My books are non-fiction. However, the best stories are always how a character really changes. These books brought permanent change to me. One important value I see evaporating in this world is the ability to ask honest questions and the courage to willingly follow the evidence. I try to give readers a fresh and inspiring look at things like never before. Similarly, with every book recommendation, each author brought me a new perspective and added unexpected formats for learning. My advice is if you want to specialize in something, pursue diversified learning to maintain solid footing instead of specializing yourself into some specialized niche. Never lose your curiosity.
I have stereo-typed Christian influence throughout history as mostly religious and for changing people’s eternal destiny.
My attitude has always been respectful but these historical accounts raised my eyebrows not only about how much one man can lift a nation without being a political leader, but it also made me reconsider what the Bible itself was commanding for “disciple the nations”.
It covers multiple men and multiple countries: India, China, Ireland, South Korea, Switzerland, and more. Uplifting to me, except the part about how much more they did than I ever will. Still incredibly inspiring.
No country is too hard, too poor, too filled with crime, too divided by war, or too spiritually dark to be changed. God has given us basic principles that are keys to every problem we face in the twenty-first century. The answers lie between the covers of one book the Bible.
In The Book That Transforms Nations, missionary statesman Loren Cunningham demonstrates how, together, we can use the Bible, under the direction of the Holy Spirit, to change the whole world. In more than fifty years of continual travel, Loren's ministry has taken him to some of the world's poorest…
As a multicultural author, born in Honolulu of Hawaiian, Chinese, Norwegian descent, I am drawn to mainstream thrillers that feature diverse characters and explore non-mainstream cultures. Since I also hold a fifth-degree black belt in To-Shin Do ninja martial arts and have traveled the United States teaching martial arts and empowerment, authentic fight scenes in fiction are a must! Nothing turns me off quicker than a shallow representation of culturally diverse characters or mundane and improbable action. I strive for authenticity, emotion, and page-turning action in my Lily Wong ninja thrillers, so it’s probably no surprise that I value these elements in the novels I read.
Jonathan Maberry amps up the danger, risk, and action with his first book in the Joe Ledger International series. As always, his science is terrifyingly real, especially when spun into current politics. As a fellow, master martial arts practitioner, Maberry’s fight scenes are always top-notch. But the true gem, for me, of this book and the Joe Ledger series lies in the raw emotion of his protagonist and the authentically diverse voices of his supporting characters.
From New York Times Bestselling author (creator of the Netflix series V Wars), Jonathan Maberry comes the first in a brand new series featuring Joe Ledger and Rogue Team International.
A small island off the coast of Korea is torn apart by a bio-weapon that drives everyone - men, women, and children - insane with murderous rage. The people behind the attack want Korea reunified or destroyed. No middle ground. No mercy. Soon Japan, China, and the United States are pushed to the brink of war, while terrorists threaten to release the rage bio-weapon in a way of pure destructive…
I was born in South Korea and moved to The United States when I was three years old. I grew up in Detroit where I was often the only yellow face in school. The trauma of trying to fit in played a significant role in my adult life. I have thought about writing a memoir for years. Several family members asked me not to name them. I decided to tell my truth through brief snapshots of a feeling or event. This way, I could show my journey from my perspective as I learned to walk between two opposing cultures. Observations Through Yellow Glasses: A Memoir Through Poems is the result.
Jenny Heijun Wills was born in South Korea and adopted by a white Canadian family. She not only had to navigate being Asian in a white world, but she also struggled to find her place within a family that sought to give her a safe home. In her twenties, she returned to Korea to meet her birth family. Told in diary form, Wills navigates her journey to find home while fighting language and cultural barriers. It is a raw and emotional story. It makes me think of my own struggles growing up in Detroit. The faces I saw at home were like my own but that also had its own set of problems.
Winner of the 2019 Hilary Weston Writers' Trust Prize for Nonfiction
A beautiful and haunting memoir of kinship and culture rediscovered.
Jenny Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy.…
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
The Elephant Vanishes includes two of my favorite stories by any contemporary writer.
Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.
This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.
A dizzying short story collection that displays Murakami's genius for uncovering the surreal in the everyday, the extraordinary within the ordinary
*Featuring the story 'Barn Burning', the inspiration behind the Palme d'Or nominated film Burning*
When a man's favourite elephant vanishes, the balance of his whole life is subtly upset. A couple's midnight hunger pangs drive them to hold up a McDonald's. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible - even death.
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
The Long Season of Rain (the title refers to the monsoons that afflict the Korean Peninsula at the start of summer) reminds us that in Hell Chosŏn women remain subservient to men in almost every sphere of society, and learn early on to endure silently instead of speaking out. This novel exemplifies the richness of Korean-American young-adult novels, which often focus on coming of age and the quest for identity. Especially poignant is the author’s use of a naïve narrator, the daughter of a woman who learns that her husband has taken a concubine.
When the grey Korean Changma--the rainy season--arrives, eleven-year-old Junehee resigns herself to long months cooped up with her sisters, her mother, and her grandmother. But this year, the Changma brings more than water. Orphaned by a mudslide, a young boy comes to live in Junehee's house--and stirs up long-hidden secrets in her family.
For as the rain drums out its story on the sloped roofs of the village, Junehee's own family story unfolds. And Junehee soon realizes that her mother's sadness is tied to a long-standing tradition that neglects women's dreams--a tradition that Junehee hopes to break free of. .…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
Stories that depict a child’s harsh journey of escaping war are heart-wrenching but when it involves siblings, especially one looking after the other, it really burrows into your soul. This story resembles that of my great-grandmother’s, but I learned so much about Korean culture and family dynamics in this gripping tale.
With war looming on the horizon and winter setting in, can two children escape North Korea on their own?
Winner of the Freeman Book Award!
North Korea. December, 1950.
Twelve-year-old Sora and her family live under an iron set of rules: No travel without a permit. No criticism of the government. No absences from Communist meetings. Wear red. Hang pictures of the Great Leader. Don't trust your neighbors. Don't speak your mind. You are being watched.
But war is coming, war between North and South Korea, between the Soviets and the Americans. War causes chaos--and war is the perfect time…
Roger Hermiston is a writer of contemporary history books that are underpinned by rigorous scholarship, enhanced by a journalist’s eye, and driven by exciting storytelling. One of his books – All Behind You, Winston – Churchill’s Great Coalition 1940-45 told the story of the often-overlooked men (and two women) who helped steer Britain to wartime victory on the Home Front. But two of his other books – The Greatest Traitor and, just out, Two Minutes to Midnight – explore the early years of the Cold War, in the 1950s. In both the Korean War features prominently – in the first, from the perspective of a group of ‘high value’ prisoners held captive by the North Koreans, and in the second, from the view of President Eisenhower and his colleagues as they contemplated using tactical A-bombs to hasten the end of the conflict.
An excellent companion piece to Deane’s book. American Zellers, newly-married, who had just arrived in South Korea in 1950 to take up a post as a Methodist missionary and teacher, was also captured by the North Koreans. Zellers gives us a fascinating insight into the minds of both prisoners and captors, and the book is a testament to his eternal hope and optimism during the many months of his brutal imprisonment..
A newly married Methodist minister, Larry Zellers was serving as a missionary and teacher in a small South Korean town near the 38th parallel when he was captured by the North Koreans on June 25, 1950. Until his release in 1953, Zellers endured brutal conditions and inhumane treatment. Through his story, Zellers shows that, despite the opinion that POWs live only for themselves, many in the camps worked to help others and conducted themselves with honor.
I never thought much about what makes our cities habitable until I started doing research for The Great Stink. But learning about sewers and wastewater treatment (They’re surprisingly interesting!) turned out to be the beginning of a fascination with other types of city infrastructure that I had previously ignored. Kids have a natural fascination for infrastructure of all kinds, but I was surprised when I couldn’t find any lists of picture books that group different types of city infrastructure together. So, I made one. I hope you and your little ones like these books as much as I did, and I hope you find many similar books to enjoy!
This was one of my favorite books of 2021. First published in South Korea (where it was a bestseller), I Am the Subway takes readers on a subway ride through Seoul, narrated by the subway itself. “I rattle and clatter over the tracks. Same time, same route every day. Carrying people from one place to another….” We see the passengers get on and off the subway. We hear the subway sounds–ba-dum, ba-dum– and we catch an intimate glimpse into the lives of the people who step on board. I Am a Subway is an unexpectedly beautiful meditation on the many people we cross paths with each day as we make our way through the city.
A cinematic journey through the Seoul subway that masterfully portrays the many unique lives we travel alongside whenever we take the train. A poetic translation of the bestselling Korean picture book.
The events/developments that unsettle international politics of the Gulf are two kinds: internal and external to the region. Yet, no matter whether it is internal or external, its consequences concern us all, no matter where we live in. What happens in the Gulf does not stay in the Gulf. It unleashes ripple effects that reach directly or indirectly into our pockets and hence our lives. I am one of them and a non-resident scholar in the Middle East Institute, broadly speaking, writing on Turkey, the Persian/Arab Gulf, and the Middle East.
Besides the US and Iran there are others: especially China as an alternative hegemon/gendarmerie to the US, Russia as a partner in OPEC+, India, South Korea, Japan as major consumers of Gulf oil and natural gas, Egypt and Turkey as potential regional strategic allies, UK and France as old imperial centers and new destinations for Gulf capital, and Brazil as a giant economic power. This edited volume covers it all and as such is an indispensable read for a comprehensive look at the external powers that matter, and will matter, in international politics of the Gulf.
The Gulf monarchies have been generally perceived as status quo actors reliant on the USA for their security, but in response to regional events, particularly the Arab Spring of 2011, they are pursuing more activist foreign policies, which has allowed other international powers to play a larger role in regional affairs.
This book analyses the changing dynamic in this region, with expert contributors providing original empirical case studies that examine the relations between the Gulf monarchies and extra-regional powers, including the USA, Russia, China, India, Brazil, Turkey, Japan, South Korea, France, and the United Kingdom. At the theoretical level, these…
I have been professionally involved with contemporary art since the 1980s, when I was a curator at the Institute of Contemporary Art in Boston. In the forty years since I've seen an enormous shift in the orientation of American curators and scholars from Western art to a global perspective. After earning my PhD at Harvard, and writing several books on contemporary art, I wanted to tackle the challenge of a truly comparative contemporary art history. To do so, I've depended on the burgeoning scholarship from a new more diverse generation of art historians, as well as on many decades of travel and research. My book Heritage and Debt is an attempt to synthesize that knowledge.
Not only is this book an authoritative account of the Tansaekhwa movement in Korea–a group of abstract painters who gained great acclaim in recent years–but it establishes a model of how regional art worlds intersect with global networks. Kee accomplishes this by charting the hierarchical relation between Japan and Korea within Southeast Asia, whose differences were largely erased when "Asian" art was exhibited in Europe. In other words, regional rivalries and specificities are often subsumed into broader regional identities when artworks begin to circulate globally.
Starting in the mid-1960s, a group of Korean artists began to push paint, soak canvas, drag pencils, rip paper, and otherwise manipulate the materials of painting in ways that prompted critics to describe their actions as "methods" rather than artworks. A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. Promoted in Seoul, Tokyo, and Paris, Tansaekhwa grew to be the international face of contemporary Korean art and a cornerstone of contemporary Asian art.
In this full-color, richly illustrated account-the first of its kind in English-Joan Kee provides a fresh interpretation…
