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I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
Trick or Treat takes the history of Halloween and brings it into the 21st century. The book chronicles the holiday’s long history—distant and more recent, misconceptions and globalization—and offers up similar holiday stories as well, such as chapters on Dias de Los Muertos and All Saints Day celebrations. Looking for something to read or watch or listen to? Here you’ll find a chronicle of Halloween’s literature through 2012, as well as recent movies and music that capture the holiday’s culture in our world today.
Trick or Treat is the first book to both examine the origins and history of Halloween and explore in depth its current global popularity. Festivals like the Celtic Samhain and Catholic All Souls' Day have blended to produce the modern Halloween, which has been reborn in America - but there are also related but independent holidays, especially Mexico's Day of the Dead. Lisa Morton explores the explosion in popularity of haunted attractions and the impact of events such as the global economic recession, as well as the effect Halloween has had on popular culture through literary works, films and television…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
This is my go-to book whenever I start a new Halloween writing project. It grounds me in details about the origins of Halloween (and holidays throughout the year) and illustrates brilliantly why the turning of the seasons has always been critical, and how holidays mark important cultural moments in so many ways. The origin of Halloween is here, but so is the origin of celebration itself.
Comprehensive and engaging, this colourful study covers the whole sweep of ritual history from the earliest written records to the present day. From May Day revels and Midsummer fires, to Harvest Home and Hallowe'en, to the twelve days of Christmas, Ronald Hutton takes us on a fascinating journey through the ritual year in Britain. He challenges many common assumptions about the customs of the past, and debunks many myths surrounding festivals of the present, to illuminate the history of the calendar year we live by today.
I’ve always been nostalgic. I long for a connection with times and places I’ve never experienced, and I think my fascination with ghosts and the uncanny is connected to that. As a child, I fell in love with ancient Egypt, with its famously complex religious traditions concerning death and the afterlife. I earned a PhD in Egyptology and spent a lifetime crafting stories about the past, often with a speculative or supernatural twist. For me, ghosts and history are a natural combination.
This is the book that started my love affair with spiritualism. Mary Roach’s accessible and often hilarious approach to science writing made a huge impression on me when I first picked it up in my early 20s.
The personal and adventurous nature of her investigations also intrigued me, earning Roach a spot high on my list of people I want to be when I grow up and cementing her place as one of my few auto-buy authors.
The wide, weird array of research she presents in her book—and her open-minded take on it all—left me with a burning desire to learn more (and a tiny, nagging scrap of hope that just maybe there could be such a thing as ghosts).
"What happens when we die? Does the light just go out and that's that-the million-year nap? Or will some part of my personality, my me-ness persist? What will that feel like? What will I do all day? Is there a place to plug in my lap-top?" In an attempt to find out, Mary Roach brings her tireless curiosity to bear on an array of contemporary and historical soul-searchers: scientists, schemers, engineers, mediums, all trying to prove (or disprove) that life goes on after we die.
What happens when a person is placed into a medically-induced coma?
The brain might be flatlining, but the mind is far from inactive: experiencing alternate lives rich in every detail that spans decades, visiting realms of stunning and majestic beauty, or plummeting to the very depths of Hell while defying…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
Not only is this a complete history of pumpkins – it’s a fascinating history of America. There’s good, solid jack-o-lantern history alongside descriptions and photos of the gazillion ways we celebrate, decorate, grow, eat, idolize, and display pumpkins. Emerging as a symbol of lust in medieval Europe, the pumpkin became synonymous with the American wilderness, then came to stand for rustic life, and now Halloween. If you like history and Americana as well as Halloween, you’ll like this one. And if you’re a Halloween nerd like I am, you’ll love the 100 pages of footnotes.
Why do so many Americans drive for miles each autumn to buy a vegetable that they are unlikely to eat? While most people around the world eat pumpkin throughout the year, North Americans reserve it for holiday pies and other desserts that celebrate the harvest season and the rural past. They decorate their houses with pumpkins every autumn and welcome Halloween trick-or-treaters with elaborately carved jack-o'-lanterns. Towns hold annual pumpkin festivals featuring giant pumpkins and carving contests, even though few have any historic ties to the crop.
In this fascinating cultural and natural history, Cindy Ott tells the story of…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
The narratives in this book from women in the United States, London, and Ghana--accompanied by gorgeous portraits--capture a slice of the Black hair diaspora and the place where it all started: West Africa. The title says it all and yet can’t begin to capture the gorgeous array of women, hairstyles, and lived experiences captured by Cunningham and Alexander.
Crowns photographer Michael Cunningham and author and journalist George Alexander have captured the marvelous trinity of black women, hair, and beauty salons in the glorious Queens: Portraits of Black Women and Their Fabulous Hair.
Angela Garner says that “The beauty salon is the one great thing we get to share as African American women. It’s therapeutic.” Tisch Sims says that wearing fantasy hair makes her feel “like a goddess, a queen.”
From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from “good hair” to bad hair days, in this stunningly designed book black…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw forBritish Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents.
In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.
Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of…
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private…
I am passionate about historical romance and romance readers. My favorite era in history is the Regency, the period during which the Prince of Wales was named Regent. It is also the time during which Jane Austen wrote. Austen readers are particular about details so it’s daunting to write Regency fiction. Still, I love to write it and read it. I’m also passionate about Scotland, its history, the land, the people, the customs, the folklore, the food, and the music. If you’ve never been, put Scotland on your bucket list. They say it’s the oldest rock on earth. There’s magic there, too. Really and truly. Magic.
I’ve never met a Sarah Maclean book I didn’t love and this one is quite possibly my absolute favorite of hers. She always comes through with a hooky yet believable feminist heroine protagonist who knows what she is about and refuses to fit into the narrow confines of a woman’s role drawn by society. Also appealing are her male protagonists, usually brooding, deeply flawed, and the only human powerful enough in character and intelligence to measure up to his female counterpart. You will love the scandalous siren and the Highland devil. They are unforgettable.
'Smart, sexy, and always romantic' Julia Quinn, Sunday Times bestselling author of the Bridgerton series 'Fabulous' Eloisa James 'For a smart, witty and passionate historical romance, I recommend anything by Sarah MacLean' Lisa Kleypas
The second in Sarah MacLean's sensational new Scandal & Scoundrels series . . . all the fun and guilty pleasure of celebrity gossip, with a Regency twist!
Lonesome Lily turned Scandalous Siren
Miss Lillian Harwood has lived much of her life alone in a gilded cage, longing for love and companionship. When an artist offers her pretty promises and begs her to pose for a scandalous…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
Emotionally and historically, I was drawn into this astounding collection of riveting images. Through the direct gaze of the subjects, I could feel the love and tenderness they had for each other.
Frank and honest I felt like I was actually sitting across from the subjects while they were photographed. They all seemed so comfortable, open and free, even though living under the yoke of crushing social constraints that were hovering outside the frame.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.
Explores new approaches to portraying identity and the human face and figure, through works from the Smithsonian National Portrait Gallery's collections and other institutions. Is there more to portraiture than eyes meeting eyes? Beyond the Face: New Perspectives on Portraiture presents sixteen essays by leading scholars who explore the subtle means by which artists - and subjects - convey a sense of identity and reveal historical context. Examining a wide range of topics, from early caricature and political vandalism of portraits to contemporary selfies and performance art, these studies challenge our traditional assumptions about portraiture. By probing the diversity and…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
Hold Still by Sally Mann – another memoir by an intriguing, strong-willed, fascinating woman. I became interested in Sally Mann when I first saw her book of amazing photographs of her children, Immediate Family. Since then I kept up with her photography and was thrilled to read her memoir. She writes of her childhood in the south, her parents, her relationship with her husband and children, the controversy surrounding those early stages photographs, her career, and beyond in absolutely lovely prose accompanied by many photos. She’s an impressive, talented woman, and her success is well deserved.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications,…
