Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
I have never read a more profoundly sad but philosophically wise novel about the complex bonds of friendship and how the betrayal of those bonds and of one’s own authentic feelings leads to loneliness and even anguish.
I first read this great Japanese masterwork, written by Japan's greatest writer of fiction, over forty years ago, and I revisit it every year, both for the life lessons it continues to teach and for its literary beauty—which only deepens with time.
"The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight. The translation, by Edwin McClellan, is extremely good." —Anthony West, The New Yorker
Kokoro, which means "the heart of things," explores emotions familiar to everyone—love and hate, hope and despair, companionship and loneliness.
Sensei, a man seen against the rich background of old Japan entering the modern era, is outwardly successful. He has position, wealth, a charming wife. But deep in the heart of things, he is harried with a profound sense of isolation whose cure lies only in "faith, madness, or death."…
For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.
This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.
'One of the most eloquent thinkers about our life in language' The Sunday Times
Time Lived, Without Its Flow is a beautiful, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her celebrated collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.
The first half is formed of diary-like entries written by Riley after the news of her son's death, the entries building…
Though I am not religious, I have been aesthetically moved and spiritually stirred by these deeply personal, profoundly philosophical, and poetically enigmatic essays, which I find myself returning to when faced with the most fundamental questions about our spiritual lives.
Written by a French Jewish convert to Christianity whose own suffering is exquisitely attuned to the suffering of others, these essays have continued to inspire readers from across a broad spectrum of religious and philosophical orientations—including the most secular among us.
Gravity and Grace was the first ever publication by the remarkable thinker and activist, Simone Weil. In it Gustave Thibon, the farmer to whom she had entrusted her notebooks before her untimely death, compiled in one remarkable volume a compendium of her writings that have become a source of spiritual guidance and wisdom for countless individuals. On the fiftieth anniversary of the first English edition - by Routledge & Kegan Paul in 1952 - this Routledge Classics edition offers English readers the complete text of this landmark work for the first time ever, by incorporating a specially commissioned translation of…
Reading these messages in a bottle discovered buried under a Nazi concentration camp in 1945, I am staggered and amazed at the indomitable human capacity for resilience and creativity.
I read these harrowing literary masterworks, which report on the most hellish degradations, and I am stunned that Zalmen Gradowski, from deep within his suffering, could wrest from the horrors before him and from his own despair, a literary art that is beautiful and solacing. I am reminded of the human capacity, which we all must certainly share, to snatch shreds of beauty from the darkest of circumstances and of the human hope that somewhere beyond one’s own hell lives a sympathetic ear.
A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz.
On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner's powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III.
Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.
Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world.
"Grealy has turned her misfortune into a book that is engaging and engrossing, a story of grace as well as cruelty, and a demonstration of her own wit and style and class."—Washington Post Book World
“It is impossible to read Autobiography of a Face without having your consciousness raised forever.” – Mirabella
In this celebrated memoir and exploration of identity, cancer transforms the author’s face, childhood, and the rest of her life.
At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her…
With a history stretching back nearly 1500 years, Japanese literature, imbued with the spirt of Buddhism and deeply influenced by Chinese and European literature and thought, is one of the world’s great and most thriving literary traditions.
This very short introduction to that rich tradition treats singular masterpieces such as Lady Murasaki Shikibu's The Tale of Genji (the world’s first novel), the long and rich tradition of women’s poetry and fiction, theories of poetry and fiction, Nô theater, erotica, the modern novel, and literary responses to historical upheaval and violent catastrophe, and personal, existential suffering.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
