87 books like Girl, Serpent, Thorn

Good lord, Kat simply dominates when she enters a scene.

She leaves no room for argument with all her decisions (some of them bad, some of them good) or dialogue, and even in moments where you’re screaming at her or she’s second-guessing herself, she grounds herself in her resolve and pushes forward.

Plus, Bones is swoon-worthy, and she still honors her own feels in the presence of his…well…everything, haha. I also love her evolution through the Night Huntress series and how her viewpoint toward vampires and paranormals shifts in a way that suits her character development. Also the spice? Heck. Yes.

This inventive novel is a retelling of Beauty and the Beast, but what I enjoyed most about it is the portrayal of the “Fairy Folk” of myth. The Fae.

In most myths, we encounter the dark side of the Fae, the gruesome and frightening side. In modern times we have reduced these creatures to flower fairies. What I loved about this novel is that Maas sticks with the dangerous and malevolent portrayal of these immortals, and she weaves a beautiful mythic tale into their world.

Basically, I’d recommend the whole Folk of Air series, but you should start with The Cruel Prince, as they build upon one another.

Jude is the definition of a kick-ass heroine. She takes absolutely no prisoners, even in a setting where she seemingly has less power than those around her. She will fight tooth and nail to get the respect she deserves, and I love that about her. Also, Cardan. Cardan.

I don’t even know what else to say about him without starting a whole different review thread, but specifically, Jude and Cardan’s interactions. Just read it.

Listen, I’m not sure there’s a more kick-ass heroine out there than Isolde.

She’s thrust into a situation she had no intention of being in, and she still rules the world (figuratively? Literally? Read and find out.). She is in charge—of her body, her mind, her wants, everything. She takes what she wants without worrying about what others think of her, and the way she interacts with Adrian is *chef’s kiss.*

This one has a lot of spice and sex positivity, and I love that. 11/10 recommend. 

If I have a Roman Empire, it’s this series. I think about the triplets of Fennbirn regularly.

This book follows three triplets who are fated to kill each other so one may wear the crown. I loved the way Blake peeks inside each of the sister’s heads and writes this complicated dynamic between them. I mean, the fact that they’re sisters and they have to kill each other is the baseline for complications.

It is dark and visceral, and I truly felt like I was with each sister when their POV came up.

I read this when I was starting to burn out on some of the conventions of YA, which made it a delightful breath of fresh air that this book doesn’t follow them.

After using a Korean folktale to launch its plot into motion, it builds a great relationship not only between the protagonist and her love interest (a god who’s forgotten what he’s the god of) but between her and a lot of other characters, her family included.

I really appreciated the romance not dominating the story to the point of sidelining everything else, and Mina’s interactions with the others–including other girls sent to be brides of the Sea God–were excellent.

This is quite literally the book that made me decide to become a writer.

It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.

Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.

But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.

I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future. 

This fantasy, set in a reimagined Italy, literally made me want to dive into the world.

I am still thinking about the romance of the book and the predicament Alessa finds herself in. Oh, and did I mention all the delicious food within the book? I could basically taste the gelato.

While I was heavily invested in the romance, I thought the plot was so interesting and well-woven into the story.

Since the first page, I have not been able to stop thinking about Whitten’s gorgeously immersive world.

With a main character named Red and something about a wolf, you may think that this is just another Little Red Riding Hood rewriting…but it is so much more. A magical murderous forest, prophesies, blood pacts, destiny, love—all the things I already knew I loved, but then add even more—haunted trees, a twisting sickness caused by shadow, and two sisters fighting to determine their own fate.

This last aspect lends a specialness to Whitten’s novel and reminds me of my favorite novels growing up. These are not your average princesses. For the Wolf teeters on that edge between NA and adult, and the language alone is worth the read!