100 books like Hell House

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

I strongly recommend this book as not only does it weave spooky images of ghostly events in one’s psyche, but couples it with fascinating phenomena such as telepathic communication and willpower. Furthermore, I was fascinated by the complex personality of the main protagonist, who allows himself to become victim of evil forces leading to a gradual descent into madness.

It also emphasises that social isolation in a remote place can have a detrimental impact on oneself and those close to you. I found the fight for survival in this tale riveting.

This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.

Although this book is only a few years old, it should be considered a classic in the genre of evil houses. A young woman inherits her mother’s childhood home and decides to convert it into a hotel. Only the place comes with some surprises: ghosts, demons, and an ancient evil that has been locked away in the dark basement. Now that evil is loose again, and the bloodshed and death are just beginning. Author Chantal Noordeloos doesn’t hold back with the frights or the blood, as person after person suffers a horrible death while poor Freya discovers her true destiny is not what she planned, and that the place they call Lucifer Falls might never let her go. 

This book isn’t nearly as well known as the others except to real aficionados of the genre. But it’s one of the scariest evil house novels ever written, in part because of the surprising twist at the end. A young couple decides to get out of the city for the summer and rent a house in upstate New York. Right away, there’s something odd: an elderly woman lives in the house, and she stays locked in her room all the time. As the days go by, it becomes obvious that something weird and terrifying is happening in the house, and there’s a reason the couple got it for such a cheap price. And by the time they discover the truth, it might be too late.

While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.

This is one of those books that creeps up on you. The setting is unusual and it uses the tropes of Southern Gothic in unexpected ways. For one thing, McDowell’s novel is set at the beach during a vacation. Most of the haunted activity takes place during the day in the oppressively sunny landscape of the vacation home for a group of visitors recovering from various ills. For another, and like a lot of Southern Gothic stories, family dynamics and history are a big part of the backstory here, but there are unpredictable elements as well, including the very nature or un-nature of the setting itself.

This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.

Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.

This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.

Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.

Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.

Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.

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I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.