Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
In a gentle little tale of epic proportions, this absurdist allegory of philosophy and theology explores the nature of God and the human condition. Leaving the constraints of time and space far behind to traverse the enchanting realm of the sentient Cities, meet Mann, the City of whom the story is told, in a place where every moment is a tapestry of fun, and sadness, and the inexplicably odd. And as he questions the whimsical and the poignant, his philosophy and his faith, join him, as he is shown the purpose of the wonderfully strange place he calls his home.
Leaving me equally tickled as it did in awe, Flatland is easily one of my favorite books of all time.
Delving into concepts quite difficult to think about, let alone explain in such a delightful way, it expanded my mind into not only a better understanding of ‘dimensions’ but also the possibility, and even, the probability, that there is much more in existence than our rather limited little human brains can comprehend.
As weird as it is wonderful, I found myself stopping at various points to either laugh or to try to explain to someone else (to their annoyance I’m sure!) the profound details it explained to me. And when it was all over I was left humbled, and pondered what greater beings there may be all around me, that I simply cannot see.
This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status. Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland…
To empathize with a demon is not something I ever thought I would do, yet while looking at the world through the eyes of a junior one in training I truly felt his pain.
One would think it would be easy to trick a simple human into making mistakes, but with God on their side it would seem not. As hilarious as it is profound, while being deeply enlightened into the ways humans are so vulnerable to their darker nature, I laughed my way through this one, finding it as funny to see the particular faults of others as it was to recognize the many predictable faults in myself.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
Cryptic, allegorical, gentle and sweet, The Little Prince is a book that I read over and over again.
A little boy from a planet no bigger than a house who spends his days taking careful care of a pretty white rose is about as odd a premise as one could imagine, but after many reads as a child and many more as I read it to my own, this one truly stands the test of time.
Yes, it is unique and playful with lots of lovely little drawings to suit, but it is the beautiful depth of the meaning written under its colorful facade that draws me back.
Few stories are as widely read and as universally cherished by children and adults alike as 'The Little Prince'. Richard Howard's new translation of the beloved classic-published to commemorate the 100th anniversary of Antoine de Saint-Exupery's birth-beautifully reflects Saint-Exupery's unique and gifted style. Howard, an acclaimed poet and one of the preeminent translators of our time, has excelled in bringing the English text as close as possible to the French, in language, style, and most important, spirit. The artwork in this new edition has been restored to match in detail and in colour Saint-Exupery's original artwork. By combining the new…
While much more recent than all the others on my list, its story, told from the perspective of an alien who has recently possessed a human's body, takes a look at the world and its inhabitants in such a hilariously honest and unfiltered manner, that I think would never be able to be done if told merely by a human.
Lighting a fascinating spark of questioning why I consider normal to be normal, I found this book to be a whimsical and thoughtful insight into how delightfully strange our species must seem to anyone but ourselves.
After an 'incident' one wet Friday night where he is found walking naked through the streets of Cambridge, Professor Andrew Martin is not feeling quite himself. Food sickens him. Clothes confound him. Even his loving wife and teenage son are repulsive to him. He feels lost amongst an alien species and hates everyone on the planet. Everyone, that is, except Newton, and he's a dog.
Who is he really? And what could make someone change their mind about the human race . . . ?
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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