100 books like Walking the Tree

I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult.  During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.

I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.

I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.

I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!

As a psychologist and university professor teaching internationally, I’ve had opportunities to listen to people’s stories globally, and impart wisdom gleaned from my own cross-cultural experiences. Invitations to share ranged from teaching others inner and spiritual healing methods to being Reader’s Digest’s “Online Ask an Expert about Infidelity”, to training local recovery workers during the two deadliest disasters of this century. Therefore, I cannot say I ‘chose’ to become an expert on betrayal. It chose me. From childhood on, betrayal gave me opportunities to personally experience and learn from interpersonal infidelities, health crises, social injustice, and mass trauma. The school of hard-knocks tests us first—then we get the teaching.

I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.

I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us. 

Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).

I grew up in a family of nature lovers and went with my parents and my brother on numerous nature hikes. These are my most precious childhood memories. I learned as a child to appreciate nature, I was fascinated by wild animals and inspired by the beauty of the natural world. As I grew up, I became more and more aware of how fragile the natural world is today and how important it is to protect it. This is one of the main motivators for me to create books for kids that will inspire them to love and respect nature.