Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.
Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world.
"Grealy has turned her misfortune into a book that is engaging and engrossing, a story of grace as well as cruelty, and a demonstration of her own wit and style and class."—Washington Post Book World
“It is impossible to read Autobiography of a Face without having your consciousness raised forever.” – Mirabella
In this celebrated memoir and exploration of identity, cancer transforms the author’s face, childhood, and the rest of her life.
At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
Everybody knows Ahab, but do you know Bartleby? It’s a strange story about a strange man, which, of course, attracts me. Bartleby is a lawyer’s copyist who decides he doesn’t want to do this sort of writing anymore and meets every instruction with the words: I would prefer not to. You can read Bartleby as simply a humorous tale. Or you can read it as a story of the existential crisis most writers, myself included, face at one time or the other. Melville was feeling dissatisfied with his choice of a writing career—the critics were unfriendly—and, in my opinion, the title character reflects this. It’s also, in my view, an implicit critique of economic control in America—my SDS youth would approve! It’s not for nothing that the story’s final words are: “Ah Bartleby! Ah humanity!”
At the period just preceding the advent of Bartleby, I had two persons as copyists in my employment, and a promising lad as an office-boy. First, Turkey; second, Nippers; third, Ginger Nut. These may seem names, the like of which are not usually found in the Directory. In truth they were nicknames, mutually conferred upon each other by my three clerks, and were deemed expressive of their respective persons or characters.
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
Ranging from very short to very bizarre, these stories are out there. One story is about a melancholy octopus who travels to the White House. Other stories are about ants, mice, birds, dogs, sharks, and whales doing mundane things or experiencing existential crises. Weird, surreal, and whacky, Zac Smith is on a mission to have fun with his stories. This book may not be for everyone. But, if it does tickle your fancy, then you’ll be glad you immersed yourself in Zac Smith’s unique mind.
Everything is Totally Fine is a collection of surreal and inventive stories ranging from six sentences to eight pages. Even though its main themes seem to be despair, depression, boredom, confusion, and fear, readers may find themselves smiling, laughing, excited, startled, moved, and inspired while reading it.
Animals in this book include ants, mice, birds, dogs, octopuses, sharks, whales. Settings include kitchens, bathrooms, camping grounds, gas stations, graveyards, rocket ships, golf courses. Activities include driving, converting files, setting things on fire, eating pizza, showering, planking, and visiting the White House.
I'm a writer from a small town in England that nobody has heard of, who now lives in Berlin. I have written books about depression, insomnia, creativity, and travel that have been translated into 20 languages. My book How to Be Happy (or at Least Less Sad) was called "a wonderful tool for anyone struggling with depression – or even just feeling blah" by Publishers Weekly. My latest book Nobody Knows What They're Doing is available now.
Every book on my list has changed my life in some way, but this novel probably had the biggest impact. When I first read it, my life had followed a similar trajectory to the protagonist. I had become disillusioned with the meaning of life, quit my job, and left home to travel the world for a year or so. This book explores a lot of big themes in deceptively simple language. I re-read it any time I feel a bit lost in life. It always helps me to feel better, and see that things fit together, in just the right way.
Troubled by an inability to find any meaning in his life, the 25-year-old narrator of this deceptively simple novel quits university and eventually arrives at his brother's New York apartment.
In a bid to discover what life is all about, he writes lists. He becomes obsessed by time and whether it actually matters. He faxes his meteorologist friend. He endlessly bounces a ball against the wall. He befriends a small boy who lives next door.
He yearns to get to the bottom of life and how best to live it.
Funny, friendly, enigmatic and frequently poignant - superbly naive.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
The relentless and erudite work of Arendt never ceases to challenge me. In the books included here—Thinking and Willing—she explores what it means that the self knows itself to be a self, and how that knowledge refracts and splits upon encountering others, and then changes when returning to solitude again. I read her knowing that she has not just considered but felt her ideas. “To be alive means to be possessed by an urge toward self-display. . . .Up to a point we can choose how to appear to others.”
The most intriguing…and thought-provoking book that Hannah Arendt wrote (The New York Times Book Review), The Life of the Mind is the final work by the political theorist, philosopher, and feminist thinker.This fascinating book investigates thought itself as it exists in contemplative life. In a shift from Arendt's previous writings, most of which focus on the world outside the mind, this is an exploration of the mind's activities she considered to be the most fundamental. The result is a rich, challenging analysis of human mental activity in terms of thinking, willing, and judging.
Hi there, I’m Lucie and I’m a writer (allegedly) but before that I’m a human and I know how hard it is to be a human. It’s a constant battle with yourself, the people around you, the world, and it’s exhausting and sometimes it can be too much but we find ways to keep going and books help me do that (as well as crying, screaming, potatoes). I find life absurd most of the time so I have to laugh about it or I’d go insane. And I’m still alive, despite constantly being in a fight with my brain, so I think I’ve got this.
A beautiful book by one of my favourite comics about one man’s mental breakdown and how music and the people who made it saved him from the worst year of his life. It’s funny and tender and all the music he references was made by people going through their own shit and about how they used their music to save themselves. It’s a book about how we fall apart and how we put ourselves back together and you don’t have to know about music to be moved by it.
The brand new memoir from James Acaster: cult comedian, bestselling author of Classic Scrapes, undercover cop, receiver of cabbages.
PERFECT SOUND WHATEVER is a love letter to the healing power of music, and how one man's obsessive quest saw him defeat the bullshit of one year with the beauty of another. Because that one man is James Acaster, it also includes tales of befouling himself in a Los Angeles steakhouse, stealing a cookie from Clint Eastwood, and giving drunk, unsolicited pep talks to urinating strangers.
January, 2017 James Acaster wakes up heartbroken and alone in New…
Rajiv Sethi is an economist, currently a professor at Barnard College, Columbia University, and an external professor at the Santa Fe Institute. His research deals with information and beliefs, with particular focus on how stereotypes condition interactions among strangers.
This path-breaking book presents a view of human communication as theater, where speakers choose their words to create desired impressions, and listeners try to interpret speech while guarding against manipulation and deceit.
Strategic interaction and interpretation are central to the argument. In effect, Goffman is examining dynamic games with incomplete information, decades below the formal language for such analyses was developed.
One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others
'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'
How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors in a theatrical performance. From the houses and clothes that we use as 'fixed props' to…
Creepy,
charming, and set slightly outside the realm of lived experience, this tale of
a man left behind in a resort town when his family returns home (or do they?)
somehow becomes a gripping, vital tale about the existential crisis that is
human life.
"Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement." ―The New York Review of Books
Herman’s wife and child are nowhere to be found, and the weather in the village, perfectly agreeable just days earlier, has taken a sudden turn for the worse. Tourist season is over. It’s time for the vacationing Parisians, Herman and his family included, to abandon their rural getaways and return to normal life. But where has Herman’s family gone? Concerned, he sets out into the oppressive rain and cold for news of their whereabouts. The…
Hi there, I’m Lucie and I’m a writer (allegedly) but before that I’m a human and I know how hard it is to be a human. It’s a constant battle with yourself, the people around you, the world, and it’s exhausting and sometimes it can be too much but we find ways to keep going and books help me do that (as well as crying, screaming, potatoes). I find life absurd most of the time so I have to laugh about it or I’d go insane. And I’m still alive, despite constantly being in a fight with my brain, so I think I’ve got this.
This book got me out of a funk when I couldn’t feel like reading anything. It’s a book about a robot that wants to write a movie to save humanity after he becomes self-aware. It’s funny and sweet and will make you laugh and cry maybe not worry so much about the imminent robot uprising.
“Science fiction satire in the Vonnegut mold.”—Cory Doctorow
*SET TO BE A MAJOR MOTION PICTURE DIRECTED BY EDGAR WRIGHT (SCOTT PILGRIM VS. THE WORLD)*
‘A beautiful, funny, heartfelt analysis of what it means to be human.’—Simon Pegg
‘One of the most unique books ever crafted.’—Mike Chen, author of A Beginning at the End
Set in a 2054 where humans have locked themselves out of the internet and Elon Musk has incinerated the moon, Set My Heart to Five is the hilarious yet profoundly moving story of one android’s emotional awakening.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
This is a book of essays about the act of looking, especially looking at photographs and paintings and animals and other people. Thus these are essays about history, memory, suffering, beauty, and the self. Berger had a generous spirit; he wrote often about the lives of peasants and spent the last forty years of his life in rural France. Berger gazed upon the world in all its forms with composure and curiosity.
As a novelist, essayist, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to…