100 books like Shivitti

It just blows my mind any time I read it, the same way it did the first time. Huxley was way ahead of his time when he wrote this influential book, and he was one of the first prophets of the New Age and the Age of Consciousness.

I was deeply touched by his intimate descriptions of his own experiences with LSD and Mescaline and the way it opened his mind to understanding the complexities of our consciousness beyond our regular and daily way of perceiving the world.

One of my favorite rock bands, The Doors, is named after this book, and it gives me ultimate pleasure to listen to Jim Morrison while reading it. What an experience! 

I read this wonderful book when I was a teenager, and it had a lot of influence on me. I still read it again and again and gain a lot from it.

This is one of the earliest descriptions available of a meeting with a Mexican shaman, and the teachings of that shaman. It vividly describes the way the shaman acts, thinks and operates, and this is so remote and alien from modern Western thinking that it made me realize that alternative ways of perceiving realities do exist. 

Regardless of what some say, I am confident it really happened and that the descriptions are coherent and true. What a book! This is really a book for departure. 

Michael Pollan’s scientific and personal investigations into the powers of psychedelics reveal how malleable our brains and minds are and illustrate the potential for people to change from a closed-minded way of viewing the world to one that is considerably more open-minded.

Pollan’s review of the scientific research on psychedelics shows, for instance, that the psychedelic compounds can lead to changes in the openness to experience dimension of Big Five personality traits. This and other similar findings, as well as Pollan’s narrative about his own personal experiences, are useful for suggesting another potential mechanism for changing minds.

This is one of my favorite books about Shamanism.

Harner knows very well what shamanism is, as he experienced it himself many times in the Amazonian forestay and is one of the first academic anthropologists to experience altered states of consciousness and shamanism firsthand himself, and he recommended it to the world!

I am familiar with very few professors who are so bold, straightforward, and devoid of bullsh*t. He admires shamanism, and this is clear from the book. He also gives some practical examples of how to practice shamanism, which can be very useful.  

The best thing about reading this book was that it shone a light–if you can forgive the pun–on the otherwise unseen world of the nighttime air battles over Germany.

Before I read it, I admit I thought of the night war as some sort of game of chess, somehow fought at a comfortable distance. Boiten’s book shredded that distance and brought me face-to-face with the reality of it all in a gratifyingly unsentimental way.

Perhaps the most powerful image it left me with was of young British (and allied) airmen suddenly being blown out of the sky by an enemy they all so often never saw until their aircraft was turned into a horrifying fireball.      

This is a harrowing account of the genocide in Rwanda told by one of its survivors, Imaculee llibagiza, after Hutu soldiers murdered her father, mother, and two brothers during a killing spree that took the lives of a million Rwandans.

In a fight for survival, Imaculee and seven other women took refuge in a 3’ by 3’ bathroom hidden behind a wardrobe in a pastor’s home. As the machete-wielding gunmen continued hunting for more victims, Imaculee and the women remained in their cloister in silence. Her  91 days in hiding is a testimony of endurance and resilience in the face of unrestrained evil.

When everyone you love is dead, and everything you love is lost, how do you go on? Imaculee found the answer in faith, love, forgiveness, and optimism. It is a haunting story of an ordinary woman and earthly mortal forced into an enlightening spiritual experience with the… show more.

My 3rd grade teacher told me I had no artistic talent, and since I could not afford to hire an artist for my book- so I have no illustrations. Thus, I envy Eisenstein’s artistic talent in illustrating her memoir. Actually, I admire her double skills, as both a writer and an artist. Her sensitive, astute, and often humorous, analysis of her childhood with her Holocaust survivor parents was incredibly familiar to me. There were times I laughed hysterically, with tears in my eyes. Some of her anecdotes seemed as if they came right out of my own childhood recollection of family stories, such as her story about a gold wedding band that was hidden during dark days in a concentration camp, the parental silences or tears about the past, her “drug-like-addiction” to learning everything about the Holocaust, in order to envision her parents and their lives before the war,… show more.

I appreciated how the author, a fellow Brooklynite, interlaces chronological vignettes of the good times, and happy days in a Romanian town, alongside the hellish experiences at Auschwitz and other concentration camps.

The contrasts are heartbreaking and help put the story into historical context. Her style is very touching, and her sensitivity allows the reader to absorb the very difficult details.  

The Unwanted is perhaps the best all-around book explaining the crisis faced by Jewish refugees trying to escape to the United States. Dobbs merges the intimate histories of members of the Jewish community in the small German town of Kippenheim, the work of the US State Department officials in Germany and France, American refugee aid workers, and President Roosevelt. By utilizing both personal and official sources, Dobbs allows all the people he writes about to speak for themselves. It’s beautifully written and heartbreaking, and whatever you think about this history when you start the book, those thoughts will be more nuanced and complicated when you’re finished.

I love this memoir because the author was a very dear and cherished friend.

I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.

Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.