Here are 100 books that Diavola fans have personally recommended if you like
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As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
In choosing a theme for this list, I was very careful to think of one that would allow me to include this book, my favorite haunted house novel of all time. It’s gay; it’s weird; its central mystery is never fully resolved, which may be why it’s stuck with me for years and is one of the few novels I’ve reread more than twice as an adult.
Miranda Silver is neither a classic Gothic heroine nor an ass-kicking Sidney Prescott type, but someone stranger and more opaque. She’s confused and lonely and an unreliable narrator. Her romance with classmate Ore might offer some respite from the terrors of her family’s ancestral home, but it’s not enough to save her.
I love a queer story without a happily ever after. Knowing who you are and who you love doesn’t always make everything turn out okay. Sometimes, it just means you have…
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
I love gore and emotional resonance, and this book delivers both by the bucketful. It’s well known as one of the gnarliest horror novels in recent memory, but what sometimes gets lost in the conversation is that it’s also one of the most poignant.
I can never resist a story whose central queer relationship is a friendship instead of a romance, and Beth and Fran’s friendship is deliciously fraught with desire, resentment, and the need to trust each other in order to survive in a post-apocalyptic hellscape. It’s not an entirely healthy friendship, but that wouldn’t be nearly as much fun.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren't safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics-all while outrunning packs of feral men, and their own demons.
Manhunt is a timely, powerful response to every gender-based apocalypse story that failed to consider the existence of transgender…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
This book is horror for adrenaline fiends, but it has emotional depths and a rich cast of well-developed characters to balance out its fast-paced thrills.
My favorite character in this book, and one of my favorites in the whole horror canon, is Nell Talbot, one half of the brother-sister duo of protagonists. Nell is a 100-proof disaster bisexual, surfing a wave of her own bad choices all the way to shore.
You know how a story is supposed to have an inciting incident? Nell Talbot is the inciting incident.
One of Tor Nightfire's "Horror Books We're Excited About in 2022"!
"Lyons
burnishes his reputation as a rising horror star . . . [and] keeps the pages
flying with fast-paced chills." -Publishers Weekly (starred review)
From the author of The Night Will Find Us comes a white-knuckled horror-thriller set across the American Southwest.
Road trips can be hell.
Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town twelve years ago, they couldn't be more distant. Now, in the wake of Jonah's divorce, they embark on a cross-country road trip back to their hometown…
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
I adore unreliable narrators—and here we have two, a pair of best friends on a dream backpacking vacation. Something terrible happens on their travels. Even worse, tragedy struck the last time they backpacked together. Worst luck ever? Or something more sinister?
I love the dynamics between this book’s flawed besties and the growing uncertainty about who can be trusted. This is one twisty read that’s deliciously creepy. It left me feeling lucky to have good friends in real life.
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “This book is every suspense lover’s dream and it kept me up way too late turning pages. . . . A novel with crazy twists and turns that will have you ditching your Friday night plans for more chapters.”—Reese Witherspoon
A backpacking trip has deadly consequences in this “eerie psychological thriller . . . with alluring locales, Hitchcockian tension, and possibly the best pair of female leads since Thelma and Louise” (BookPage), from the bestselling author of The Lost Night and The Herd.
I’m an October baby born during a full moon, into a small New England town notorious for their connection to the Salem Witch Trials. My house was for sure haunted growing up, I’ve had a lot of nightmares over the years, and I found solace in the horror genre. Though my true background is in comedy having studied with Second City Chicago, the experience afforded me the opportunity to explore the more pained and shadowed sides of myself as a tool to write relevant material. I learned to focus those explorations into narratives and create stories with a lot of heart that highlight my own quest to uncover inner peace.
The first full novel by Hill—who I secretly recognized as Stephen King’s son—takes his father’s traditions to a whole new level. I fell immediately in love with Hill’s twisted yet insightful storytelling.
An aging rockstar protagonist who sets out to confront his unsettling past and weird addiction to odd memorabilia? Yes, please. I’m in awe of Hill’s ability to pack more into a single sentence than most authors do in an entire chapter. He balances the pace of a face-melting guitar solo with the gentle tenderness of vulnerability as his characters struggle to understand their place in the world.
This book had me clutching the covers one moment and reaching for the tissues in the next.
He bought it, in the shape of the dead man's suit, delivered in a heart-shaped box, because he wanted it: because his fans ate up that kind of story. It was perfect for his collection: the genuine skulls and the bones, the real honest-to-God snuff movie, the occult books and all the rest of the paraphanalia that goes along with his kind of hard/goth rock.
But the rest of his collection doesn't make the house feel cold. The bones don't make the dogs bark; the movie doesn't make Jude feel…
I love exploring old homes. Whether I’m on a historic house tour, an estate sale, or a real estate open house, I love seeing the glimpses of the people who once occupied the home. When my mom passed away, I hired an estate sale organizer to help me clear out her house and became fascinated with the estate sale business. What a great way to peek into other people’s houses and lives and perhaps discover their darkest secrets! That’s how I started writing my Palmyrton Estate Sale Mystery Series.
In an old mansion that has become a school for wayward girls, a series of troublesome deaths occur. The school is reminiscent of the horrible Lowood School in Jane Eyre, one of my all-time favorite books. The story unfolds across multiple timelines—I enjoyed the 1950s story the most. The crimes are solved in the present day by a determined heroine, and the supernatural element is well integrated into the plot.
'Clever and wonderfully chilling. It held me hostage' - Fiona Barton, Sunday Times-bestselling author of The Widow and The Child
'A brilliant page-turner' Jenny Quintana, author of The Missing Girl
1950 - At the crumbling Idlewild Hall school for unwanted girls, four room-mates begin to bond over dark secrets and whispered fears - until one of them mysteriously disappears . . .
2014 - Journalist Fiona Sheridan can't get over the murder of her sister twenty years ago, near the ruins of Idlewild. And when another body is found during renovations of the school,…
I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.
Carey followed up the wildly popular zombie epic The Girl With All The Gifts with this book about a ghost story in a women’s prison. It’s smart horror based on an assembly of compelling characters, and Carey uses language beautifully.
Another example of an author who has versatility is how he can handle different genres simply through his skill as a storyteller who knows how to craft compelling characters and twists on common themes. Do you like Orange is the New Black and might be up for some supernatural elements? This is your book.
A haunting and heart-breaking new thriller from the author of the word-of-mouth bestseller The Girl With All the Gifts
Fellside is a maximum security prison on the edge of the Yorkshire moors. It's not the kind of place you'd want to end up. But it's where Jess Moulson could be spending the rest of her life.
It's a place where even the walls whisper.
And one voice belongs to a little boy with a message for Jess.
Will she listen?
Discover M. R. Carey's powerful new novel - a chillingly atmospheric tale filled with tension, action and emotion that's set…
Reading historical mysteries with a touch of romance is a delicious chocolate dessert after a day of work. I’m the author of 16 romantic suspense novels. Why not double the excitement with both romance and mystery/suspense. I began reading mysteries because my mother read them. Once I’d read all the Nancy Drews, I moved on to Erle Stanley Gardner and Agatha Christie. I wrote a few mystery manuscripts that remain in a box in the attic, but then all-grown-up me discovered romantic suspense novels and found my niche. I love throwing the hero and heroine together under extraordinary circumstances and pitting them against a clever villain.
This book, introducing a female sleuth in Medieval England, grabbed me from the beginning.
Who would believe King Henry II would hire a female forensics expert trained in Salerno, Italy to come to the backwater town of Cambridge in 1171 to conduct an investigation? But this author makes it believable with deft characterizations and a colorful cast of characters.
Adelia’s search into the deaths of Cambridge’s Jewish population leads to high-placed secrets and danger amid the lively doings of the population. This and the other four in the series offer a rich tapestry of a fascinating time. I recommend them all.
Winner of the CWA Best Historical Crime Novel of the Year
'Great fun! Franklin succeeds in vividly bringing the 12th century to life with this cracking good story' KATE MOSSE
Medieval England. A hideous murder. Enter the first female anatomist...
Adelia Aguilar is a rare thing in medieval Europe - a woman who has trained as a doctor. Her speciality is the study of corpses, a skill that must be concealed if she is to avoid accusations of witchcraft.
But in Cambridge a child has been murdered, others are disappearing, and King Henry has called upon a renowned Italian investigator…
I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term!
I love a Dark Academia book that knows the world of academia intimately, and this thriller, which focuses on controversial Greek life at the University of Georgia, gets everything right.
Competition between students, peer pressure, department intrigues, and more come alive in this brilliant debut. This comes as no surprise, as Nossett, in addition to being an amazing writer, is herself a professor, and holds a PhD in German literature.
In addition to being a total page-turner, this enthralling novel highlights contemporary issues faced on college campuses, with an emphasis on ethical debates surrounding fraternities and sororities. Nossett’s characterization is excellent, and her determined, whip-smart, and yet imperfect protagonist, Detective Marlitt Kaplan, is one I rooted for, and you will, too.
Lauren Nossett’s artfully written debut, The Resemblance is an exhilarating, atmospheric campus thriller reminiscent of If We Were Villains and The Likeness.
Never betray the brotherhood
On a chilly November morning at the University of Georgia, a fraternity brother steps off a busy crosswalk and is struck dead by an oncoming car. More than a dozen witnesses all agree on two things: the driver looked identical to the victim, and he was smiling.
Detective Marlitt Kaplan is first on the scene. An Athens native and the daughter of a UGA professor, she knows all its shameful histories, from the skull…
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