Here are 79 books that Not Even Bones fans have personally recommended if you like
Not Even Bones.
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I'm a Polish, London-based writer of Slavic-folklore-inspired fantasy novels for adults (The Second Bell, out from Angry Robot Books) and children (The Wind Child, published by Uclan). I write stories of families, grief, motherhood, and communities, steeped in the Ancient Slavic lore and set against the beauty and danger of the natural (and supernatural) world.
A powerful story of mothers, daughters, adoptive families, and loyalty the book draws inspiration from Greek mythology. The main character is a teenage girl with a magical affinity for plants. As she unexpectedly comes into an inheritance, for the first time her abilities seem to hold more promise than a threat. A highly readable story.
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'Kalynn Bayron does more than re-write a fairy-tale ... She breaks it apart and rebuilds it into a wholly original and captivating story where girls finally decide for themselves who lives happily ever after' - Brigid Kemmerer
'Brings much-needed inclusivity and contemporary flavor to the teen fantasy genre' - Kirkus Reviews
'A delicious mix of intoxicating fantasy and coming of age, steeped in Greek mythology and peppered with references to the Jordan Peele films Get Out and Us' - Observer New Review
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Ever since she can remember, Briseis has had power over plants. Flowers bloom in her footsteps…
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
In this atmospheric Portuguese historical fantasy, Princess Yzabel’s got a serious problem: Her country is plagued by famine and she can’t stop wasting food. Why? Every bite turns to flowers in her mouth. She’s crumbling under a mountain of royal pressures. What sets her apart from the “unlikeable” natures of the others on this list is that her niceness, not her dark side, is what landed her here. Decision paralysis and Pinguicha’s exploration of being “good” to a fault make Yzabel a girl worth getting to know.
17-year-old Yzabel of Aragon is engaged to the young King of Portugal, and under her touch, food turns into flowers.
With the populace starving, and barely surviving herself, Yzabel doesn't only need to end her curse - she must reverse it somehow. Turn flowers into food. Desperate, she sets to find Fatyan, an immortal rumored to live nearby, but she is imprisoned by an old enchantment. So they must strike a bargain: Fatyan will teach Yzabel how to master her magic, and Yzabel making a deal with Fatyan will release the magical bonds holding her captive.
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up.
“Beautifully written and deliciously complex…I couldn’t get enough.” —Nicki Pau Preto, author of the Crown of Feathers series
The Cruel Prince meets City of Bones in this thrilling urban fantasy set in the magical underworld of Toronto that follows a queer cast of characters racing to stop a serial killer whose crimes could expose the hidden world of faeries to humans.
Choose your player.
The “ironborn” half-fae outcast of her royal fae family. A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge. A dutiful fae prince, determined to earn his place on the throne. The…
I’ve been an avid fantasy reader since I was old enough to read—starting with a Greek mythology book beloved by young adults everywhere—and my love with reading translated into my love of writing. After years of scouring for the perfect story, I have indie-published three fantasy romance books. I see reading as the gateway to all creative endeavors and a rekindling of the imagination. After almost two decades of storytelling, I have established a commitment to finding good stories and sharing them with others. I use my platform to uplift authors, especially marginalized writers or fellow indies, knowing that community is what makes reading fun.
Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thievesis a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice.
Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.
Kids' Indie Next pick for November/December! Amazon Best Book of October 2021!
A scrappy maid must outsmart both palace nobles and Low Gods in a new YA fantasy by Margaret Owen, author of the Merciful Crow series.
Once upon a time, there was a horrible girl...
Vanja Schmidt knows that no gift is freely given, not even a mother’s love—and she’s on the hook for one hell of a debt. Vanja, the adopted goddaughter of Death and Fortune, was Princess Gisele's dutiful servant up until a year ago. That was when Vanja’s otherworldly mothers demanded a terrible price for their…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
In spite of the impressive intellectual and scientific achievements of the Renaissance era, doctors and anatomists still had a very limited understanding of “women’s secrets,” that is, how the female body functioned. This era saw an increasing number of human dissections for medical study, but the vast majority of medical specimens were male, leading to an imbalance of knowledge.
In this captivating book, Park focuses on dissections of female bodies and the development of knowledge about the titular “secrets of women.” By expanding her study beyond university dissections to include those done in religious and domestic settings, she finds not only dissections of women’s bodies, but also dissections performed by women. The argument and analysis are sharp and incisive, it expands our understanding of early modern medicine, and the case studies of individual dissections are fascinating.
Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing attention to what they called “women’s secrets,” by which they meant female sexuality and generation. At the same time, Italian physicians and surgeons began to open human bodies in order to study their functions and the illnesses that afflicted them, culminating in the great illustrated anatomical treatise of Andreas Vesalius, in 1543.
Katharine Park traces these two closely related developments through a series of case studies of women whose bodies were dissected after their deaths: an abbess, a lactating virgin, several patrician wives and mothers,…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
This is such a fascinatingly researched book about the science during the time Mary Shelley created Frankenstein. I was surprised and enthralled to learn how many real-life Victor Frankensteins there were in Victorian England, all trying to be the first to reanimate a dead corpse. The accounts of grave robbery and, yes, even murder (The fresher the corpse, the better the experiment!) had me hooked throughout.
Also intriguing was how this macabre practice was deemed by many to be the cutting edge of science. I feel the theme is especially resonant today as we face our own life-creating hubris with Artificial Intelligence.
The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein.
Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.
With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
For 10 years, I edited Morbid Curiosity magazine. I believe that curiosity is the most important aspect of being human. More than the simple desire to know things, curiosity is a tool as powerful as a scalpel or a searchlight. Curiosity is a way to effect change, in our own lives and in the world. Morbid Curiosity magazine taught me to believe in the power of story, especially in the form of memoirs. Only by telling our own stories can we overcome our fears and find inspiration in death. Investigating my own relationship with death led me to write This Morbid Life. These books illuminated my search.
Before she decided to study medicine, Christine Montross was a poet. She deploys the full beauty of language to explore how it feels to be a first-year medical student dissecting a cadaver in her gross anatomy class. Over the course of the year, Montross conveys much information about how the human body works and how doctors-to-be learn, but her primary focus is on her emotional journey, which spanned from being a student with no understanding beyond her own body to being someone able to heal anyone who comes to her for help. Lovely, powerful, and instructive, I hope this book is required reading for incoming med students.
A "gleaming, humane" (The New York Times Book Review) memoir of the relationship between a cadaver named Eve and a first-year medical student
Medical student Christine Montross felt nervous standing outside the anatomy lab on her first day of class. Entering a room with stainless-steel tables topped by corpses in body bags was initially unnerving. But once Montross met her cadaver, she found herself intrigued by the person the woman once was and fascinated by the strange, unsettling beauty of the human form. They called her Eve. The story of Montross and Eve is a tender and surprising examination of…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
Right up to date with a book written by an
anatomist detailing how cadavers are used in a modern teaching facility in the
UK. In an unusual break from the silence
that usually surrounds the use of human cadavers, Dr. Smith talks us through the
whole process from donation to disposal and the assistance they provide to
medical teaching.
One single body donation could affect the lives of around ten million patients. Body donation is an amazing gift which enables doctors and healthcare professionals to understand the human body. Surgeons can refine existing surgical skills and develop new procedures to create better treatment for you. Dr Claire Smith goes through every aspect of donating a body, clearly describing what happens to a body once it has been donated, how it is used, how bodies are reassembled and then placed in coffins before cremation.
This is the fascinating journey into the untold story of the Silent Teacher.
