Here are 99 books that Diavola fans have personally recommended if you like
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As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
In choosing a theme for this list, I was very careful to think of one that would allow me to include this book, my favorite haunted house novel of all time. It’s gay; it’s weird; its central mystery is never fully resolved, which may be why it’s stuck with me for years and is one of the few novels I’ve reread more than twice as an adult.
Miranda Silver is neither a classic Gothic heroine nor an ass-kicking Sidney Prescott type, but someone stranger and more opaque. She’s confused and lonely and an unreliable narrator. Her romance with classmate Ore might offer some respite from the terrors of her family’s ancestral home, but it’s not enough to save her.
I love a queer story without a happily ever after. Knowing who you are and who you love doesn’t always make everything turn out okay. Sometimes, it just means you have…
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
My name is Mia Dalia. I write dark speculative fiction across genres. A lot of it is psychological horror, which I love! My latest novel features a rather unique haunted house and a family who spend their summer vacation there. Hauntings are a theme I have visited before in shorter forms and were very excited to explore in full. My goal here was to deconstruct the myth of an all-American happy family within the frame of a classic may-or-may-not-be-haunted house. Those who have dared to stay in Haven have been profoundly unsettled. It is a hungry house, always looking for more visitors. I hope you’ll come for a stay!
It is impossible to talk about haunted house books and not mention the foremother of them all, The House of the Haunted Hill. I love everything about it from its brilliant use of setting as a character to its tone of creeping unease to the way the readers are slowly drawn into its madness.
This book is a UR-text in the genre and quite revolutionary for its time in many ways: being authored by a female writer, featuring a queer icon of Theodora, etc. But most of all, it’s just a really great read and a true classic. Granted, the characters in it are not exactly on vacation, but all the same, in the end they probably wish they had spent their summer in a different house.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
My name is Mia Dalia. I write dark speculative fiction across genres. A lot of it is psychological horror, which I love! My latest novel features a rather unique haunted house and a family who spend their summer vacation there. Hauntings are a theme I have visited before in shorter forms and were very excited to explore in full. My goal here was to deconstruct the myth of an all-American happy family within the frame of a classic may-or-may-not-be-haunted house. Those who have dared to stay in Haven have been profoundly unsettled. It is a hungry house, always looking for more visitors. I hope you’ll come for a stay!
And speaking of hotels, there is, of course, the infamous Overlook Hotel, staying in which does terrible things to the Torrance family. I loved the idea of the place jeopardizing people’s sanity as it reveals its nightmarish secrets to them. Plus, a haunted hotel concept really works for me–why limit yourself to a single-family history of horrors when you can have a variety?
This book is a more in-your-face approach to the haunted house theme and, in my opinion, incredibly effective as such. Also, this one traps its characters, and the readers along with them, inside a winter storm to double down on that stuck-can't-leave feeling. Brr.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
My name is Mia Dalia. I write dark speculative fiction across genres. A lot of it is psychological horror, which I love! My latest novel features a rather unique haunted house and a family who spend their summer vacation there. Hauntings are a theme I have visited before in shorter forms and were very excited to explore in full. My goal here was to deconstruct the myth of an all-American happy family within the frame of a classic may-or-may-not-be-haunted house. Those who have dared to stay in Haven have been profoundly unsettled. It is a hungry house, always looking for more visitors. I hope you’ll come for a stay!
Speaking of vacations, the Rolfes, the family In this book, another beloved, if less famous, classic, do just that with their haunted house. I found this old paperback in a used bookstore ages ago and couldn’t put it down. This tale of a summer stay in a shockingly affordable (for a reason!) house in Long Island spirals out in a genuinely unsettling manner.
I can still recall the profound claustrophobia of this reading experience. Which I’d say is precisely how a novel about a place that won’t let you leave (or at least won’t let you leave the same!) ought to make you feel. The notion of a house that changes its occupants has stayed with me ever since.
Ben and Marian Rolfe are desperate to escape a stifling summer in their tiny Brooklyn apartment, so when they get the chance to rent a mansion in upstate New York for the entire summer for only $900, it’s an offer that’s too good to refuse. There’s only one catch: behind a strange and intricately carved door in a distant wing of the house lives elderly Mrs. Allardyce, and the Rolfes will be responsible for preparing her meals.
But Mrs. Allardyce never seems to emerge from her room, and it soon becomes clear that something weird and terrifying is happening in…
My name is Mia Dalia. I write dark speculative fiction across genres. A lot of it is psychological horror, which I love! My latest novel features a rather unique haunted house and a family who spend their summer vacation there. Hauntings are a theme I have visited before in shorter forms and were very excited to explore in full. My goal here was to deconstruct the myth of an all-American happy family within the frame of a classic may-or-may-not-be-haunted house. Those who have dared to stay in Haven have been profoundly unsettled. It is a hungry house, always looking for more visitors. I hope you’ll come for a stay!
Most vacations take place in the summer, and this next book is a perfect example of how wrong they can go. I love how unique this take on the genre is: it actually takes place over three houses on Beldame, a small island on the Gulf Coast of Alabama.
I really appreciated the dramatic tensions between the two families, amplified by heat, secrets, and worse. This gem of Southern Gothic fiction does a stellar job of walking the line between real and supernatural. Like a tidal island, the reader may find themselves slowly submerging into horror. The way each character’s nightmares are slowly revealed and realized has stayed with me for a long time.
"The finest writer of paperback originals in America." - Stephen King
"Surely one of the most terrifying novels ever written." - Poppy Z. Brite
"Beyond any trace of doubt, one of the best writers of horror in this or any other country." - Peter Straub
"Readers of weak constitution should beware!" - Publishers Weekly
"McDowell has a flair for the gruesome." - Washington Post
After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
It’s Seb’s last day working in Turkey, but his friend Oz has been cursed. Superstition turns to terror as the effects of the ancient malediction spill over, and the lives of Oz and his family hang in the balance. Can Seb find the answers to remove the hex before it’s…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
I love gore and emotional resonance, and this book delivers both by the bucketful. It’s well known as one of the gnarliest horror novels in recent memory, but what sometimes gets lost in the conversation is that it’s also one of the most poignant.
I can never resist a story whose central queer relationship is a friendship instead of a romance, and Beth and Fran’s friendship is deliciously fraught with desire, resentment, and the need to trust each other in order to survive in a post-apocalyptic hellscape. It’s not an entirely healthy friendship, but that wouldn’t be nearly as much fun.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics-all while outrunning packs of feral men, and their own demons.
Manhunt is a timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
This book is horror for adrenaline fiends, but it has emotional depths and a rich cast of well-developed characters to balance out its fast-paced thrills.
My favorite character in this book, and one of my favorites in the whole horror canon, is Nell Talbot, one half of the brother-sister duo of protagonists. Nell is a 100-proof disaster bisexual, surfing a wave of her own bad choices all the way to shore.
You know how a story is supposed to have an inciting incident? Nell Talbot is the inciting incident.
One of Tor Nightfire's "Horror Books We're Excited About in 2022"!
"Lyons
burnishes his reputation as a rising horror star . . . [and] keeps the pages
flying with fast-paced chills." -Publishers Weekly (starred review)
From the author of The Night Will Find Us comes a white-knuckled horror-thriller set across the American Southwest.
Road trips can be hell.
Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town twelve years ago, they couldn't be more distant. Now, in the wake of Jonah's divorce, they embark on a cross-country road trip back to their hometown…
As a child, I received an electronic typewriter as a gift and immediately got to work on a story about a family living on an island. Even at ten, I recognized the power of islands, with their built-in problems of isolation and rich possibilities for metaphors. So it only made sense I’d one day publish a book set on one. If you’re like me and can’t resist books with island settings, you’ll love these book recommendations. Each island in this collection has its own personality that becomes a character of its own, and none of these books could exist in the same way without their unique settings.
Two words: cursed island. As soon as I saw this YA’s description of a beautiful island that isn’t what it seems, I was hooked.
Addie intrigued me as a protagonist. She’s a free diver who almost died and, as a result, still coughs up blood from the damage to her lungs. That doesn’t stop her wanting to return to the water, a desire I can relate to since I love the ocean. Addie gets dragged along on her mother and new stepdad’s honeymoon, but I like that she isn’t portrayed as a whiny teenager. She’s trying to make the most of what should be a dream island vacation—but in time, it turns into a nightmare. Skirting magical realism and horror, this book was unique and captivating.
A tropical island full of secrets. Two Victorian ghosts, trapped for eternity. And a seventeen-year-old girl determined not to be next.
Eulalie Island should be a paradise, but to Addie Spencer, it’s more like a prison.
Forced to tag along to the remote island on her mother’s honeymoon, Addie isn’t thrilled about being trapped there for two weeks. The island is stunning, with its secluded beaches and forests full of white flowers. But there's something eerie and unsettling about the place.
After Addie meets an enigmatic boy on the beach, all the flowers start turning pink. The island loves you,…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
While one-off stories are fantastic, I love that children's series lets readers return to trusted characters. Series allow children to see a wider arc of character development and decision-making—often imperfect and in transition—when they are trying to figure out how to identify and connect with the world themselves. That shared experience over time is why I only write series myself—to let kids evolve alongside their favorite characters.
This is a series to grow with and a story about the powerful bond of sisters.
No matter your age, there is a sibling you can identify with, whether it be their personality, challenges, or growth stage. Add a lot of getting in each other's way and a ton of heart, and The Vanderbeekers is a must-read, especially for girls. Also, make a fantastic read-aloud!
The Penderwicks: four sisters, as different as chalk from cheese, yet as close as can be.
The eldest, Rosalind, is responsible and practical; Skye, stubborn and feisty; dreamy, artistic, budding novelist, Jane; and shy little Batty, who doesn't go anywhere without her butterfly wings. And not forgetting Hound, their large lumbering lovable dog.
The four girls and their absent-minded father head off for their summer holidays, but instead of the cosy tumbledown cottage they expect, they find themselves on a huge estate called Arundel, with magnificent gardens ripe for exploring. It isn't long before they become embroiled in all sorts…
