Here are 100 books that Autobiography of a Face fans have personally recommended if you like
Autobiography of a Face.
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I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.
I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This is my favorite retelling of Greek mythology from a woman’s (well, goddess’s) point of view. Margaret Miller uses her deep knowledge of the ancient texts—she trained as a classicist—to transform them, giving a big player from the Odyssey her own story and a compelling narrative voice.
The book excels at world-building, with striking descriptions that make its mythological universe a place you can see and touch. And Circe herself is both strange enough to be fascinating and yet powerfully empathetic. This is the book I was looking for as a teenager, but I only appreciated it fully in middle age.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Loss, with its many contours, finds us all. For me, it came quite unexpectedly. During a long decade of profound grieving, I found inspiration in books. Through real characters and fictional ones, I learned and questioned and found strength. Adversity should evoke more than sadness. When we cheer for the characters on the page, we learn about ourselves. These are books that have helped me dig deeper into my own loss and to live fuller. I start withThe Right Stuffbecause I know what it means to be married to a test pilot and to get the knock on the door. Loss does not have to be the end.
Can there be anything more poignant than a story about a hero who doesn’t think he’s a hero? About a man who endured a boarding school full of abuse, lived through the horrors and injuries of WWII, returned to hate and racism, lost family, and yet confronted it all with resilience and forgiveness?
This memoir is from Chester Nez—one of the original Navajo code talkers. It contains wonderful photos and the actual Navajo code. This is an important piece of history as well as a genuinely insightful read and peek into Navajo culture.
The last line of the book, written when Mr. Nez was 86, reads “It’s been a good life—so far.” As an outsider I couldn’t disagree more. His life was tragic and profoundly difficult, but he endured with grace and strength. This simple last line says much about the heroes we should all admire. It has been a…
The first and only memoir by one of the original Navajo code talkers of WWII.
His name wasn’t Chester Nez. That was the English name he was assigned in kindergarten. And in boarding school at Fort Defiance, he was punished for speaking his native language, as the teachers sought to rid him of his culture and traditions. But discrimination didn’t stop Chester from answering the call to defend his country after Pearl Harbor, for the Navajo have always been warriors, and his upbringing on a New Mexico reservation gave him the strength—both physical and mental—to excel as a marine.
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
I loved reading about a woman discovering her strength in the outdoors. This was the first book I read framed around a solo hiking trip but about deeper themes such as processing grief and searching for identity.
I was absorbed by the book’s masterful structure that weaves in these bigger themes while making me feel like I was on that trail with her. Strayed’s voice is captivating and witty, and her observations are wise. This book did not inspire me to hike solo – I’d done that already – but it inspired me to become a writer. An equally daunting challenge.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
The survivalist family drama, paranoia, and isolation seemed an impossible life for Tara Westover to escape. This memoir had a suspense and thriller aspect that I loved. I could not put it down.
Her ability to stand up to her parents and an abusive older brother without means showed true grit. She is an admirable and inspirational human being. I love stories where humans overcome great adversity.
Selected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE
'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times
Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
This is a book of essays about the act of looking, especially looking at photographs and paintings and animals and other people. Thus these are essays about history, memory, suffering, beauty, and the self. Berger had a generous spirit; he wrote often about the lives of peasants and spent the last forty years of his life in rural France. Berger gazed upon the world in all its forms with composure and curiosity.
As a novelist, essayist, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to…
Rajiv Sethi is an economist, currently a professor at Barnard College, Columbia University, and an external professor at the Santa Fe Institute. His research deals with information and beliefs, with particular focus on how stereotypes condition interactions among strangers.
This path-breaking book presents a view of human communication as theater, where speakers choose their words to create desired impressions, and listeners try to interpret speech while guarding against manipulation and deceit.
Strategic interaction and interpretation are central to the argument. In effect, Goffman is examining dynamic games with incomplete information, decades below the formal language for such analyses was developed.
One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others
'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'
How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors in a theatrical performance. From the houses and clothes that we use as 'fixed props' to…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
The relentless and erudite work of Arendt never ceases to challenge me. In the books included here—Thinking and Willing—she explores what it means that the self knows itself to be a self, and how that knowledge refracts and splits upon encountering others, and then changes when returning to solitude again. I read her knowing that she has not just considered but felt her ideas. “To be alive means to be possessed by an urge toward self-display. . . .Up to a point we can choose how to appear to others.”
The most intriguing…and thought-provoking book that Hannah Arendt wrote (The New York Times Book Review), The Life of the Mind is the final work by the political theorist, philosopher, and feminist thinker.This fascinating book investigates thought itself as it exists in contemplative life. In a shift from Arendt's previous writings, most of which focus on the world outside the mind, this is an exploration of the mind's activities she considered to be the most fundamental. The result is a rich, challenging analysis of human mental activity in terms of thinking, willing, and judging.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
As a young girl and aspiring writer, I was shocked when I learned how recently women had been afforded the right to publish under our own names. As a life-long reader of female authors, and lover of complex female protagonists, I’m passionate about supporting and sharing stories by and about women. As an author and playwright, I love to seek out buried narratives or minor characters, and put them center stage. I hope you enjoy these extraordinary books by these extraordinary women.
Until I read In the Dream House, I thought books had rules. Carmen Maria Machado expanded my understanding of storytelling with her intensely poetic, genre-bending memoir about enduring an abusive queer relationship while having no language for what was happening to her.
I was moved, shocked, tickled, uplifted, and moved again in rapid succession. Her diction shifts from colloquial to epic and back again at a speed that took my breath away but always brought me along for the ride. I wanted to hold this book’s tiny chapters under a microscope to better appreciate all the intricate beauty packed inside.
'Ravishingly beautiful' Observer 'Excruciatingly honest and yet vibrantly creative' Irish Times 'Provocative and rich' Economist 'Daring, chilling, and unlike anything else you've ever read' Esquire 'An absolute must-read' Stylist
WINNER OF THE RATHBONES FOLIO PRIZE 2021
In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad. Tracing the full arc of a harrowing experience with a charismatic but volatile woman, this is a bold dissection of the mechanisms and cultural representations of psychological abuse.
Each chapter views the relationship through a different lens, as Machado holds events up to the light and…
