Fans pick 76 books like Uprooted

Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.

I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.

I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult.  During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.

I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.

I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.

I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.

Grief is now an unwanted travel companion and a friend to me. At times, I find myself incapable of understanding it. Even so, it has helped me view myself through a different lens. When I wrote my book, my mother was still alive. Grief had yet to announce itself as my lifelong companion, but I was aware of its menacing presence. That amazing prescience spilled into my book. After my mother died, I discovered that there was a lot more to discover about death and grief. For months, I reviewed books on these topics for various publications. I'm still on this enlightening journey.

I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city. 

I’ve loved folklore and fantasy literature since I was tiny, but I’ve also had a lifelong fascination with science, history, and the natural world. As a disabled mother of two, I’ve not (yet) had the opportunity to see as much of our world as I’d like, but I love building fantasy worlds and weaving within them stories that blend a grounded earthiness with the supernatural and metaphysical. My writing always begins with a single mental image, the seed of an idea that I explore and build around until I have a full-fledged story ready to commit to paper. I love stories that break the mould, take you somewhere unexpected, and then make you never want to leave.

Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.