Here are 57 books that The Silent Teacher fans have personally recommended if you like
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I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
An exploration of the suspected murder of an Italian child in London that along with the murders of Burke and Hare, changed how bodies are supplied for medical teaching. Set in London in the 1830s it is a factual look at the way cadavers were supplied for medical teaching at that point in history.
Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, it became known that a group of body snatchers - two men in particular, John Bishop and Thomas Williams, called the 'London Burkers' - were supplying the anatomy schools with fresh 'examples' for dissection. The case became known as 'The Italian Boy' and caused a furore which led directly to the passing of controversial legislation which marked the beginning of…
I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
This is an interesting book about the
nature of human corpses and their legal standing. Canto looks at several
controversial cases about the disposal of human remains, whether the deceased
wishes were upheld and where we stand on the definition of treating remains
with dignity and respect. Who controls the fate of human remains and is it
important that you specify what you want before you die.
What will become of our earthly remains? What happens to our bodies during and after the various forms of cadaver disposal available? Who controls the fate of human remains? What legal and moral constraints apply? Legal scholar Norman Cantor provides a graphic, informative, and entertaining exploration of these questions. "After We Die" chronicles not only a corpse's physical state but also its legal and moral status, including what rights, if any, the corpse possesses. In a claim sure to be controversial, Cantor argues that a corpse maintains a "quasi-human status" granting it certain protected rights - both legal and moral.…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
Before she decided to study medicine, Christine Montross was a poet. She deploys the full beauty of language to explore how it feels to be a first-year medical student dissecting a cadaver in her gross anatomy class. Over the course of the year, Montross conveys much information about how the human body works and how doctors-to-be learn, but her primary focus is on her emotional journey, which spanned from being a student with no understanding beyond her own body to being someone able to heal anyone who comes to her for help. Lovely, powerful, and instructive, I hope this book is required reading for incoming med students.
A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student
Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
In spite of the impressive intellectual and scientific achievements of the Renaissance era, doctors and anatomists still had a very limited understanding of “women’s secrets,” that is, how the female body functioned. This era saw an increasing number of human dissections for medical study, but the vast majority of medical specimens were male, leading to an imbalance of knowledge.
In this captivating book, Park focuses on dissections of female bodies and the development of knowledge about the titular “secrets of women.” By expanding her study beyond university dissections to include those done in religious and domestic settings, she finds not only dissections of women’s bodies, but also dissections performed by women. The argument and analysis are sharp and incisive, it expands our understanding of early modern medicine, and the case studies of individual dissections are fascinating.
Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing attention to what they called “women’s secrets,” by which they meant female sexuality and generation. At the same time, Italian physicians and surgeons began to open human bodies in order to study their functions and the illnesses that afflicted them, culminating in the great illustrated anatomical treatise of Andreas Vesalius, in 1543.
Katharine Park traces these two closely related developments through a series of case studies of women whose bodies were dissected after their deaths: an abbess, a lactating virgin, several patrician wives and mothers,…
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
An absolute must-read for everyone who looks at villains and goes “I want their story.” Nita dices up monsters and sells their magical parts on the black market with her narcissist mother. And that’s just the beginning. The real conflict starts when mommy dearest brings her a body that’s still alive. This is a book with propulsive, edge-of-your-seat energy. Raw, gory, morally ambiguous, and every other unsettling box YA fantasy should check more often. It’s even got a Webtoon adaptation for visually-inclined readers.
"Twisty, grisly, genre-bending and immersive, Not Even Bones will grab you by the throat and drag you along as it gleefully tramples all of your expectations." —Sara Holland, New York Times best-selling author of Everless Dexter meets This Savage Song in this dark fantasy about a girl who sells magical body parts on the black market—until she’s betrayed.
Nita doesn’t murder supernatural beings and sell their body parts on the internet—her mother does that. Nita just dissects the bodies after they’ve been “acquired.” Until her mom brings home a live specimen and Nita decides she wants out; dissecting a scared…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
This is such a fascinatingly researched book about the science during the time Mary Shelley created Frankenstein. I was surprised and enthralled to learn how many real-life Victor Frankensteins there were in Victorian England, all trying to be the first to reanimate a dead corpse. The accounts of grave robbery and, yes, even murder (The fresher the corpse, the better the experiment!) had me hooked throughout.
Also intriguing was how this macabre practice was deemed by many to be the cutting edge of science. I feel the theme is especially resonant today as we face our own life-creating hubris with Artificial Intelligence.
The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein.
Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.
With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
