I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
My book is about the Zombie Apocalypse and is set in modern-day Australia. The average Australian has no access to firearms and isn’t even legally able to carry a pocketknife (I also avoided the cliché of instantaneous proficiency with a katana). Incorporating these pre-existing challenges created some scary situations and required creative problem-solving from the characters. The outbreak begins in Sydney but quickly spreads beyond the city limits.
While writing, I kept the violence realistic, the gore non-gratuitous, and ensured none of the characters were over-the-top action heroes. Characters make mistakes, and mistakes have consequences. If you’re looking for an entertaining tale that may just improve your chances of surviving the Zombie Apocalypse, then look no further…..
This book is a fantastic collection of short stories about the Zombie Apocalypse. Some of the stories broach the subject of corruption, which enabled a local epidemic to spread globally.
I first read this book in 2006 with an “imagine if…..” frame of mind, but I watched world events unfold in 2020 from the perspective of “life imitating art.” I loved the author’s conversational style of storytelling and the believable characters he described. There are no hardcore action heroes, just regular people.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
It's a great read for a cold winter night or a lazy Sunday afternoon. The zombies are slow, methodical, and relentless. I prefer Romero's slow-shambling zombies over Hollywood’s gold-medal-winning sprint demons.
The story revels in claustrophobic tension with plenty of action, stealth, and more zombies than you can throw a pie at (you’ll only get that if you’ve seen the original movie). The story is faithful to the movie, and it was fun to space the book out over a couple of nights.
WHEN THE END OF THE WORLD COMES, WHAT WILL YOU BE DOING?
The classic horror that inspired a genre: if you haven't read this yet, you need to. If you have, you'll want to again. Includes a brilliant and exclusive introduction from Simon Pegg.
When there is no more room in hell, the dead will walk the earth.
George A. Romero's iconic film and novel terrified generations.
Now Dawn of the Dead is back to terrify once more.
The world is being devastated by zombies. No one knows how far they have spread, or how to stop them. And as…
I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).
As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”
Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.
Originally, I was looking for a book series to get my 12-year-old (non-reader) nephew interested in reading. The cover art is great, and the description, “a smart-ass skeleton detective and a secret magic world, in the shadows of the real world,” piqued my interest. Yes, an actual walking, talking skeleton.
I first purchased a copy for myself so I would know if it was appropriate for him. I enjoyed reading it so much that I went out the next day and bought him the first four books in the series. They became the first books he voluntarily read. I love the depictions of magic (and magical creatures) in the real world and the constant battle to keep regular humans ignorant of the events that take place virtually right in front of them.
She's twelve. He's dead. But together they're going to save the world. Hopefully.
The iconic first book in the bestselling Skulduggery Pleasant series.
Stephanie's uncle Gordon is a writer of horror fiction. But when he dies and leaves her his estate, Stephanie learns that while he may have written horror, it certainly wasn't fiction.
Pursued by evil forces, Stephanie finds help from an unusual source - the wisecracking skeleton of a dead sorcerer...
The story is set in the Warhammer 40’000 universe, but anyone can read it without feeling lost. I love the way the author subverts the reader’s expectation from a story of “military squad Vs. monster” to “military squad Vs. everything-on-the-planet.”
A fantastic blend of (John Carpenter’s) The Thing and Predator. An enjoyable and easy-to-read tale of claustrophobic, slow-burning tension and Hollywood 80s action hero. I loved the ever-increasing sense of paranoia they endure by gradually discovering that absolutely everything wants to kill them.
A squad of Catachan Jungle Fighters is sent to the deathworld of Rogar III in response to an ork incursion. But, as well as dealing with the orks, they must do battle the planet itself ¿ not to the mention the mysterious figures that stalk them across the deadly terrain.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.
Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police response, decide to investigate. Highly atmospheric and evocative of a distinct period and place.
One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.
Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.
‘A mystery that evokes the period – and a recovering London – in…
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