. No book encapsulated that for me like this did.

So many times with tie-in novels, you have the issue of trying to predict what a fanbase wants while still trying to keep a story original. I’ve read a lot of tie-in novels that fail in this, and as a result, their stories fall flat and become hollow narratives. The Warhammer 40k universe has a long, rich, and storied history of lore. Sometimes, that lore boils down to “Space Marines are cool,” and that is as far as the depth of the worldbuilding goes. 

This book succeeds where many others do not. In this story, I got to see the effects of a universe that is dominated by war played out in the lives of these characters. Rather than a string of events between one fight to the next, I saw the toll that such an existence would have on the people who live it. It does this in a… show more.

Nothing about the Warhammer 40,000 universe says ‘funny’. The fact that it’s fans call it the ‘grimdark’ is a proud testament to this. I’ve read a lot of Warhammer books, but was surprised when I came across this series. It follows Ciaphas Cain, a Commissar who is trying to survive and find the cushiest job for himself in a universe of constant war, yet somehow, he constantly ends up being the hero.

This book really opened my eyes to the fact that you can humor even in the grittiest settings, and that just because a book is funny, it doesn’t mean it can’t be action-packed and have high stakes. Much of the humor comes from Cain’s futile attempts to avoid any sort of combat and save his own skin.

A very funny book based on the John Carpenter movie of the same name. It’s about the crew of the malfunctioning Dark Star, engaged in the suitably pointless mission of “destroying unstable planets.” Highlights include the alien shaped like a beach ball, and the philosophical bomb agonizing over its purpose in life – to blow or not to blow. Sadly, the book is out of print, although you might bag a second-hand copy. One of us (Corben) obtained a manky copy on the No. 47 bus as he made his way with his greyhound Professor Wagglesworth to the Catford Dog track in 1974. The Professor performed poorly that night – distracted by a frisky poodle in the crowd – so Corben read the book instead. It made him realise that life, unlike greyhound racing, is not to be taken seriously.

This list would not be complete if I did not include one of Lovecraft’s books, as he is a true icon of the macabre, having created his own pantheon of Gods. He inspired Anne Rice, Clive Barker, and Stephen King to name a few. His stories are unique, entrenching, groundbreaking, and stay embedded within you long after you’ve read them. Horror fans know him well, but to most people who aren’t familiar with his name, they actually inadvertently know about his work. John Carpenter’s The Thing is based on Lovecraft’s In the Mountains of Madness. The character Pennywise from It is based on Lovecraft’s ideas of “outer gods” and evil beings that exist in dimensions outside of normal human experience. 

The Lurker at the Threshold remains my favorite story because it encompasses everything Lovecraft wrote about – unspeakable revelations, fractured characters, and boundaries of space and time. To me,… show more.