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As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
Most readers know this feeling well: when a book you love doesn’t seem to get the attention you feel it deserves. That’s exactly how I view Daniel Kraus’ excellent and suspenseful novel, Bent Heavens. Maybe because it was marketed as YA (whatever that means these days), or maybe because he’s so prolific that it can be hard to keep up with all his work.
Whatever the reason, this book features conspiracy theories, a missing father, government secrets, and exactly the kind of fog-shrouded abandoned places Mulder and Scully tend to explore during their investigations. Yeah, it’s creepy. Yeah, it’s mysterious. But more than that, it’s got characters you care about.
Liv Fleming is done with childhood fantasies. Done pretending she believes her missing father's absurd theories about alien abduction. Done going through the motions of checking the traps he set just for her friend Doug's sake. But on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she's faced with a painful realisation: Her dad was telling the truth. And no one believed him.
Now she and Doug have a choice to make. They can turn the alien over to the…
As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
Some writers make me feel like they’ve seen a glimpse of the future or at least a version of the future. I’m not talking one hundred years ahead; more like a year or two.
This book kicks off with a brutal, bloody scene in a classroom that lets us know something’s not quite right in the (fictional) eastern Oregon town of Turner Falls. Interspersed with the rantings of a conspiratorial radio DJ (think Coast to Coast), we follow a group of high school students contending with something way over their heads.
I love this book not just for the plot and characters but for the prose. Johnson brings a ruthless energy and generous heart to his sentences, and it’s exactly the kind of thing that turns my dials. Plus, I have a feeling if Mulder and Scully had been called in at some point during the story, things could have…
As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
This book damn near ticked every single box I have when it comes to what I love in a novel.
A complex and conflicted addict as the main character? Check. Regrets? Check. Deep childhood friendships? Check. An evil magician and a creepy carnival? Check and check.
Black Mouth is dark and intense, and even though it plunges straight into the supernatural, it’s very much grounded in the real world. A world full of pain, heartache, loss, and broken people.
It also features a character with a disability, and he’s drawn with such love and tenderness that I can’t help but think more novels would benefit from disability representation. The character of Dennis is often seen most clearly in the way others interact with him, revealing much about the kindness or cruelty of the other characters.
A special book that I didn’t so much read as live inside.
A group of friends return to their hometown to confront a nightmare they first stumbled on as teenagers in this mesmerising odyssey of terror.
An atmospheric, haunting page-turner from the bestselling author of Come with Me
For nearly two decades, Jamie Warren has been running from darkness. He's haunted by a traumatic childhood and the guilt at having disappeared from his disabled brother's life. But then a series of unusual events reunites him with his estranged brother and their childhood friends, and none of them can deny the sense of fate that has seemingly drawn them back together.
As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
Is it cheating to pick a short story collection? Nah. Of course not!
Fracassi is one of my favorite writers. And if you want to know why, just check out his incredible novel Boys in the Valley. But a novel (usually) is a single story, and all the ideas therein serve that story. What a joy it is to see a writer unleash his full power, his idea machine, in a collection of short stories.
You get a little boy’s birthday wish that backfires in a horrifying way. A story written from the perspective of a haunted house. Yes, you read that right! The world’s most dangerous beach, along with eleven other stories that are pulpy, literary, chilling, and terrifying.
I love that Fracassi completely leans into the pulpy nature of these stories, giving us all the shocks and scares that we used to get from the “monster of…
No One Is Safe! presents fourteen stories of macabre, pulpy terror; a book filled with futuristic noir mysteries, science fiction thrillers, alien invasions, and old-school horror tales that will keep you up late into the night. Inside these covers, you’ll discover haunted dream journals and evil houses, birthday wishes gone wrong, a neighborhood cat that cures any disease, a flesh-eating beach, and mysterious skeletons on a hidden moon base. You’ll meet wise-cracking detectives, suburban vampires, murdered movie stars, and monsters of the deep. And remember—don’t get too attached to the characters you’ll meet on these pages because there’s no holding…
I’m an American horror and fantasy writer, addicted to reading dark fiction and Gothic literature. I’ve always loved the spookier things in life and wrote my first horror story when I was nine. When not writing books, I love breaking a sweat in Jiu-Jitsu class, baking desserts, and traveling. I hope you enjoy the books on this list as much as I have.
This list would not be complete if I did not include one of Lovecraft’s books, as he is a true icon of the macabre, having created his own pantheon of Gods. He inspired Anne Rice, Clive Barker, and Stephen King to name a few. His stories are unique, entrenching, groundbreaking, and stay embedded within you long after you’ve read them. Horror fans know him well, but to most people who aren’t familiar with his name, they actually inadvertently know about his work. John Carpenter’s The Thing is based on Lovecraft’sIn the Mountains of Madness. The character Pennywise from It is based on Lovecraft’s ideas of “outer gods” and evil beings that exist in dimensions outside of normal human experience.
The Lurker at the Threshold remains my favorite story because it encompasses everything Lovecraft wrote about – unspeakable revelations, fractured characters, and boundaries of space and time. To me,…
Who, apart from the innately humorless, doesn’t like a good laugh? We do, whether it’s at Mark Roman’s opera singing or at Corben Duke’s naked balloon dance. We also enjoy funny science fiction books. We’ve tried writing them, too, but it’s devilishly difficult. So, time and time again, we turn to the masters in the field to see how they did it, studying the words they used, the way they joined them together, and where they inserted the punctuation marks. Most instructive. Here are our top five and their funny SF books.
A very funny book based on the John Carpenter movie of the same name. It’s about the crew of the malfunctioning Dark Star, engaged in the suitably pointless mission of “destroying unstable planets.” Highlights include the alien shaped like a beach ball, and the philosophical bomb agonizing over its purpose in life – to blow or not to blow. Sadly, the book is out of print, although you might bag a second-hand copy. One of us (Corben) obtained a manky copy on the No. 47 bus as he made his way with his greyhound Professor Wagglesworth to the Catford Dog track in 1974. The Professor performed poorly that night – distracted by a frisky poodle in the crowd – so Corben read the book instead. It made him realise that life, unlike greyhound racing, is not to be taken seriously.
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
The story is set in the Warhammer 40’000 universe, but anyone can read it without feeling lost. I love the way the author subverts the reader’s expectation from a story of “military squad Vs. monster” to “military squad Vs. everything-on-the-planet.”
A fantastic blend of (John Carpenter’s) The Thing and Predator. An enjoyable and easy-to-read tale of claustrophobic, slow-burning tension and Hollywood 80s action hero. I loved the ever-increasing sense of paranoia they endure by gradually discovering that absolutely everything wants to kill them.
A squad of Catachan Jungle Fighters is sent to the deathworld of Rogar III in response to an ork incursion. But, as well as dealing with the orks, they must do battle the planet itself ¿ not to the mention the mysterious figures that stalk them across the deadly terrain.
I’ve been writing about the end of the world for years, so I know my way around the apocalypse! It’s not as dark as it sounds – it’s not the end of the world itself that I find fascinating, it’s imagining the reactions of the people who inhabit these nightmare scenarios. I’m a people watcher at heart, and these days it seems we’re increasingly restricted by the polarization of society, almost forced to pick a side. Come the apocalypse, all the preconceptions and regulations will be stripped away, and folks will behave as they genuinely want to, not how they think they should. Now that would really be something to behold!
Take the body horror nightmare of John Carpenter’s The Thing and substitute the remoteness of that film’s Antarctic setting for the densely populated familiarity of the UK. When a deadly infection strikes, four friends must cross a chaotic, war-torn England to reach their families. The infection turns people into vile, cannibalistic monsters that are almost Lovecraftian in their grotesqueness. There’s something about the juxtaposition of the normality of UK life and the unrelenting horror of the infection that really hits home. This is a vicious book that pulls no punches and spares no one. Beautifully written, and bleak as hell.
A pestilence has fallen across the land. Run and hide. Seek shelter. Do not panic. The infected WILL find you. When Great Britain is hit by a devastating epidemic, four old friends must cross a chaotic, war-torn England to reach their families. But between them and home, the country is teeming with those afflicted by the virus - cannibalistic, mutated monsters whose only desires are to infect and feed. THE LAST PLAGUE is here.
I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.
“You never really succeed,” Andrew W. Marlowe tells the editors of Tales from the Script, “You always fail at a higher level.” So: first you can’t finish your script, then you can’t get it read, then you can’t sell it, then you can’t get it made, then it’s made – but badly. Or, in Marlowe’s case, it’s made into Air Force One and you’re asked to repeat the trick. “Even when you get to the top there’s this realization: ‘Okay, the view is great, but tomorrow I gotta get up and start climbing the mountain again.’” If you find that depressing, don’t be a screenwriter. If you see it as a challenge, read on…
Few modern art forms are as misunderstood as the craft of creating movie scripts, but "Tales from the Script" puts readers in the trenches of the Hollywood development process. Readers will revel in the exploits of Shane Black ("Lethal Weapon"), John Carpenter ("Halloween'), Frank Darabont ("The Shawshank Redemption"), Nora Ephron ("When Harry Met Sally"), William Goldman ("The Princess Bride"), David Hayter ("Watchmen"), Bruce Joel Rubin ("Ghost"), Paul Schrader ("Taxi Driver"), Ron Shelton ("Bull Durham"), and dozens of others. They'll learn how these writers surmounted the incredible odds against breaking into Hollywood, transformed their ideas into films that topped the box…
I grew up in Los Angeles, California, which is frequently imagined as well as experienced. As a child, we lived by the beach and in the foothills of Angeles National Forest. The leaps of faith you make in this landscape were always clear: earthquakes, wildfires, and mudslides occur regularly. The question asked often about the Arctic: “why on earth do people live there?” applies also to California: life in beautiful landscapes and seascapes is risky. Then, I made my first trip to Iceland alone in 1995, and have now been to Iceland ten times, Greenland twice, and Nayan Mar, above the Russian Arctic Circle, each time with fascination.
If you can’t decide which of the many long stories of polar expeditions to read, this one is for you!
This book is a selection from the stories of the famous Arctic explorers: John Franklin, Roald Asmussen, Fridtjof Nansen. If you flip the book around and turn it upside down, you get a selection of Antarctic explorers of the same caliber, which is a brilliant design.
A beautiful literary anthology published to commemorate the International Polar Year―and remind us what we're in danger of losing.
The Arctic and Antarctic ice shelves have been an object of obsession for as long as we've known they existed. Countless explorers, including such legends as Richard Byrd, Ernest Shackleton, and Robert Falcon Scott, have risked their lives to chart their frozen landscapes. Now, for the first time in human history, we are in legitimate danger of seeing polar ice dramatically shrink, break apart, or even disappear. The Ends of the Earth, a collection of the very best writing on the…
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