Here are 51 books that Footfall fans have personally recommended if you like
Footfall.
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I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
Although Murakami is perhaps best known for his ambitious novels such as Wind-Up Bird Chronicle, Kafka by the Shore, and IQ84, this book stands out in his catalog for its unapologetic weirdness. In tandem, his split-brained narrator explores two different yet thematically overlapping worlds.
A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
Leaving me equally tickled as it did in awe, Flatland is easily one of my favorite books of all time.
Delving into concepts quite difficult to think about, let alone explain in such a delightful way, it expanded my mind into not only a better understanding of ‘dimensions’ but also the possibility, and even, the probability, that there is much more in existence than our rather limited little human brains can comprehend.
As weird as it is wonderful, I found myself stopping at various points to either laugh or to try to explain to someone else (to their annoyance I’m sure!) the profound details it explained to me. And when it was all over I was left humbled, and pondered what greater beings there may be all around me, that I simply cannot see.
This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland…
I began research as an undergraduate at Harvard College, initially studying the effects of vitamin A deficiency on the photoreceptors in the eye that capture the light and initiate vision. After receiving my PhD and starting my own laboratory, I became fascinated with the other four classes of cells/neurons found in the retina, which begin the analysis of visual information: two being in the outer retina and two in the inner retina. We mapped out the synaptic interactions among the neurons, recorded from them, and began to put together the neural circuitries that underlie the visual messages that are sent to other parts of the brain.
Although this book has been around for a very long time, I only encountered it earlier this year.
It is a scientific fiction novel based on a supposed treatment given to a mentally handicapped young man (Charlie) that gave him great intelligence. This treatment had been tried earlier on mice (one being Algernon), enabling them to do cognitive tasks impossible for ordinary mice. The basis for much of the book was that the treatment was not permanent, and first, Algernon and then Charlie deteriorated back to where they were cognitively before the treatment.
The book beautifully describes what it was like (in Charlie’s own words) to be cognitively disabled before the treatment and how he was treated by people; then, when the treatment was effective, and finally, as he was deteriorating, which he recognized was happening. Although fictional, the descriptions of the cognitive changes in Charlie are compelling.
I’m an MK, aka missionary’s kid, who ended up with more questions than answers about this thing called life. I nearly became an astrophysicist but chose finance as the safe bet, which led me to investing in over 150 early-stage tech startups. Along the way, I met and worked with people all over the world. Each with fascinating ideas about how and why we ended up on this waterlogged rock we call home. They say science fiction is the genre of philosophy, and I hope you agree if you get a chance to check out these fantastic books.
Multidimensional books tend to focus on either the existence of higher and lower dimensions, or on parallel universes. The Dark Forest(book 3), like my novel, is one of very few that take the string theory approach rather than show parallel universes.
The Three-Body Problemis an epic three-novel series that takes you from the cultural revolution in the ’60s, all the way to…well, the end. There’s a lot of cryogenic freezing to get the main character through time.
The final theme of the series, introduced in The Dark Forest, is the unfolding and collapsing of dimensions. In the first book, a radio telescope operator finds out that we aren’t alone. A battle with the alien species ensues, including a scene in the Panama Canal that convinced me to spend a few days visiting the modern marvel. It’s well worth the 1500+ pages.
Read the award-winning, critically acclaimed, multi-million-copy-selling science-fiction phenomenon - soon to be a Netflix Original Series from the creators of Game of Thrones.
Imagine the universe as a forest, patrolled by numberless and nameless predators. In this forest, stealth is survival - any civilisation that reveals its location is prey.
Earth has. Now the predators are coming.
Crossing light years, the Trisolarians will reach Earth in four centuries' time. But the sophons, their extra-dimensional agents and saboteurs, are already here. Only the individual human mind remains immune to their influence.
This is the motivation for the Wallfacer Project, a last-ditch…
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first collection of short stories I’ve encountered that deals specifically with the aftermath of an Earth-shattering alien invasion, dwelling mostly on what humans do in the ruins after the aliens have packed up and gone home. I hadn’t really thought about that part of an invasion story before. As difficult as rebuilding would be, I was heartened to read about the satisfaction the survivors got from reclaiming what they had lost. Now that I’ve read this, it’s an aspect of the post-apocalyptic genre that I’d like to see more of.
Humanity was unprepared for the Xanite invasion of Earth. After decades of world-wide destruction, global infrastructure crumbled and cities fell into ruin.
As the calamity unfolded, a new generation of heroes confronted an uncertain future. They came from all walks of life – some wearing camouflage, while others were garbed in food service whites. These men and women worked courageously to stem the collapse of human civilization.
It would take new thinking and new beliefs to bring about a better future and deal with the alien menace. These are some of their stories of bravery and determination.…
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
Like many SF nerds, I watched a lot of Star Trekwhen I was a kid. I liked the adventures. I liked the ethos. I did not like the transporter. Everybody seemed to believe that they were being… well… transported, but it seemed obvious to me that actually they were just getting dissolved, and then somebody else who looked like them was getting created at the other end. This question (transported or replaced?) is the essence of the teletransport paradox, a puzzler that’s bedeviled philosophers since at least 1775. All of these books (including mine) are at their hearts an exploration of this problem. I know my answer. Do you?
This one is a deep cut, first published in 1951. It begins as a straightforward adventure, with a protagonist tasked with hunting down a dangerous alien that’s gotten loose on Earth. It becomes increasingly clear that something isn’t right, though, and eventually, our hero realizes that he’s actually a replicant, sent to do this job because his original was too cowardly to do it himself, and that his only hope of survival is to murder his original and take his place. I first read this when I was nine or ten years old, and the growing sense of horror as the truth becomes clear has stuck with me ever since, as has the dark, dark twist of an ending. This might be a tough one to find, but it’s well worth the effort.
Strange, poignant tales of life in outer space and on tomorrow's Earth from the multiple Hugo Award-winning Grand Master of Science Fiction.
Virtually every major author from science fiction's fabled golden age-including Poul Anderson, Isaac Asimov, and Robert A. Heinlein-agreed that Clifford D. Simak was one of the greatest among them. Named Grand Master by the Science Fiction Writers of America, the award-winning author created enduring visions of future worlds, perilous space explorations, and weird alien encounters as rich in emotion and humanity as they are in ingenious invention. This is an essential collection of short fiction from the remarkable…
While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Brown was another author who mixed SF and humor. Here he stood the alien invasion premise on its head. Instead of spaceships from an advanced civilization laying waste to our great cities, Brown wonders how we’d react if the invaders weren’t interested in mass murder or enslaving humanity but simply annoying the hell out of us. His little green men from Mars enjoy insulting and pestering Earthlings. After a while, “War of the Worlds” might be a preferable encounter.
THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!
Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last.
It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets.
I began reading science fiction when I was 8 years old and "borrowed" my father’s library books until, in defense, he got me my own library card. Not only have I spent decades reading SF, I’ve written it as well. As a veteran reader and writer with plenty of kill marks on my fuselage, I'm literally married to the SF mob (Grandmaster Robert Silverberg, is my spouse). I can both walk the walk and talk the talk. And after writing 9 SF novels including a Star Trek Book and reading uncounted SF and F tales, I still think science fiction and fantasy can be a literature of ideas illuminating the human condition.
The title story of this brilliant collection is a very funny alien invasion story told from the point of view of a woman who is convinced that the invasion is all about her. The other stories are similarly quirky and delightful.
The late Carol Emshwiller was a groundbreaking visionary writer who began publishing her funny, intriguing, unusual work after she was 30 and had to pry writing time away from the demands of her growing family.
When necessary, she would empty out the playpen in her living room, get into it with her typewriter, and work on her fiction while her preschool children enjoyed the freedom of the apartment. She was known for avant-garde approach, unreliable narrators, quirky humor, and a liberal, feminist outlook.
Recipient of the Nebula and the Philip K. Dick Award. The late Ursula K. LeGuin called her "a major fabulist, a marvelous magical realist, one of…