100 books like A Betrayal of Storms

This book will always stick with me because of the amazing thought put behind one of the main character’s plotting. Kaz easily has one of the best minds in any book I’ve ever read. Along with Kaz, though, there are multiple other POVs which are equally as important to the story.

It had more POVs than any book I had read previously, but the way Bardugo wrote them had me wanting more of them all and unable to pick a favorite. Each character has a unique voice and story that perfectly complements the overarching plot.

Even when I wasn’t sure how something would fit into the main thread of the story, it wove back in at the right moment and made perfect sense.

This book was billed as a magical gay murder cruise, and I was so thrilled to discover that it more than lived up to the pitch.

Dee, the loveably insecure and absolutely hilarious protagonist, had me cheering for him the whole way through the book as he works to uncover who is killing his fellow passengers. With the help of a delightful found family nicknamed the Swarm, Dee realizes that not only is he cut out for the task—he’s truly the only man for the job.

This book made me laugh and cry and ultimately touched me deeply as it spoke to coming to trust and love oneself. 

If you’re looking for the best-found family in the most stunning dragon book ever, look no further than the Den in this book, a queer Jamaican-inspired book about magic-wielders and dragon-riders defending their island from colonizers.

I cheered Elara, Faron, and the rest of the cast on as the book soared to thrilling heights and completely swept me away. I came for the world, magic, and dragons and stayed for the banter, found family, touching story of love and loss—and dragons. I firmly believe that this one will become a classic of YA fantasy.  

I was immediately enthralled by this queer Jewish-found fantasy book, pitched as Scorpio Races meets Peaky Blinders.

The daughter of a renowned family facing impending ruin teams up with a rogue enchanter and an ambitious heir to win a deadly horse race using forbidden magic.

As I read this book in a single sitting, my heart felt like I was the one running a race. I loved the entire gang, as well as the star of this particular found family—the cat. 

This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up. 

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever. 

Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.

I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.

In this book, barrister-turned-novelist Sarah Caudwell strikes a perfect balance of intricate, cozy mystery and zany British humor.

While I adored all of the books by this author, I particularly loved the Gothic threads that run through this last one, as well as the satisfying queer aspects of the storyline. If I could live inside any mystery series, it would be this one: the characters are so much fun, especially the narrator, Oxford professor Hilary Tamar.

Interestingly, Professor Tamar’s gender is never disclosed—a pretty radical concept for a series that started in the 1980s—which manages to avoid ever feeling gimmicky and which helped me to reflect as I read on my own expectations and assumptions about gender in mystery stories.

This book has all the things I love about a swashbuckling fantasy–found family, romance, and magic. The art is gorgeous, the characters are loveable, and the world is bustling with excitement and danger at every turn.

I loved the One Piece vibes, and it’s so wonderful to see queerness just be there. I could not stop turning the pages. 

Although this book is about film, rather than television, it’s impossible to understand the TV landscape without also understanding what was happening at the movies.

And then there’s Vito Russo’s incredible research and activism, which made this book possible – an inspiration for anyone interested in how media can make the world a better place.