Here are 100 books that The Elementals fans have personally recommended if you like
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.
Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.
An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.
Thirtysomething Colquitt and Walter Kennedy live in a charming, peaceful suburb of newly bustling Atlanta, Georgia. Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Disappointed by their diminished privacy, Colquitt and Walter soon realize something more is wrong with the house next door. Surely the house can’t be haunted, yet it seems to destroy…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.
A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.
Like the other tales collected here - `Sir Edmund Orme', `Owen Wingrave', and `The Friends of the Friends' - `The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
The other recommendations on my list are titles that will help you if you want to calm yourself down, maybe even get some sleep, whilst staying in a haunted house. But maybe you want to lean into the atmosphere. If that’s the case, you need M. R. James.
His ghosts are rarely glimpsed clearly, you get troubling hints of their appearance, or you just see the horrible things they have done to their victims, and that makes them all the more terrifying. In these stories, anything could turn on you: a doll’s house, your Latin homework, the advert you see on your daily commute. Proceed with caution.
M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.
As well as the preface, there is a fascinating tail-piece by M.R. James, 'Stories I Have Tried To Write', which accompanies these thirty tales. Among them are 'Casting the Runes', 'Oh, Whistle and I'll come to you, My Lad', 'The Tractate Middoth', 'The Ash Tree' and 'Canon Alberic's Scrapbook'.
'There are some authors one wishes one had never read in order to have the joy of…
My real name is Susan Berger and I'm a certified bookaholic. I'm also an actor and I love my work. Being older has been very lucky for me. I wrote children’s books as Susan J Berger. COVID closed my publisher and I'm not actively submitting at the moment. I write romance as Susan B James because I didn’t want my children to have to acknowledge that their mother knew anything about sex. Falling in love and living happily ever after is an ageless state. But in romance novels heroines are mostly under thirty. I happen to be chronologically gifted myself. And many of my favorite romances feature older heroines. I think we need more.
Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.
Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.
Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.
Andie Miller is ready to move on with her life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, North asks one last favor: Since the death of a distant cousin, he's become the guardian of two orphans who have already driven away three nannies. North needs someone to take care of the situation―and he knows Andie can handle anything.
Carter and Alice aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper…
I’ve always been intrigued by the way night transforms familiar landscapes, creates a sense of loosened boundaries, and seems to be rich with almost magical potential. One of my most beloved books as a kid was The BFG, partly because of its magnificent passage about the witching hour, “the special moment…when all the dark things came out from hiding and had the world to themselves.” Later, I discovered Hamlet’s take on it and was equally charmed. It’s no surprise that many of the key moments in my debut collection, Here in the Night, take place after dark. Here are my five favorite books that capture the beguiling power of nighttime.
This horror novel about a haunted IKEA-like store is playful and fun in every way—from its inventive narrative structure to the book’s mimicry of an IKEA catalogue, complete with a store map and advertisements for furniture that become increasingly deranged.
During daylight, Orsk is a regular furniture store in the suburbs of Cleveland, but when several employees attempt to stay overnight to find out why products keep getting damaged, the building’s dark history begins to bleed into the present. This book perfectly captures the uncanny way nighttime makes familiar landscapes, such as stores and schools, seem entirely unfamiliar, a phenomenon that has always fascinated me.
It's a classic old-fashioned haunted house story - set in a big box Swedish furniture superstore. Designed like a retail catalogue, Horrorstor offers a creepy read with mass appeal-perfect for Halloween tables! Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Bracken glassware, and vandalized Liripip sofabeds-clearly, someone or something is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-til-dawn shift-and they encounter horrors that defy imagination. Along the way, author Grady Hendrix infuses sly social commentary on the nature…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
It started out with the hoariest of romance novel cliches—the bickering couple I knew would end up in love—but the setting alone was enough to guarantee spookier plot developments.
Barbara Michaels, better known for her mystery novels as Elizabeth Peters, never fails to entertain, and the descriptions of eerie ghostly manifestations here are top-notch.
Joanne McMullen's fears for her sister's sanity have brought her to remote King's Island, Maine. Mary's grief over the loss of her child is threatening to send her over the edge—and her insistence that she has heard an eerie, childlike wailing in the woods fuels Joanne's anxiety. And now Mary's taken to disappearing at midnight in search of the source of the heartrending moans. But it's not just her sister's encroaching madness that is chilling Joanne's blood—it's her own. Because suddenly, impossibly, she also hears the crying child.
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Godwin’s psychological mystery Flora takes place in a remote, isolated house, a former mountaintop sanatorium in Tennessee.Adult narrator Helen looks back on her ten-year-old self, and her premature coming of age the summer she lived there with her young adult cousin and temporary guardian, Flora. Helen’s father has gone to do war work, her mother is dead. Flora and Helen cannot leave the mountaintop due to a polio threat in the valley. Both child and caretaker fall under the spell of a charismatic jack of all trades, Quinn. The consequences of their unconscious competition play out in the shadowy rooms of the big house.
This is a tale of psychological possession in a lonely estate; Godwin’s homage to Henry James’s Turn of the Screw. Years ago, I visited my great-aunt in her mountaintop summer home in Tennessee. Reading this book unlocked memories of that mysterious house. Good novels…
Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen's decaying family house while her father is doing secret war work in Oak Ridge during the final months of the Second World War. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother's twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Gaby Triana excels at creating and transmitting atmosphere. She transports you into the swamps, oppressive heat, terrors, and scares of the Florida she has created in her Haunted Florida trilogy of which this is the final part.
In City of Spells, Queylin Sanchez runs a shop selling incense, charms, and all manner of items designed to appeal to those interested in the occult, but when an elderly man crosses the threshold and enlists her help in ridding his home of an unwanted ghost, she accepts the commission and sets in motion a frightening chain of events that threaten her sanity and her life – in fact, much more than that is at stake as she unravels the sinister and disturbing truth.
I can assure you, the tradition of Southern Gothic is alive and well in this author’s capable hands. If you haven’t read any of Gaby’s work yet – it’s…
A haunted Old Florida home. A ghostly woman in white. Witchcraft from Miami's darker side.When a mysterious old gentleman enters Queylin's trendy new age shop, she hopes he'll buy incense, sage, maybe a nice rose quartz pendulum for his wife. Instead, the man enlists her help getting rid of La Dama de Blanco, a ghostly woman in bloody white dress who's been haunting his 100-year-old Palmetto Bay estate.But when Queylin's rituals and spells uncover terrifying secrets hidden in the walls of the old mansion, she realizes La Dama de Blanco is only the beginning of the haunted home's evil legacy.
