Iāve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this memoir because the author was a very dear and cherished friend.
I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau womenās orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.
Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.
Helena Dunicz NiwiÅska was born in Vienna in 1915. She lived with her parents and brothers in her hometown of LwĆ³w until 1943. At the age of 10, she began learning to play the violin at the conservatory of the Polish Musical Society. She studied pedagogy from 1934 to 1939, continuing her musical education the whole time. After their arrest in January 1943 and incarceration in ÅÄ cki Prison, she and her mother were deported to Auschwitz in October 1943. In Birkenau, she was a member of the women's orchestraāas a violinistāuntil January 1945. After being evacuated to the RavensbrĆ¼ck andā¦
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Though becoming a prisoner in Auschwitz is unfathomable to me, I became attached to the Alma and her daily sorrows and struggles to endure her life in a concentration camp.
I believe that we are given two tasks in our lives: one, to figure out why we are distinctly ourselves (our gifts), and two, to use that gift to help others however we can. I was inspired by Alma, who used her gift in an extraordinary way to make the lives of many others better. And when presented with few choices, she chose the one that would benefit others.
I was hooked from the beginning of this heartbreaking story.
Iāve always been a fan of stories where the underdog makes good due to their own strength and determination. Although my book picks are all connected to sports I donāt happen to participate in, I feel the power of choosing the life you want by working hard encompasses all fields whether it be learning to sing or dance or becoming an expert in science, chess, juggling, or whatever oneās passion might be. For me, I guess it would be writing and not giving up even when it sometimes feels like playing the lottery each time one of my manuscripts is sent into cyberspace.
Zayd is a couple of years younger (4th grade) than the main characters of my other book picks, but again, he is a boy seeking fame and glory through sports. In particular, I enjoy his voice and learning about the Pakastani (Muslim) culture of his interesting family. The frustrating pull between basketball and playing the violin sets up several intriguing situations. This is a fun story that turns out to be the first book in a series of four.
From the critically acclaimed author of Amina's Voice comes the first book in an exciting new middle grade series about a fourth-grader with big dreams of basketball stardom.
Fourth grader Zayd Saleem has some serious hoop dreams. He's not just going to be a professional basketball player. He's going to be a star. A legend. The first Pakistani-American kid to make it to the NBA. He knows this deep in his soul. It's his destiny. There are only a few small things in his way.
For starters, Zayd's only on the D-team. (D stands for developmental, but to Zayd it'sā¦
Iāve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, Iāve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authorsā take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
Intense and intricate with complex human interactions subjected to the forces of history and destiny, Canone Inverso is both literary fiction and mystery. This gripping tale of evolving relationships centers around the field of classical music and a particular violin. With the setting in Germany, Austria, and Hungary during the turbulent 1930s and ā40s, a brilliant, working-class young violinist is secluded in a prison-like music conservatory with an aristocratic boy who befriends him. Gradually, their bond is severely tested. What is genius? What is friendship? What is the price paid for beauty and greatness? These are some of the issues weāre confronted with in this riveting novel.
When a strangely carved violin appears at auction in London, one bidder is prepared to pay any price to have it in his possession again. Many years before, two boys were united in their lust for music; how they were ultimately divided is revealed as the story journeys to pre-Nazi Vienna.
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous childrenās books with sensory details to make stories come alive.
I love this story for its simple language that recreates a walk through the city.
The main character uses a white cane, a simple indication that she is blind. Focusing on the sounds, both loud and quiet, the story lets readers soak in the atmosphere surrounding a young girl on her way to a violin recital. The illustrations, created in textured paper collage, are as layered as the words.
A young girl, who is visually impaired, finds much to celebrate as she explores the city she loves.
A young girl and her father spend a day in the city, her city, traveling to the places they go together: the playground, the community garden, the market, an outdoor concert. As they do, the girl describes what she senses in delightfully precise, poetic detail. Her city, she says, ārushes and stops, and waits and goes.ā It āpitters and patters, and drips and drains.ā It āechoesā and ātrills,ā and is both āsmellyā and āsweet.ā Her city also speaks, as it ādings andā¦
I am a farm girl who lives in rural Texas, surrounded by big blue skies, cornfields, and winding gravel roads. After avidly reading every childrenās book and young adult novel I could find, including classics like Louisa May Alcott and J.R.R. Tolkien, I took to writing without thinking twice about it. Iāve published over 10 MG, YA, and New Adult books and I alternate between writing realistic family dramas and high fantasy, with a dose of science fiction that sprang up on its own and fits neatly somewhere between the other two. And then I read more books and plan to write more of them too.
This fantasy novel is about a girl who canāt cope with the lack of attention sheās receiving since her baby brother was born. He is very ill and has to use an inhaler so Merelās parents are always tired and donāt notice her. The story is engrossing and heartwarming as Merel has become so angsty that she refuses to sleep and does nothing but scream. Eventually, she loses the ability to sleep at all. During a trip to a fantasy land to try to get her lost sleep back so she can be normal, Merel learns to accept her family and to feel affection for her baby brother. The story deals with regression abouta new sibling in a fascinating way.
Merel's life has changed. Since the birth of her sick baby brother, her parents seem to have forgotten she exists. But when she finds a tiny silver violin in her bedroom, things take a turn for the worse. Merel learns that her sleep has abandoned her and that she must embark on a perilous journey to recover it, or stay awake forever.
Together with her devoted toy sheep, Roger, Merel sets out in search of a place called Lullaby Grove. She meets a sleepy king with an obsession for feathers and a transparent old man on a night train goingā¦
Iām a writer, a storyteller, and a dreamer of absurdly ridiculous dreams. Iām an empath who feels big feelings and trusts my intuition as I make my way in this world. I know full well the power and importance of encouraging words, of being a friend, of looking for hope when nothing seems to be going your way.
These are the books I turn to when my soul, the truest part of what makes me āme,ā needs a reminder of why I write, why I tell stories, and what it means to be human.
These are the books that dance across my synapses whenever I sit down to write and tell my own stories.
Martin Schleske is a German luthier and theologian. My daughter is a violinist. I picked up this book at the recommendation of Byron of Hearts & Minds Books, hoping to learn more about the violin-making process, and it has remained one of my favorite books ever since. Schleske slowly and carefully walks the reader through his process, from choosing the right trees, to designing the structure, to helping āclosedā violins discover their sound. Along the way, he shares how his work crafting violins helps him grow in his faith.
I can only read a couple pages of this book at a time, as Schleskeās profound wisdom often leaves me with thoughts I need time to process and sort through. This is a book about how God, as the Artist, will continue to shape me, work with me, and help me be the best instrument I can be to make musicā¦
Christianity Today Book Award in Culture and the Arts (2021)
āIn the final analysis, music is prayer cast into sound.ā
One of the greatest luthiers of our time reveals the secrets of his professionāand how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of Godās love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understandā¦
The older I get, the more fascinated I am with family history and the way certain traits or talents get passed down ā or not. Unfortunately, we donāt always know much about our own ancestors. Maybe thatās why I appreciate a multigenerational story that shows all the forms a young personās āinheritanceā can take, whether money, looks, a special skill or talent, or even a disease. And because Iāve always loved a good mystery, I enjoy books where a young person seeks to uncover a family secret. Finally, now that Iām on the older side of the generations, I appreciate a book that portrays older family members realistically and with respect.
I love a good tear-jerker, and I love a book where a child has a solid and credible relationship with a grandparent, and I love a good junior-high musical. Believe it or not, this book has all that!
I pretty much blubbered through the last 10 chapters. The secret that Shirliās grandfather has hidden for decades is a heart-wrenching one, but when it comes out it contains seeds of joy and healing.
A violin and a middle-school musical unleash a dark family secret in this moving story by an award-winning author duo. For fans of The Devil's Arithmetic and Hana's Suitcase.
It's 2002. In the aftermath of the twin towers -- and the death of her beloved grandmother -- Shirli Berman is intent on moving forward. The best singer in her junior high, she auditions for the lead role in Fiddler on the Roof, but is crushed to learn that she's been given the part of the old Jewish mother in the musical rather than the coveted part of the sister. Butā¦
Growing up in Chicago, Iāve always had a fascination for history, (even if it was sometimes a bit gory!), from Capone and the St. Valentineās Day Massacre to reading about monsters and the unique worlds created by favorite author Stephen King. So, itās probably not too surprising that I combined both interests and offered a new solution to the infamous Lizzie Borden axe murders of 1892 in my own book series. I enjoy reading, and writing, the serious to the not-so-serious, often incorporating touches of humor, or at least the absurd, where and whenever I can.
While there are better-known vampire novels from the classic Dracula by Bram Stoker, to Anne Riceās Vampire Chronicles, this was a story that mesmerized me with a perfect combination of history, music, and vampires. In this story of one vampireās unquenchable desire to possess a particular violin, I found the supernatural elements and historic details as riveting as the haunting music this priceless violin is said to make.
After centuries of life, the Vampire has just two passions left: blood and music. The blood of innocents is plentiful and easily attainedāit is his other passion that torments him. Many years ago he owned and lost a violin that sang with the voice of the angels. Now this unearthly monster will do anything to press the instrument once more against his neck.
As it summons a hellish creature of the night
Maggie OāHara was a talented if unremarkable violinistāuntil the day her grandfather gives her a violin he had brought home from Worldā¦
I've written more than 100 books including the counting booksDinner at the Panda Palace(HarperCollins / PBS StoryTime) andDozens of Dachshunds(Bloomsbury / Scholastic Book Clubs). I also write easy readers such asStomp! (Ready-to-Read / JLG) and early chapter books including the Our Principal series and, with Magic School Bus author Joanna Cole,The Adventures of Allie and Amyseries. As a former early childhood teacher and children's book editor, I'm a big fan of counting books and look forward to writing ā and reading ā many more.
In this perfect pairing of words and pictures, readers count along as instruments are added one by one, with musicians going from solo to duo to trio until a chamber group of ten is formed.
The language flows musically, "Gliding, sliding, high notes go low."
The images soar and delight with detail. The book ends with calls for an encore and children are bound to ask for encore readings.
A Caldecott Honor book that is the perfect introduction to musical instruments and a counting book that redefines the genre.
When this book begins, the trombone is playing all by itself. But soon a trumpet makes a duet, a french horn a trio, and so on until the entire orchestra is assembled on stage. Written in elegant and rhythmic verse and illustrated with playful and flowing artwork, this unique counting book is the perfect introduction to musical groups. Readers of all ages are sure to shout "Encore!" when they reach the final page of this joyous celebration of classical music.