I was a fraternal twin, and my brother died about two hours after birth from a bilateral pulmonary hemorrhage. Knowing this as a child, I became fascinated with death, thinking of it as annihilation. Later, I feared my religion (Christianity) might be false and I would be annihilated at death. Thus I became fascinated by all things philosophical and theological, including theological horror. The works I like most center on themes of the truth of religion and life after death while avoiding preachiness and the trap of telling rather than showing.
I highly recommend The Taking because it continues to haunt me with existential terror—I have never been as frightened by a horror novel in my life. The struggles of a young couple in the face of an apparent alien invasion are frightening enough, but the imagery is overwhelmingly frightening and powerful. When the reveal comes at the end, the surprise was almost too scary to bear, since it concerns entities in which I truly believe. This book lingers with me… and lingers…. and lingers….
On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong.
As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick…
It's often said that the movie is not as good as the book it was based on, but All You Need is Kill and Edge of Tomorrow are as good as each other for different reasons. They both share the same premise and a wry and kinetic plot that moves quickly and pulls no punches. Edge of Tomorrow broadens out the world of the book and - as a visual medium - delivers more visceral action scenes, but All You Need is Kill brings us closer to the characters, what made them and what drives them and provides a different story arc and ending - one a Hollywood Tentpole could not and would not attempt - that is at once sad and uplifting and absolutely right.
When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armour and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji's escape, or to his final death?
I love stories that exist within stories. I like to delve into what we think our world is about and discover the layering underneath that reveals complex relationships and real motives behind what characters do and why. One of the most fun things about a book involving conspiracies, like any good mystery, is going back through and reading a second time to see what clues I missed. Did I see this coming in advance? Did my initial perceptions of the characters hold up, or did the twist upend them completely? Should it have been obvious to me, or was it so subtle that only a master detective could’ve picked up on it?
Fighting off alien invasions has become a passé, so I’ve wondered what living on a conquered Earth, one where resistance was gone, would be like. How would we live? Way of the Pilgrim showed me that, along with what humans are willing to do to survive and, in some cases, thrive in such an environment.
While I like reading about our better natures, it has always been our baser desires that have always enthralled me. Shane Evert is a cross between a selfless hero and a man with his own interests at heart, and his plans for humanity clash with his desire for comfort. In the end, he leads his own conspiracy and finds one among the aliens he never imagined could exist.
As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
Is it cheating to pick a short story collection? Nah. Of course not!
Fracassi is one of my favorite writers. And if you want to know why, just check out his incredible novel Boys in the Valley. But a novel (usually) is a single story, and all the ideas therein serve that story. What a joy it is to see a writer unleash his full power, his idea machine, in a collection of short stories.
You get a little boy’s birthday wish that backfires in a horrifying way. A story written from the perspective of a haunted house. Yes, you read that right! The world’s most dangerous beach, along with eleven other stories that are pulpy, literary, chilling, and terrifying.
I love that Fracassi completely leans into the pulpy nature of these stories, giving us all the shocks and scares that we used to get from the “monster of…
No One Is Safe! presents fourteen stories of macabre, pulpy terror; a book filled with futuristic noir mysteries, science fiction thrillers, alien invasions, and old-school horror tales that will keep you up late into the night. Inside these covers, you’ll discover haunted dream journals and evil houses, birthday wishes gone wrong, a neighborhood cat that cures any disease, a flesh-eating beach, and mysterious skeletons on a hidden moon base. You’ll meet wise-cracking detectives, suburban vampires, murdered movie stars, and monsters of the deep. And remember—don’t get too attached to the characters you’ll meet on these pages because there’s no holding…
I am a former book editor turned writer and a lover of literature in all forms. Young adult literature will forever be my favorite. Though I’m no longer “young,” I have two teenagers who love YA as much as I do and we bond over these stories. Since one prefers contemporary & urban fantasy, and the other likes dystopian & epic fantasy, I read a lot of everything! I particularly enjoy books with characters who triumph over extreme adversity, and if you do too, then you'll like the books on this list.
This review perfectly summed
up this book but neglected to mention it has a spectacular cover, which I’ll
admit was the first thing that drew my eye. The story also features a bi-racial
main character, and since my children are multi-racial, I love seeing this
representation. Because I’m an unapologetic book nerd, I adored the many
literary references. And I always love a good road trip! All in all, this is
one character-driven YA novel you won’t want to miss.
“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine
Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?
When a rebel librarian meets an Ilori commander…
Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules…
Like many SF nerds, I watched a lot of Star Trekwhen I was a kid. I liked the adventures. I liked the ethos. I did not like the transporter. Everybody seemed to believe that they were being… well… transported, but it seemed obvious to me that actually they were just getting dissolved, and then somebody else who looked like them was getting created at the other end. This question (transported or replaced?) is the essence of the teletransport paradox, a puzzler that’s bedeviled philosophers since at least 1775. All of these books (including mine) are at their hearts an exploration of this problem. I know my answer. Do you?
This one is a deep cut, first published in 1951. It begins as a straightforward adventure, with a protagonist tasked with hunting down a dangerous alien that’s gotten loose on Earth. It becomes increasingly clear that something isn’t right, though, and eventually, our hero realizes that he’s actually a replicant, sent to do this job because his original was too cowardly to do it himself, and that his only hope of survival is to murder his original and take his place. I first read this when I was nine or ten years old, and the growing sense of horror as the truth becomes clear has stuck with me ever since, as has the dark, dark twist of an ending. This might be a tough one to find, but it’s well worth the effort.
Strange, poignant tales of life in outer space and on tomorrow's Earth from the multiple Hugo Award-winning Grand Master of Science Fiction.
Virtually every major author from science fiction's fabled golden age-including Poul Anderson, Isaac Asimov, and Robert A. Heinlein-agreed that Clifford D. Simak was one of the greatest among them. Named Grand Master by the Science Fiction Writers of America, the award-winning author created enduring visions of future worlds, perilous space explorations, and weird alien encounters as rich in emotion and humanity as they are in ingenious invention. This is an essential collection of short fiction from the remarkable…
I’m an MK, aka missionary’s kid, who ended up with more questions than answers about this thing called life. I nearly became an astrophysicist but chose finance as the safe bet, which led me to investing in over 150 early-stage tech startups. Along the way, I met and worked with people all over the world. Each with fascinating ideas about how and why we ended up on this waterlogged rock we call home. They say science fiction is the genre of philosophy, and I hope you agree if you get a chance to check out these fantastic books.
Multidimensional books tend to focus on either the existence of higher and lower dimensions, or on parallel universes. The Dark Forest(book 3), like my novel, is one of very few that take the string theory approach rather than show parallel universes.
The Three-Body Problemis an epic three-novel series that takes you from the cultural revolution in the ’60s, all the way to…well, the end. There’s a lot of cryogenic freezing to get the main character through time.
The final theme of the series, introduced in The Dark Forest, is the unfolding and collapsing of dimensions. In the first book, a radio telescope operator finds out that we aren’t alone. A battle with the alien species ensues, including a scene in the Panama Canal that convinced me to spend a few days visiting the modern marvel. It’s well worth the 1500+ pages.
Read the award-winning, critically acclaimed, multi-million-copy-selling science-fiction phenomenon - soon to be a Netflix Original Series from the creators of Game of Thrones.
Imagine the universe as a forest, patrolled by numberless and nameless predators. In this forest, stealth is survival - any civilisation that reveals its location is prey.
Earth has. Now the predators are coming.
Crossing light years, the Trisolarians will reach Earth in four centuries' time. But the sophons, their extra-dimensional agents and saboteurs, are already here. Only the individual human mind remains immune to their influence.
This is the motivation for the Wallfacer Project, a last-ditch…
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Brown was another author who mixed SF and humor. Here he stood the alien invasion premise on its head. Instead of spaceships from an advanced civilization laying waste to our great cities, Brown wonders how we’d react if the invaders weren’t interested in mass murder or enslaving humanity but simply annoying the hell out of us. His little green men from Mars enjoy insulting and pestering Earthlings. After a while, “War of the Worlds” might be a preferable encounter.
THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!
Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last.
It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets.
I’ve been a huge fan of D&D and RPG games since I’ve been old enough to play them. The idea of grooming a character, growing it in terms of strength and levels until it becomes powerful enough to take on gods always captured my imagination. LitRPG is a relatively new book genre, and reading it (the good ones at least) makes you feel like you’re playing those games yourselves. Following a new protagonist growth and journey, often illustrated by actual numeric values you can easily keep track of (like skills and levels) is so much fun, and I think more people should be aware it exists.
An excellent Litrpg sci-fi series. The protagonist goes out beyond earth to discover new races and worlds, slowly gain power, and unearth the secret of the ancient race that started it all. He’s just a human, but he’ll change the galaxy in his quest for knowledge.
The best scfi-fi litrpg in my opinion, the character growth is very visible and keeps you glued to the pages as the protagonist struggle to raise himself. Through his eyes, I got to experience unearthing ancient, hidden cultures, find ancient relics, and uncover galactic-wide schemes that blew my mind away.
An Artificial Intelligence, LitRPG, Cyberpunk adventure.
The Earth is changing. The alien invasion brought social upheaval, advanced technology, and an armada of peacekeeping robots. But Alan, a college student pursuing a now-useless degree, cares little about all of this. He has only one thing on his mind: the Game.
A fully immersive virtual reality, the Game appears to be a major part of the invading civilization. Alan can't wait to play, recklessly diving into the digital universe. Soon though, Alan realizes the Game is anything but simple, and the stakes are higher than he ever imagined.
