100 books like Kokoro

Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.

Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world. 

Though I am not religious, I have been aesthetically moved and spiritually stirred by these deeply personal, profoundly philosophical, and poetically enigmatic essays, which I find myself returning to when faced with the most fundamental questions about our spiritual lives.

Written by a French Jewish convert to Christianity whose own suffering is exquisitely attuned to the suffering of others, these essays have continued to inspire readers from across a broad spectrum of religious and philosophical orientations—including the most secular among us.

For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.

This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.

Reading these messages in a bottle discovered buried under a Nazi concentration camp in 1945, I am staggered and amazed at the indomitable human capacity for resilience and creativity.

I read these harrowing literary masterworks, which report on the most hellish degradations, and I am stunned that Zalmen Gradowski, from deep within his suffering, could wrest from the horrors before him and from his own despair, a literary art that is beautiful and solacing. I am reminded of the human capacity, which we all must certainly share, to snatch shreds of beauty from the darkest of circumstances and of the human hope that somewhere beyond one’s own hell lives a sympathetic ear.

Away from the 2011 disaster itself, Fumio Obata’s Just So Happens is a wonderful graphic novel again exploring that borderland between konoyo (this world) and anoyo (that world). And it just happens to be another story that bridges Japan and the West, this time Japan and the UK. Central character Yumiko travels back to Japan for a family funeral, and is immersed in a world of ritual, Shinto temples, Noh theatre – at once both familiar and strange to her. Word and image combine beautifully to draw on themes that have obsessed me for years. 

No Longer Human spans an entire human life in all its nuances and difficulties.

In some of the more difficult periods of my life, I’ve remembered my experience of No Longer Human and its intricacies in depicting the swarm of political ideology and manipulation of difficult relationships.

It’s a work that beckons you to live your life to your ends and fear only your loss of control over your narrative.

This is a fast-paced story about a young man named Sugehara.

He is a so-called Zainichi Chosenjin who falls in love with a Japanese woman. Through him, the North Korean minority is given a face and a voice, and what the reader learns, namely, that every step he takes is a step against an invisible wall of racism and marginalization, is more evident here than practically anywhere else.

“Go!” you want to scream at him. “Run up against the wall! Knock it down!” The weight of the subject matter goes hand in hand with language that masterfully expresses the hunted but determined nature of the main character and his closest circle.

Not a book that can be put lightly aside after reading. It stays with you for a long time, and its reverberations – of Sugehara’s running, of his footsteps – remain in the ether for a long time, like… show more.

This book is a collection of small, powerful but sentimental stories around serious and personal themes that will tug at your heartstrings. Each story left me wanting more as the characters are forced to wrap up their quick journey into the past before their coffee gets cold. The sense of longing, loss, nostalgia, and community are central themes of this book, and it certainly made me reminisce about people and memories dear to my heart. 

A beautiful and touching account of the author’s travels in early 11th century Japan. Lady Sarashina is deep in sorrow from the death of her husband and searches for solace in nature and place on pilgrimage routes and at temples along the way. This is a profound weaving of mind, journey, and place, as she travels across the 72 seasons of Japan’s year. Emotions link land and mind. She is acutely attentive to cuckoo calls and cherry blossom, the rain pattering on bamboo at night, the cool water in the stone well. “Even as I wander on my journey,” she writes, “It always stays above me in the sky, this moon at dawn, this moon I gazed on in the capital.”

Britain, America, and France collectively adopted deflationary policies after 1920 to reestablish the gold standard at the pre-World-War-I parity. Japan's government joined in. The ensuing Japanese deflation retarded growth, produced widespread economic hardship, precipitated a banking crisis in 1927, and ultimately contributed to the sharp swing in Japan's politics towards fascistic, right-wing reactionaries, punctuated with an exclamation mark by the “Manchuria incident” of 1931. Metzler describes in granular detail this historical arc, with special attention to the key persons—including Innoue Junnosuke, Takahashi Korekiyo, and Thomas W. Lamont—and their own written justifications or critiques for the policies they or others implemented. It is not an economic analysis (like much of my book is) but a historical narrative, and a gripping one.

If you already know the economics of the gold standard, it’s even more gripping, because those behind the return to the gold standard in Japan, particularly including Innoue Junnosuke, were… show more.