85 books like For the Wolf

Where can I even begin with the magic and immersion of Naomi Novik’s Uprooted?

Saying an unlikely heroine with an affinity for the forest meets an aloof, powerful wizard thus starting her quest to uncover the potential of her own magic barely scratches the surface of the enchanting world Novik creates. The allure and power of the dark forest that runs tangled roots beneath the story’s unspooling narrative is an unmissable experience.

And Novik’s uniquely beautiful language is perfectly matched by the magic of the fairy tale world itself and the weaving of the spells therein! 

Stories within stories, each honing and enhancing the other, is one of my favorite tropes across literature, and it finds a special expression in Erin Morgenstern’s The Starless Sea.

Unlike the other novels in this list, this one begins in our “normal” world, albeit a magically enhanced version of it. (You and I live there already, of course.) Fairy tales weave into and through the story as our young protagonist tries to find his way in the world, inextricably drawn back to these mystical tales.

Morgenstern’s prose will sweep you away while also meditating on the power of prose to sweep you away, and then we’re all in this tangle of a love of stories and the magic of fairy tales, exactly where we wanted to be all along. 

If I have a Roman Empire, it’s this series. I think about the triplets of Fennbirn regularly.

This book follows three triplets who are fated to kill each other so one may wear the crown. I loved the way Blake peeks inside each of the sister’s heads and writes this complicated dynamic between them. I mean, the fact that they’re sisters and they have to kill each other is the baseline for complications.

It is dark and visceral, and I truly felt like I was with each sister when their POV came up.

Tarisai was born with a wish in her heart, but not her wish. Her mother wants to use her to harm an old enemy, and Tarisai has no choice but to go along with it.

But as she finds her own found-family out in the world, she learns that there are some things more powerful than wishes. Her mother’s wish can only have so much power over her when she fights against her mother’s desires for her life. And Tarisai is stronger than she’s ever believed, which was an incredible twist to the plot.

I loved seeing Tarisai come into her own, while figuring out that she can control the shape of her future. 

This fantasy, set in a reimagined Italy, literally made me want to dive into the world.

I am still thinking about the romance of the book and the predicament Alessa finds herself in. Oh, and did I mention all the delicious food within the book? I could basically taste the gelato.

While I was heavily invested in the romance, I thought the plot was so interesting and well-woven into the story.

So many of the books I read flinch from letting there be truly bad consequences to the protagonist’s actions, but this one is impressive in how little it pulls its punches.

When I picked it up, I wasn’t as familiar with the Persian folklore that inspired it as I am with other novels, but it made me want to go read the tales it’s based on. I also found the writing lovely, a cut above many of the novels I read. And for bonus points, it has queer representation, too!

My sister has always teased me about my love of men in dark capes (Darth Vader and the Phantom from Phantom of the Opera especially). Combine that—shall we say—preference with my fascination with the tarot, courtly intrigue, and a young woman’s quest to embrace her inner darkness while determining her own destiny and bam! You have Rachel Gillig’s One Dark Window.

One of my favorite things about this novel is that it surprised me, which doesn’t happen easily. From the first embedded fairy tale rhyme, Gillig sweeps her readers away into a mist-cloaked kingdom struggling for its very survival, both desperate for and hidden by the magic of the forest that looms beyond its misty borders.

Back in ancient Rome, an artist wouldn’t be described as being a genius but rather as having a genius—a helpful spirit that would join alongside them and aid them in the creative process.

C.L. Polk’s The Midnight Bargain takes this tradition in stride with a feminist tale of a fantasy court where magic comes in the form of spirit possession. In order to marry (and, of course, produce heirs *eyeroll*) marriage traditions demand that women must be protected from these possessive spirits lest the spirits possess their unborn children.

Our lovely heroine wants no part of this and, unlikely band of friends plus a crush in tow, sets out to forge her own path. The level of detail in the different cultures Polk depicts is uniquely gorgeous.  

The Sorcerer of the Wildeeps, Wilson’s debut work, is another wonder among wonders.

It feels like an epic fantasy, but instead of following more Viking-blonde heroes with their magical swords, we’re following hired mercenaries to escort a caravan through dangerous lands.

And instead of the usual fantasy worlds descended from the Western European Middle Ages, we’re in one influenced by re-colonial Africa.

There are magical jungles and magical tigers, and violence and death, and an LGBT love story between smart, dedicated men.

It’s a character study worthy of a literary novel, but the love of words, and the masterful inclusion of various dialects, particularly a kind of medieval hip-hop slang, makes this a truly fascinating read.

Gosh, I loved this book. I’ve re-read it countless times. It is one of my favorite protagonists. She’s fiery and strong, and she knows herself, but the book takes you through her journey, where she starts off as a very quiet but curious girl. Her character development is one of my favorites ever.

This story has a really descriptive and rich world that I could picture clearly in my head, which is why I never wanted to finish the book. As a mythology lover, this story also ticked so many boxes for me.