100 books like This Dark Descent

No list of queer-found family fantasies would be complete without mentioning the Dregs. Leigh Bardugo’s book, set in a gritty city called Ketterdam, is the first book that made me fall in love with a found family.

If I could join any fantasy-found family, it would be this one. If you’ve ever wanted to join the ultimate heist crew, you’ve got to read Six of Crows.

This book was billed as a magical gay murder cruise, and I was so thrilled to discover that it more than lived up to the pitch.

Dee, the loveably insecure and absolutely hilarious protagonist, had me cheering for him the whole way through the book as he works to uncover who is killing his fellow passengers. With the help of a delightful found family nicknamed the Swarm, Dee realizes that not only is he cut out for the task—he’s truly the only man for the job.

This book made me laugh and cry and ultimately touched me deeply as it spoke to coming to trust and love oneself. 

If you’re looking for the best-found family in the most stunning dragon book ever, look no further than the Den in this book, a queer Jamaican-inspired book about magic-wielders and dragon-riders defending their island from colonizers.

I cheered Elara, Faron, and the rest of the cast on as the book soared to thrilling heights and completely swept me away. I came for the world, magic, and dragons and stayed for the banter, found family, touching story of love and loss—and dragons. I firmly believe that this one will become a classic of YA fantasy.  

As a fan of epic fantasy, swoon-worthy romance, and political intrigue, I fell so hard for this book—and it’s the first in a series of four books, so there was more than enough to feed my desire for all the action.

The series follows Robin, a seemingly ordinary boy whose kidnapping leads him to discover that he’s anything but. His journey of self-discovery and self—acceptance truly spoke to me as a reader, and the kick-ass family he gathers around him along the way cemented the Realm of Fey series as one of my favorite found family fantasies.  

I read this when I was starting to burn out on some of the conventions of YA, which made it a delightful breath of fresh air that this book doesn’t follow them.

After using a Korean folktale to launch its plot into motion, it builds a great relationship not only between the protagonist and her love interest (a god who’s forgotten what he’s the god of) but between her and a lot of other characters, her family included.

I really appreciated the romance not dominating the story to the point of sidelining everything else, and Mina’s interactions with the others–including other girls sent to be brides of the Sea God–were excellent.

To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.

In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.

The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.

This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.

This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.

I love an urban fantasy brimming with music, magic, deadly secrets, and unimaginable power.

High school junior Mateo’s life revolves around the piano. He’s a musical prodigy who completely underestimates his potential as a demon-fighting, curse-breaking hero.

His humor and yearning to find himself hooked me from the beginning. I loved his exotic diaspora community with its quirky, endearing-to-dangerous denizens. None of his neighbors bat an eye at him living with his two doting aunts, one alive, one dead.

It made me want to fly to New York, comb Brooklyn in search of Mateo’s neighborhood, and join the party!

Originally, I was looking for a book series to get my 12-year-old (non-reader) nephew interested in reading. The cover art is great, and the description, “a smart-ass skeleton detective and a secret magic world, in the shadows of the real world,” piqued my interest. Yes, an actual walking, talking skeleton.

I first purchased a copy for myself so I would know if it was appropriate for him. I enjoyed reading it so much that I went out the next day and bought him the first four books in the series. They became the first books he voluntarily read. I love the depictions of magic (and magical creatures) in the real world and the constant battle to keep regular humans ignorant of the events that take place virtually right in front of them. 

I read this book as a child and was immediately captivated by the rugged island nations and the rich cultural tapestry the inhabitants live within. The evocation of mist, mountains, remote shores, isolated villages, and their bleating goats form the backdrop to the story of Ged, the would-be wizard on his voyage to become a mage.

The self-discovery he faces at the wizard school (long before Hogwarts) when he unleashes a malevolent force through youthful ego and determination to prove his magic vitality leads him on a journey of self-discovery through the lands and within his own soul, pursued by the darkness he freed. It’s a rite of passage that culminates in him facing this shadow and what it truly is. The imagery is stark, and the haunting world-building is compelling. Perhaps it’s still my favorite fantasy to this day.