Here are 100 books that The Last Consolation Vanished fans have personally recommended if you like
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Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.
Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world.
"Grealy has turned her misfortune into a book that is engaging and engrossing, a story of grace as well as cruelty, and a demonstration of her own wit and style and class."—Washington Post Book World
“It is impossible to read Autobiography of a Face without having your consciousness raised forever.” – Mirabella
In this celebrated memoir and exploration of identity, cancer transforms the author’s face, childhood, and the rest of her life.
At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Though I am not religious, I have been aesthetically moved and spiritually stirred by these deeply personal, profoundly philosophical, and poetically enigmatic essays, which I find myself returning to when faced with the most fundamental questions about our spiritual lives.
Written by a French Jewish convert to Christianity whose own suffering is exquisitely attuned to the suffering of others, these essays have continued to inspire readers from across a broad spectrum of religious and philosophical orientations—including the most secular among us.
Gravity and Grace was the first ever publication by the remarkable thinker and activist, Simone Weil. In it Gustave Thibon, the farmer to whom she had entrusted her notebooks before her untimely death, compiled in one remarkable volume a compendium of her writings that have become a source of spiritual guidance and wisdom for countless individuals. On the fiftieth anniversary of the first English edition - by Routledge & Kegan Paul in 1952 - this Routledge Classics edition offers English readers the complete text of this landmark work for the first time ever, by incorporating a specially commissioned translation of…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
I have never read a more profoundly sad but philosophically wise novel about the complex bonds of friendship and how the betrayal of those bonds and of one’s own authentic feelings leads to loneliness and even anguish.
I first read this great Japanese masterwork, written by Japan's greatest writer of fiction, over forty years ago, and I revisit it every year, both for the life lessons it continues to teach and for its literary beauty—which only deepens with time.
"The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight. The translation, by Edwin McClellan, is extremely good." —Anthony West, The New Yorker
Kokoro, which means "the heart of things," explores emotions familiar to everyone—love and hate, hope and despair, companionship and loneliness.
Sensei, a man seen against the rich background of old Japan entering the modern era, is outwardly successful. He has position, wealth, a charming wife. But deep in the heart of things, he is harried with a profound sense of isolation whose cure lies only in "faith, madness, or death."…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.
This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.
'One of the most eloquent thinkers about our life in language' The Sunday Times
Time Lived, Without Its Flow is a beautiful, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her celebrated collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.
The first half is formed of diary-like entries written by Riley after the news of her son's death, the entries building…
I am an archaeologist dealing with prehistoric societies for the last 30 years. For many hundreds of thousands of years, our ancestors worldwide practiced shamanism and altered states of consciousness. I think this is what makes us human and what allows the persistence and success of our genus. The more I learn about these two subjects, the more I understand their importance and relevance to us today. There is a lesson sent to us by past societies: Pay respect to the world. Respectful behavior is assisted by shamanism and altered states of consciousness. We can be better, feel better, and do better, and the books I recommended are the beginning of this wonderful way.
I am crazy about this book, as this book almost made me crazy (in a good sense).
It tells the story of one of the most famous holocaust survivors and writers and how the nightmares from the concentration camp, known as Auschwitz, haunted this survivor. He suffered for years until he was treated with LSD. His mind was changed for the better. He stopped dreaming about the suffering he had experienced, and this was done by changing his consciousness.
It shows how much our mind is open to improvements and what is the real power and benefit of practicing shamanism and altered states of consciousness. And how it worked for many years for our ancestors, and how we can benefit from it nowadays. Such a powerful and hope-making book!
Though the author survived two years in Auschwitz, the memories of the horrors he experienced gripped him mercilessly for years until he found relief through psychotherapy. This book is the author's unforgettable memoir of that experience.
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this memoir because the author was a very dear and cherished friend.
I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.
Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.
Helena Dunicz Niwińska was born in Vienna in 1915. She lived with her parents and brothers in her hometown of Lwów until 1943. At the age of 10, she began learning to play the violin at the conservatory of the Polish Musical Society. She studied pedagogy from 1934 to 1939, continuing her musical education the whole time. After their arrest in January 1943 and incarceration in Łącki Prison, she and her mother were deported to Auschwitz in October 1943. In Birkenau, she was a member of the women's orchestra—as a violinist—until January 1945. After being evacuated to the Ravensbrück and…
Some of my first memories as a kid are of films and TV shows about World War Two; the theme tune and credits of The World At War TV series still haunt me even now. But to be honest, the bombing of Germany never gripped me as much as, say, the war in Russia, that is, until I started to read up on it. It was a revelation. Suddenly, I saw incredibly young men fighting to survive in the most hostile environment on the planet–or rather above the planet, miles above, in fact. To me, I find the war they fought alien, but at the same time so absorbing I lose myself in it.
The best thing about reading this book was that it shone a light–if you can forgive the pun–on the otherwise unseen world of the nighttime air battles over Germany.
Before I read it, I admit I thought of the night war as some sort of game of chess, somehow fought at a comfortable distance. Boiten’s book shredded that distance and brought me face-to-face with the reality of it all in a gratifyingly unsentimental way.
Perhaps the most powerful image it left me with was of young British (and allied) airmen suddenly being blown out of the sky by an enemy they all so often never saw until their aircraft was turned into a horrifying fireball.
The night airwar over Western Europe was a long, intensive and costly airwar campaign. Theo Boiten tells this often harrowing and sometimes inspiring story using the personal accounts of over 70 veterans from both sides. The book is illustrated with many rare and previously unpublished photographs from the personal collections of those veterans and forms a record of this important aspect of 20th-century history.
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
The numerous heroines of this polyphonous book are quite different from all the other female protagonists on the list. First, these women are real people, former Soviet soldiers who fought in the Second World War. Secondly, these women weren’t villainous by their nature or deeds.
They had been rather vilified by their male comrades who no longer saw the use of fearless women after their war had been won. Once hailed as patriots, many of these brave women had to face discrimination when they returned home, stigmatized as sinful, unwomanly women with blood on their hands. I’ve never shed so many tears while reading a book.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
This is a harrowing account of the genocide in Rwanda told by one of its survivors, Imaculee llibagiza, after Hutu soldiers murdered her father, mother, and two brothers during a killing spree that took the lives of a million Rwandans.
In a fight for survival, Imaculee and seven other women took refuge in a 3’ by 3’ bathroom hidden behind a wardrobe in a pastor’s home. As the machete-wielding gunmen continued hunting for more victims, Imaculee and the women remained in their cloister in silence. Her 91 days in hiding is a testimony of endurance and resilience in the face of unrestrained evil.
When everyone you love is dead, and everything you love is lost, how do you go on? Imaculee found the answer in faith, love, forgiveness, and optimism. It is a haunting story of an ordinary woman and earthly mortal forced into an enlightening spiritual experience with the…
Immaculee Ilibagiza grew up in a country she loved, surrounded by a family she cherished. But in 1994 her idyllic world was ripped apart as Rwanda descended into a bloody genocide. Immaculee's family was brutally murdered during a killing spree that lasted three months and claimed the lives of nearly a million Rwandans.
Incredibly, Immaculee survived the slaughter. For 91 days, she and seven other women huddled silently together in the cramped bathroom of a local pastor while hundreds of machete-wielding killers hunted for them. It was during those endless hours of unspeakable terror that Immaculee discovered the power of…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
Concentration and termination camps may have been one of the topics least talked about by those who saw them. This catalog of text and photos was created for the 2003 documentary exhibition at the Dachau Concentration Memorial Site, created by survivors of the camp and an International Committee. Dachau developed and tested the appalling procedures that became standard for the whole network of camps in Europe. I recommend the book for its concise history, chronologies, maps, biographical sketches of prisoners and officers, and hundreds of photos. They are invaluable as a case study of how the Holocaust was designed and implemented.
Catalogue for the exhibition "The Dachau Concentration Camp 1933-1945" to accompany the new design of the Dachau Concentration Camp Memorial Site. Illustrated with photographs. Includes CD.
