From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
This is quite literally the book that made me decide to become a writer.
It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.
In the mind of a lonely, imaginative girl, who can tell where fiction ends and reality begins? An epic fantasy, spanning nine years...
The fire and hemlock photograph above Polly's bed sparks memories in her that don't seem to exist any more. Halloween; nine years ago; she gatecrashed a funeral party at the big house and met Thomas Lynn for the first time.
Despite the fact that he's an adult, they struck up an immediate friendship, and began making up stories together - stories in which Tom is a great hero, and Polly is his assistant. The trouble is, these…
I’m used to contemporary fantasies where magic is either hidden or open and acknowledged, and this book blew my mind by blowing that dichotomy out of the water.
It retells the Russian folktale of “Vassilisa the Beautiful” but adds a lot of complicated family dynamics that made me like the source narrative even more than I already did. I also loved the utter weirdness of how Baba Yaga and her hut on fowl’s legs neither fits into the ordinary world nor stands apart from it.
In Vassa's neighbourhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters and sometimes innocent shoppers as well. So when Vassa's stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission. But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough talking wooden doll with sticky fingers, a bottomless stomach,…
So many of the books I read flinch from letting there be truly bad consequences to the protagonist’s actions, but this one is impressive in how little it pulls its punches.
When I picked it up, I wasn’t as familiar with the Persian folklore that inspired it as I am with other novels, but it made me want to go read the tales it’s based on. I also found the writing lovely, a cut above many of the novels I read. And for bonus points, it has queer representation, too!
From the author of Girls Made of Snow and Glass, this captivating and utterly original Persian-inspired fairy tale about a girl cursed to be poisonous to the touch is perfect for fans of Natasha Ngan and Naomi Novik.
'Monstrously beautiful and enchanting' Tasha Suri, author of Empire of Sand
There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away from everyone, apart from her family, safe only in her gardens, it's not just a story.…
This is an absolutely gorgeous, lyrical read that does my favorite thing: blending folklore–in this case, Eastern European Jewish traditions–with historical individuals and events. It’s melancholy without being unrelentingly grim, hopeful without ignoring the hard edges of history, and it does a beautiful job of weaving its various strands together.
I don’t tend to read a lot of books that captivate me from the first page with their prose, but this was one of them.
A SPELLBINDING TALE OF LOVE AND LOSS, SISTERHOOD AND THE TANGLED THREADS OF FATE.
'Blending folktale with history, hope with tragedy, its touch will linger on your heart long after you put it down' Marie Brennan, author of the Memoirs of Lady Trent series
This is how a fairy tale begins . . .
Deep in the Hungarian woods, the sacred magic of King Solomon lives on in his descendants. Gathering under the midnight stars, they perform small miracles and none are more gifted than the great Rabbi Isaac and his three daughters.
I read this when I was starting to burn out on some of the conventions of YA, which made it a delightful breath of fresh air that this book doesn’t follow them.
After using a Korean folktale to launch its plot into motion, it builds a great relationship not only between the protagonist and her love interest (a god who’s forgotten what he’s the god of) but between her and a lot of other characters, her family included.
I really appreciated the romance not dominating the story to the point of sidelining everything else, and Mina’s interactions with the others–including other girls sent to be brides of the Sea God–were excellent.
Deadly storms. An ancient curse. Will her sacrifice save them all?
For generations, deadly storms have ravaged Mina's homeland. Her people believe the Sea God, once their protector, now curse them with death and despair. To appease him, each year a maiden is thrown into the sea, in the hopes that one day the 'true bride' will be chosen and end the suffering.
Many believe Shim Cheong - Mina's brother's beloved - to be the legendary true bride. But on the night Cheong is sacrificed, Mina's brother follows her, even knowing that to interfere is a death sentence. To save…
The bondsmaid Hervor is used to dead men whispering in her sleep; they’ve been doing it for as long as she can remember. But when a new arrival at her holding triggers her into a berserker fury, she’s forced to flee the contract that enslaves her and into the arms of an uncertain future.
Unchained from the living, Hervor goes in search of a way to silence the dead, but it will take much more than grit and determination to make that happen. She’ll need the help of a ruthless Viking, an ailing jarl, a mad witch, and more―for the treachery that killed her ghosts isn’t nearly as dead as they are, and the path to peace must first traverse a river of blood.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto in the grips of severe water scarcity.
Single mother and limnologist Lynna witnesses disturbing events as she works for the powerful international utility CanadaCorp. Fearing for the welfare of her rebellious teenage daughter, Lynna sets in motion a series of events that tumble out of her control with calamitous consequence.…
Centuries from now, in a post-climate change dying boreal forest of what used to be northern Canada, Kyo, a young acolyte called to service in the Exodus, discovers a diary that may provide her with the answers to her yearning for Earth’s past—to the Age of Water, when the “Water Twins” destroyed humanity in hatred—events that have plagued her nightly in dreams. Looking for answers to this holocaust—and disturbed by her macabre longing for connection to the Water Twins—Kyo is led to the diary of a limnologist from the time just prior to the destruction. This gritty memoir describes a…
