Here are 100 books that Flatland fans have personally recommended if you like
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I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
In the mood for a graphic novel starring Bertrand Russell and a supporting cast of famous thinkers like Whitehead, Frege, Gödel, and Wittgenstein? Logicomix is for you!
Flip to Chapter Six, “Incompleteness,” for a peek of Vienna in the 1930s. The logic and philosophy illustrated throughout provide a great context for the work of Vienna’s famous philosophical circle led by Moritz Schlick, whose 1936 murder provides a chilling contrast to the intellectual pursuits of that time.
This brilliantly illustrated tale of reason, insanity, love and truth recounts the story of Bertrand Russell's life. Raised by his paternal grandparents, young Russell was never told the whereabouts of his parents. Driven by a desire for knowledge of his own history, he attempted to force the world to yield to his yearnings: for truth, clarity and resolve. As he grew older, and increasingly sophisticated as a philosopher and mathematician, Russell strove to create an objective language with which to describe the world - one free of the biases and slippages of the written word. At the same time, he…
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
To empathize with a demon is not something I ever thought I would do, yet while looking at the world through the eyes of a junior one in training I truly felt his pain.
One would think it would be easy to trick a simple human into making mistakes, but with God on their side it would seem not. As hilarious as it is profound, while being deeply enlightened into the ways humans are so vulnerable to their darker nature, I laughed my way through this one, finding it as funny to see the particular faults of others as it was to recognize the many predictable faults in myself.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
I’m a mathematics professor who ended up writing the internationally bestselling novel The Death of Vishnu (along with two follow-ups) and became better known as an author. For the past decade and a half, I’ve been using my storytelling skills to make mathematics more accessible (and enjoyable!) to a broad audience. Being a novelist has helped me look at mathematics in a new light, and realize the subject is not so much about the calculations feared by so many, but rather, about ideas. We can all enjoy such ideas, and thereby learn to understand, appreciate, and even love math.
A primary reason to love math is because of its usefulness. This book shows two sides of math’s applicability, since it is so ubiquitously used in various algorithms.
On the one hand, such usage can be good, because statistical inferences can make our life easier and enrich it. On the other, when these are not properly designed or monitored, it can lead to catastrophic consequences. Mathematics is a powerful force, as powerful as wind or fire, and needs to be harnessed just as carefully.
Cathy O’Neil’s message in this book spoke deeply to me, reminding me that I need to be always vigilant about the subject I love not being deployed carelessly.
'A manual for the 21st-century citizen... accessible, refreshingly critical, relevant and urgent' - Financial Times
'Fascinating and deeply disturbing' - Yuval Noah Harari, Guardian Books of the Year
In this New York Times bestseller, Cathy O'Neil, one of the first champions of algorithmic accountability, sounds an alarm on the mathematical models that pervade modern life -- and threaten to rip apart our social fabric.
We live in the age of the algorithm. Increasingly, the decisions that affect our lives - where we go to school, whether we get a loan, how much we pay for insurance - are being made…
I am an American author and have been an avid reader of science fiction for nearly forty years. I studied science fiction in college, along with biology and other subjects. My undergraduate honors thesis was a discussion of postwar Japanese science fiction that included a translation from the original. I have a Ph.D. in Cognitive Psychology and have published papers on learning in machines, humans, and humpback whales. I have taught and studied in Japan and Singapore, and critiqued fiction for several years with critters.org. I have published many science fiction stories from various perspectives. The Hugo finalist, "Asymmetrical Warfare" tells the story of an alien invasion of Earth from the invader’s perspective.
I have always been a fan of Lovecraft, but the unfathomable remoteness of his fearsome creations left me dissatisfied. Ruthanna Emrys flips the Lovecraftian script on its head and tells tales within Lovecraft’s universe from the perspective of the characters that Lovecraft vilified. In a world that celebrates diverse perspectives far more than in Lovecraft’s day, Winter Tide gives readers a chance to appreciate the richness and creativity of Lovecraft’s world through the eyes of its marginalized characters.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
I am an American author and have been an avid reader of science fiction for nearly forty years. I studied science fiction in college, along with biology and other subjects. My undergraduate honors thesis was a discussion of postwar Japanese science fiction that included a translation from the original. I have a Ph.D. in Cognitive Psychology and have published papers on learning in machines, humans, and humpback whales. I have taught and studied in Japan and Singapore, and critiqued fiction for several years with critters.org. I have published many science fiction stories from various perspectives. The Hugo finalist, "Asymmetrical Warfare" tells the story of an alien invasion of Earth from the invader’s perspective.
This Japanese novel is actually two interleaved and interconnected stories, one set in the bustling, alienating landscape of contemporary Japan and the other taking place… well, as the title suggests, at the End of the World. It makes for a gripping page-turner with a unique perspective on the human mind.
A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
I’ve always found the art of storytelling to be important. It’s taken me to places I’ve dreamed of as well as places others have created. Drawing has always been my passion, and the desire to entertain audiences of all ages has matured with time. When I realized I could make my own stories and illustrate them, it was clear that it was something I wanted to do. I always appreciated books that spoke up to me rather than down or too simply. The books on this list do just that.
I hadn’t read this as a child, but upon reading it the first time, it made me feel like a child. The deep introspection, written with the imagination and voice of a young child, was calming, and I felt as if he knew how I thought as a child and adult.
I was living in France at the time, and the story had a foreign mood but was familiar. The book reached into personal childhood daydreams and fantasies. The prince’s way of thinking and expressing himself was definitely not from the modern day and it inspired me to write “up” to younger audiences. The immediacy and freshness of the illustrations motivated me to think less and feel more when creating.
Few stories are as widely read and as universally cherished by children and adults alike as 'The Little Prince'. Richard Howard's new translation of the beloved classic-published to commemorate the 100th anniversary of Antoine de Saint-Exupery's birth-beautifully reflects Saint-Exupery's unique and gifted style. Howard, an acclaimed poet and one of the preeminent translators of our time, has excelled in bringing the English text as close as possible to the French, in language, style, and most important, spirit. The artwork in this new edition has been restored to match in detail and in colour Saint-Exupery's original artwork. By combining the new…
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
Although I loved studying mathematics in school, I have since learned that mathematics is so much more than school mathematics. My enthusiasm for all areas of mathematics has led me to conduct original mathematical research, to study the history of mathematics, to analyze puzzles and games, to create mathematical art, crafts, and activities, and to write about mathematics for general audiences. I am fortunate that my job—I am a professor of mathematics and the John J. & Ann Curley Faculty Chair in the Liberal Arts at Dickinson College—allows me the freedom to follow my passions, wherever they take me, and to share that passion with my students and with others.
It is fair to say that many people—even those who loved mathematics as students—view mathematics as having always existed. The idea that definitions and theorems that fill our school textbooks were created or discovered by human beings is something that has never crossed their mind. In fact, mathematics has a long, fascinating, and rich history, and William Dunham’s Journey Through Geniusis a perfect introduction to the topic. Dunham expertly writes about the history of topics like geometry, number theory, set theory, and calculus in a way that is entertaining, understandable, and rigorous. After finishing Journey Through Genius, readers will not think about mathematics in the same way, and they will be eager to learn about the history of other mathematical topics, people, and cultures.
Like masterpieces of art, music, and literature, great mathematical theorems are creative milestones, works of genius destined to last forever. Now William Dunham gives them the attention they deserve.
Dunham places each theorem within its historical context and explores the very human and often turbulent life of the creator - from Archimedes, the absentminded theoretician whose absorption in his work often precluded eating or bathing, to Gerolamo Cardano, the sixteenth-century mathematician whose accomplishments flourished despite a bizarre array of misadventures, to the paranoid genius of modern times, Georg Cantor. He also provides step-by-step proofs for the theorems, each easily accessible…
Although I loved studying mathematics in school, I have since learned that mathematics is so much more than school mathematics. My enthusiasm for all areas of mathematics has led me to conduct original mathematical research, to study the history of mathematics, to analyze puzzles and games, to create mathematical art, crafts, and activities, and to write about mathematics for general audiences. I am fortunate that my job—I am a professor of mathematics and the John J. & Ann Curley Faculty Chair in the Liberal Arts at Dickinson College—allows me the freedom to follow my passions, wherever they take me, and to share that passion with my students and with others.
They say that Plato was not a mathematician but was a maker of mathematicians. The same could be said of Martin Gardner, a prolific author who wrote, among many other things, the “Mathematical Games” column forScientific American for a quarter of a century. Although all his books are excellent, The Colossal Book of Mathematics is a great entry point to Gardner’s oeuvre. It consists of what Gardner viewed as his 50 best Scientific Americancolumns along with addenda containing updated material on each topic. With topics like topology, geometry, recreational mathematics, the infinite, and probability, each article is an informative, playful, well-written gem.
Whether discussing hexaflexagons or number theory, Klein bottles or the essence of "nothing," Martin Gardner has single-handedly created the field of "recreational mathematics." The Colossal Book of Mathematics collects together Gardner's most popular pieces from his legendary "Mathematical Games" column, which ran in Scientific American for twenty-five years. Gardner's array of absorbing puzzles and mind-twisting paradoxes opens mathematics up to the world at large, inspiring people to see past numbers and formulas and experience the application of mathematical principles to the mysterious world around them. With articles on topics ranging from simple algebra to the twisting surfaces of Mobius strips,…
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