Here are 96 books that City of Spells fans have personally recommended if you like
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I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Adam Nevill is a British horror writer – you may know of him through The Ritual which was made into a successful film a few years ago.
This is an earlier work and tells the story of Stephanie – down on her luck and reduced to taking a cheap, seedy room in an even seedier house where it is soon apparent that there is something horribly wrong. The chilling and menacing atmosphere of the building is overwhelming, while the landlord is certainly not on the level.
As for his ghastly cousin…. Then there are the noises… Something is going on here that transcends the norm. It’s unnatural, maybe supernatural, and things are about to turn a lot worse when Stephanie digs deeper. This is a house like no other. And the truth of it will take her beyond her wildest fears.
Recently filmed, this is one of Adam Nevill’s most…
Winner of the August Derleth Award, No One Gets Out Alive is the ultimate haunted house thriller from horror writer Adam Nevill.
Darkness lives within . . .
Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.
It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire,…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Alice – the main character – devastated by the loss of her eight-year-old daughter, buys a large, dilapidated house. It will be a big job – a real fixer-upper that she can get her teeth into – but it isn't long before she finds out hers is not your everyday normal building.
It starts with the voices and manifestations... and the children. Local legends and folklore abound. Soon Alice is swept up in events far out of her control in both time and dimension. and the house is a key player in this. It guards its secrets well.
This story stayed with me for a long time, and I believe Simon Bestwick deserves to be far better known than he is. I have yet to be disappointed in anything he has written.
Alice has returned to her old home town to put her life back in order.
378 Collarmill Road looks like an ordinary house. But sometimes, the world outside the windows isn't the one you expect to see; sometimes you'll turn around and find you're not alone.
An old flame of Alice's - John Revell - reluctantly comes to her aid when the house begins to reveal its secrets. The hill on which it sits is a place of legends - of Old Harry, the Beast of Crawbeck; of the Virgin of the Height and the mysterious Red Man - and…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.
Memories are like ghosts. They linger in doorways, whisper with the howling wind when lightning strikes. They are the dark phantoms of my youth. My mind buried my memories for good reason, and I spent forty years believing I could escape them.
Until with one phone call, I found myself in my childhood home: Hardacre Priory.
I knew from the first step through the door that it was all over. The forgotten events of 1979 leapt to the surface and screamed their truths. Everything I thought to be true was a lie.…
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
Another haunted house story, with a similar emphasis on atmosphere. A sister and brother visit a friend whose house is infected with competing ghostly forces. A constant sense of dread permeates the atmosphere. Blackwood keeps the reader on edge, waiting for the shoe to drop. And that’s it. It may pale by today’s standards of horror, but the novel excels at how ghostly presences vie for dominance.
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About The Damned by Algernon Blackwood The Damned by Algernon Blackwood is a great haunted house story along the lines of Turn of the Screw and the Haunting of Hill House. A brother and sister spend some time with a recently widowed friend. Her deceased husband was a strict fire and brimstone preacher who damned everyone who didn't believe like him to hell. His less strong-willed wife fell under his spell, but now the house seems to be haunted by...a shadow? Goblins? Ghostly pagans? Or…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.
During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me.
It's a classic old-fashioned haunted house story - set in a big box Swedish furniture superstore. Designed like a retail catalogue, Horrorstor offers a creepy read with mass appeal-perfect for Halloween tables! Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Bracken glassware, and vandalized Liripip sofabeds-clearly, someone or something is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-til-dawn shift-and they encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
This is one of those books that creeps up on you. The setting is unusual and it uses the tropes of Southern Gothic in unexpected ways. For one thing, McDowell’s novel is set at the beach during a vacation. Most of the haunted activity takes place during the day in the oppressively sunny landscape of the vacation home for a group of visitors recovering from various ills. For another, and like a lot of Southern Gothic stories, family dynamics and history are a big part of the backstory here, but there are unpredictable elements as well, including the very nature or un-nature of the setting itself.
"The finest writer of paperback originals in America." - Stephen King
"Surely one of the most terrifying novels ever written." - Poppy Z. Brite
"Beyond any trace of doubt, one of the best writers of horror in this or any other country." - Peter Straub
"Readers of weak constitution should beware!" - Publishers Weekly
"McDowell has a flair for the gruesome." - Washington Post
After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Godwin’s psychological mystery Flora takes place in a remote, isolated house, a former mountaintop sanatorium in Tennessee.Adult narrator Helen looks back on her ten-year-old self, and her premature coming of age the summer she lived there with her young adult cousin and temporary guardian, Flora. Helen’s father has gone to do war work, her mother is dead. Flora and Helen cannot leave the mountaintop due to a polio threat in the valley. Both child and caretaker fall under the spell of a charismatic jack of all trades, Quinn. The consequences of their unconscious competition play out in the shadowy rooms of the big house.
This is a tale of psychological possession in a lonely estate; Godwin’s homage to Henry James’s Turn of the Screw. Years ago, I visited my great-aunt in her mountaintop summer home in Tennessee. Reading this book unlocked memories of that mysterious house. Good novels…
Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen's decaying family house while her father is doing secret war work in Oak Ridge during the final months of the Second World War. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother's twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
