100 books like As I Crossed a Bridge of Dreams

I love that Basso can take me so far inside someone's mind that I can begin to understand not just what they think and feel but how and why they think and feel it.

This book contains the very systems and processes that we use to make knowledge and meaning, and I love learning about a way of knowing and making meaning that is very different from mine—entirely logical, purposeful, valid, and different from mine. 

The Epic of Gilgamesh is one of the great masterpieces of world literature, and the oldest, with its origins lost in the mists of time.

It contains a dramatic account of the Great Flood, upon which the much later Noah’s Ark tale was based. The Epic was current for some 3,000 years and entered the literature of many ancient cultures including those of Sumer, where it originated, Assyrian, Babylonian, and Hittite.

The Epic has been reconstructed from many thousands of clay tablets unearthed from Middle Eastern archaeological sites. The cultures through which it passed moulded their own flesh upon its venerable bones and this I have also done. 

In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.

This is the most intense nature-writing and storytelling, as if written by bear or tiger, by the rainforest tree or tropical sea itself. Jay Griffiths becomes Joseph Campbell’s hero with a thousand faces, as we travel out in life, across the threshold and leaving behind ordinary world. Myth is story, and it is also how we live, battling against personal and historical limitations. Jay finds the secret openings and weaves an Odyssey to the wildness of earth and sea, water and fire. On the heroic journey, we are repeatedly tested, and come back with an elixir. Story itself becomes currency and guide. The monk and mystic, Meister Eckhart of Thuringia, wrote in the early 1300s, “There are many ways, Some are crowded, others less travelled, But every way, is the right one.”

Reading Kenzaburo Oë is like falling into a dreamscape. I love this book because it weaves the personal and the fictional in ways that make it impossible to distinguish them.

Is not all of life a melding of dream, reality, and the stuff we make up? Much of Oë’s writing is influenced by his son, Hikari, who was born with cognitive disabilities. This makes the story of the young man in A Personal Matter, who is struggling with the stress of his sick newborn, a fiction heavily informed by personal history.

To take one’s own story and use it to bring to life another one is the height of art-making. It felt like a healing to read.

So many people come to Japan hoping to see the twisty streets lined with traditional wooden houses and little manicured gardens and feel a bit let down when they realize how much of it has been lost. I was (and in a way still am) one of those people.

Earthquakes, war, and a love for the new have caused much of the Japanese landscape to lose its traditional views. While at some points a little out of date, Kerr has a wonderful way of capturing the beauty of the old and how the new has taken hold. This is not an uplifting book, but it does give a wonderful insight into some of the more closed worlds within Japanese society, as well. 

I know nearly nothing about the Far East—so was delighted to experience a taste of Japan through this compassionate, original novel told from the point of view of young American nurse, Diana, as she takes the job of nanny to the toddler Yuki, after divorce has forced Yuki’s mother from the family home. Immersed in a different culture, Diana feels confusion, fascination, and a growing love for Yuki. The tension builds as she begins to understand the real danger the child is in. Diana faces psychological peril as she tries to break the chain of damage for Yuki—and herself. As a mother of three, I often can’t bear child jeopardy in a plot, but the author’s intelligent writing is compelling and sensitive, not gratuitous. 

If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.

The Elephant Vanishes includes two of my favorite stories by any contemporary writer.

Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.

This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.  

Kitchen is an utterly charming short novel by a modern writer whose protagonist, Mikage, is a young woman who must find a way to carry on after the death of her beloved grandmother who served as her sole caregiver-guardian. Her voice engages immediately: “The place I like best in this world is the kitchen.” Orphaned amidst the bustling world around her, Mikage hesitatingly accepts an invitation to move in with Yuichi, a boy who’d worked part-time in her grandmother’s flower shop. His situation is also unusual, as he lives with his trans mother—an elegant woman who actually is his biological father. Food serves as a compelling bond and plot twister. Expect lots of food and cooking in this novel, plus generous doses of pure kindness and unconditional love.