Here are 73 books that Stiff fans have personally recommended if you like
Stiff.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
I found Count Alexander Rostov to be a fascinating character with real depth. Sentenced to house arrest for the rest of his life, he outwits his opponents at every turn. I love how he changes the lives of everyone around him, whether they are his friends or his jailers, and ultimately how he is changed by them.
The mega-bestseller with more than 2 million readers, soon to be a major television series
From the #1 New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel
In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and…
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
From its first publication, this was my favorite book—a post-apocalyptic look at a world where women have lost their rights and are siloed into specific gender roles. I held my breath when the protagonist, Offred, finds ways to rebel, despite the risk of any visible state protest.
I love the complexity of the plot, where women sometimes help each other and other times join the persecution of women for self-survival. And I couldn’t read fast enough to see if Offred, riddled with fear yet finding her core of strength, finds a way out.
It’s a scary read, as it foretells of a totalitarian world, but I felt compassion for all the players as victims of this terrible world. And I knew from the start that Offred was a compelling protagonist whose deep compassion and strength would lead the way.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
An exploration of the suspected murder of an Italian child in London that along with the murders of Burke and Hare, changed how bodies are supplied for medical teaching. Set in London in the 1830s it is a factual look at the way cadavers were supplied for medical teaching at that point in history.
Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, it became known that a group of body snatchers - two men in particular, John Bishop and Thomas Williams, called the 'London Burkers' - were supplying the anatomy schools with fresh 'examples' for dissection. The case became known as 'The Italian Boy' and caused a furore which led directly to the passing of controversial legislation which marked the beginning of…
I guess we all have a "calling." Mine has always been to explore the deeper, darker, less palatable aspects of being human. I’m a bit like a space explorer of the human psyche. I’m lucky in the sense that my day job permits me to research, teach, and better understand things like love, death, and loneliness. I’ve been researching and writing about them for many years now. I always treasure books that help me to shed light on these themes. They are like shiny pebbles or jewels that I pick up and keep in my pocket. I hope you enjoy and learn from some of the treasures in my personal collection!
This book invited me to think about how we age and meet death in contemporary Western societies.
I have seen people close to me die. I watched as my grandma, then my grandpa, and then my father passed away. They each, in different ways, faced the brutal realities of growing old and they encountered a healthcare system that ultimately medicalized their death and the aging process–striving to ‘eek out’ more time, as though that was the only honorable thing to do.
Atul Gawande’s book really taught me to reflect critically on that.
'GAWANDE'S MOST POWERFUL, AND MOVING, BOOK' MALCOLM GLADWELL
'BEING MORTAL IS NOT ONLY WISE AND DEEPLY MOVING; IT IS AN ESSENTIAL AND INSIGHTFUL BOOK FOR OUR TIMES' OLIVER SACKS
For most of human history, death was a common, ever-present possibility. It didn't matter whether you were five or fifty - every day was a roll of the dice. But now, as medical advances push the boundaries of survival further each year, we have become increasingly detached from the reality of being mortal. So here is a book about the modern experience of mortality - about what it's…
I’m a trained microbiologist who received my doctorate from the University of Washington and who has long been fascinated by the natural world—whether microscopic or gigantic, within us or all around us. For more than 20 years, I’ve also been an award-winning science writer who has written for publications like The New York Times, Nature, Wired, and Scientific American. Ever since I wrote about the incredible ability of fecal transplants to cure a deadly bacterial infection, I’ve been obsessed with books that explore how the seemingly gross or ordinary things we often dismiss as lacking value have the power to transform both us and the planet.
This book not only provides a fascinating look at how we actually digest food, pluck out essential nutrients, and produce poop from the leftovers passing through the gut, but also includes charming and witty illustrations of many of these steps by the author’s sister, Jill.
An entire book about the gut? Yes, and it’s so interesting, with some gentle humor and well-thought-out analogies that help demystify what you’ll come to believe is a superhero of an organ.
I made notes, highlighted particularly illuminating sections, and found myself saying, “Wow! I didn’t know that!” throughout the book. It definitely gave me a new sense of wonder and appreciation for the intricate abilities of my own body.
“Everything you ever wanted to know about the gut (and then some).” —SELF
Discover the secrets of your digestive system—and how to hone a healthy gut—plus new research on the mind-gut connection.
With quirky charm, science star and medical doctor Giulia Enders explains the gut’s magic, answering questions like: What’s really up with gluten and lactose intolerance? How does the gut affect obesity? What's the connection between our microbiome and mental health? Why does acid reflux happen? In this revised edition of her beloved bestseller, Enders includes a new section on the brain-gut connection,…
I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.
I am so impressed with Caitlin’s work on demystifying funeral practices (The Smoke Gets in Your Eyes) and opening up our eyes to new possibilities through her writing and her Order of the Good Death. With this book, I was so engaged with the sheer variety of the death and funeral practices that she details.
We need this kind of writing: engaging, funny, and grounded while teaching us that we are not as bound as we might think we are. I left this book more resolved than ever that we can die differently, and especially if we can use our imaginations better to explore alternatives. The world is wide and beautiful: this book teaches us that we can see that beauty even in—maybe especially in—death.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Not only is this novel about death and dying (10,000 times, to be exact), but it also features Death as a main character. So it gets bonus points for hitting both of those marks when it comes to my love of dark comedies about death. But it’s also a story about finding a reason for living, that reason being the aforementioned Death, who just so happens to be the main character’s love interest. It’s complicated. At turns both thought-provoking and laugh-out-loud funny. Reincarnation stories have always intrigued me and this one does it in a fashion unlike any other.
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.
Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Christopher Moore is one of those rare authors who can actually make you laugh out loud, and there are plenty of those moments to be found here. Secondhand store owner and beta-male Charlie Asher becomes a death merchant, retrieving soul vessels before those souls end up in the hands of the forces of darkness. Set in San Francisco, A Dirty Job features a colorful collection of characters that includes Goth teens, Buddhist monks, and the Emperor of San Francisco. This was the first of Moore’s books that I read and it remains one of my favorites.
Charlie Asher is a pretty normal guy with a normal life, married to a bright and pretty woman who actually loves him for his normalcy. They're even about to have their first child. Yes, Charlie's doing okay—until people start dropping dead around him, and everywhere he goes a dark presence whispers to him from under the streets. Charlie Asher, it seems, has been recruited for a new position: as Death.
It's a dirty job. But, hey! Somebody's gotta do it.
