75 books like A Dark and Hollow Star

A powerful story of mothers, daughters, adoptive families, and loyalty the book draws inspiration from Greek mythology. The main character is a teenage girl with a magical affinity for plants. As she unexpectedly comes into an inheritance, for the first time her abilities seem to hold more promise than a threat. A highly readable story.

The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere. 

In this atmospheric Portuguese historical fantasy, Princess Yzabel’s got a serious problem: Her country is plagued by famine and she can’t stop wasting food. Why? Every bite turns to flowers in her mouth. She’s crumbling under a mountain of royal pressures. What sets her apart from the “unlikeable” natures of the others on this list is that her niceness, not her dark side, is what landed her here. Decision paralysis and Pinguicha’s exploration of being “good” to a fault make Yzabel a girl worth getting to know.

The protagonist of Only a Monster, Joan Hunt-Chang, also feels like someone caught between two worlds. Joan isn’t just half Chinese-Malaysian and half-British, she’s also half-monster and half-human, something that she learns at the beginning of the book. The rest of the book follows Joan as she tries to save her monster family, striking a balance between doing the right thing and embracing her monstrous heritage. Joan grapples with questions of identity, heritage and morality in this gripping fantasy novel, which also features time travel and a twist I honestly did not see coming. 

The eternal devotion and self-sacrifice endured by the mother-daughter pair is the real heartbeat of the story as I followed Xingyin on her many adventures.

As the daughter of the exiled Moon Goddess, Xingyin is forced to flee her home when her mother fears Xingyin’s existence will be discovered by the Celestial Emperor.

Xingyin must find a way to please the very Emperor who holds her mother hostage if she has any hope of setting her mother free. Her mother gave up so much in order to give Xingyin life, and is never far from her daughter’s mind.

I could not help but hope that mother and daughter would one day be reunited.

The book also has gorgeous world-building inspired by Chinese myths that makes it an enthralling read.

This book tells the story of four siblings, all of whom have a complicated relationship with their nation Ashoka and each other. Though they’re estranged from each other, the siblings must set aside their differences and work together to follow a series of clues leading them to the Ivory Key, a fabled source of infinite magic. I loved this book’s mix of adventure and puzzle-solving, and would recommend it to anyone no matter what, but this book also has a POV character stuck between two worlds. Kaleb, one of the four siblings, is half-Ashokan and half-Lyrian, the country at war with Ashoka, and he struggles to reconcile his identity with his loyalty to his family and nation. I highly recommend picking up this debut!

An absolute must-read for everyone who looks at villains and goes “I want their story.” Nita dices up monsters and sells their magical parts on the black market with her narcissist mother. And that’s just the beginning. The real conflict starts when mommy dearest brings her a body that’s still alive. This is a book with propulsive, edge-of-your-seat energy. Raw, gory, morally ambiguous, and every other unsettling box YA fantasy should check more often. It’s even got a Webtoon adaptation for visually-inclined readers.

Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thieves is a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice. 

Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

Yeats, a mystic poet, travelled across Ireland in the late 1800s and early 1900s, asking country people if they’d ever seen fairies and taking down their stories. “I believe when I am in the mood that all nature is full of people whom we cannot see,” he wrote in an earlier book, The Celtic Twilight. “Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing….” Yates believed the songs and stories "handed down among the cottages” were “Folk art [which]… because it has gathered into itself the simplest and most unforgettable thoughts of the generations… is the soil where all great art is rooted.”  His own poetry bears this out.