I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
Right up to date with a book written by an
anatomist detailing how cadavers are used in a modern teaching facility in the
UK. In an unusual break from the silence
that usually surrounds the use of human cadavers, Dr. Smith talks us through the
whole process from donation to disposal and the assistance they provide to
medical teaching.
One single body donation could affect the lives of around ten million patients. Body donation is an amazing gift which enables doctors and healthcare professionals to understand the human body. Surgeons can refine existing surgical skills and develop new procedures to create better treatment for you. Dr Claire Smith goes through every aspect of donating a body, clearly describing what happens to a body once it has been donated, how it is used, how bodies are reassembled and then placed in coffins before cremation.
This is the fascinating journey into the untold story of the Silent Teacher.
A minor miracle, this book makes death and decay funny. I mean, very funny. The term "hilarious" is severely abused today -- usually means something that cracks a smile, at best -- but this book is deeply, unexpectedly funny, and chock full of rarely arcane, fully relatable science.
Not to be read at night, though. Laughing out loud at midnight at death and decay isn't something that endears you to your partner.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
Finally, a story that’s M/M and has an asexual character. It isn’t easy to write ace M/M protagonists. For obvious reasons, some of the tropes are excluded. However, TJ Klune gets around this, perhaps because the man who wants to be a movie star, Josiah (Josy) Erickson, is probably demisexual and demiromantic. That is, sex and romance aren’t impossible for Josy, but he needs a lengthy emotional connection with another man before he desires either. The story is funny, charming, touching, and validates people who don’t see enough of themselves in print.
Josiah Erickson wants to be a movie star. The problem with that is so does half of Los Angeles. But he's on his way, what with memorable roles as a TV show background cadaver and a guy in a commercial for herpes medication. All he needs is his big break. And that break may come in the form of a novelist who goes by the enigmatic name of Q-Bert. Q-Bert, who is ready to make his directorial debut in a film Josy would be perfect for. Q-Bert, who Josy may or may not have a friend-crush on, and potentially something…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I loved this book, which was a horror novel rich in folklore. I was drawn to the unique characters and the combination of horror, occult, and Irish folklore. I really enjoyed the transportation of these folklore traditions across continents, moving from Ireland to Northern Carolina.
I always feel that good horror is the sense of unease that develops throughout the story and lingers long after. It has been several years since reading this book, and the unease still lingers, and the repetitive line throughout ‘And I twist myself around like the twisted ones” casts a spell all of its own.
When Mouse's dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be?
Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there's more-Mouse stumbles across her step-grandfather's journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.
Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors-because sometimes the things that go bump in the night are…
