The most recommended hallucinogen books

Tracing Snake back to ancient times in its role as creator god, anthropologist Jeremy Narby follows both a scientific and shamanic approach to understanding our connection with Snake in its role as healer and mentor.

Why do life-creating, knowledge-imparting snakes appear in the visions, myths, and dreams of countless humans, Narby asks. Could this mythical serpent that created life be another way of perceiving the DNA molecule, which holds the organizing principle inherent in all life?

Highly recommended for a fascinating journey into the nature of reality and ourselves!  

If all my choices so far have been, in some way, about the psychedelic experience, this is a practical hands-on guide about how to occasion one yourself. Psychedelics can be consumed safely, but there are attendant risks, not least from their continued illegality in many parts of the world. Vayne, who has decades of experience as a psychedelic user and ritual technician, talks the reader through recommended ways to prepare for a psychedelic experience, how to navigate what subsequently unfolds, and how to integrate it afterwards. This is the indispensable guide for the psy-curious, and even better it comes with a cover designed by legendary British psychedelic comic artist, Pete Loveday. 

I treasure this book for the artwork. The rather simple story tells of Albert Hofmann’s creation of LSD 25 on April 19, 1943, in a Sandoz laboratory in Switzerland. That day is known as Bicycle Day because after accidentally ingesting the chemical, Hofmann had a powerful psychedelic experience as he rode his bicycle home.

This trip is vividly depicted in a lengthy series of full- and double-page spreads, which become increasingly bizarre and hallucinatory as they go along. Blomerth’s cartoony but precise style is warm and whimsical, and he adds striking graphic effects to it. The art is presented to its best advantage on matte ivory stock that sets off the intense colors, which include Day-Glo colors. 

Anthropological fieldwork is not restricted to isolated indigenous people in remote areas. Anthropologists study scientists in university research labs. Langlitz did a remarkable feat: He immersed himself in the research activities of two laboratories studying psychedelic effects on humans and animals. Through this participation in everyday work, he delineated contextual sociological and psychological factors of what made it possible for researchers to be allowed to give healthy human subjects and patients with psychiatric problems mind-altering drugs in the lab and what motivates researchers to go into these frontier areas of research. LSD, psilocybin, and ayahuasca are studied again scientifically. What made that possible? Langlitz gives answers.

Psychedelic literature is unquestionably dominated by the white, male author. If, like me, you yearn to hear other voices and other perspectives, then this collection of essays couldn’t be more timely. The twenty-three chapters, from academic and non-academic authors, cover a range of perspectives, and while you may not agree with all of them, they’re refreshing nonetheless. It’s hard to single out any particular essay, but it’s always a pleasure to read Kathleen Harrison. Harrison, who was once married to Terence McKenna, spent years living with the Mazatec people, and treats us to her animistic vision of the world as something that’s alive and communicative. But the whole book contains riches and paves the way to a more diverse psychedelic literature.

It expanded my understanding of both the benefits and challenges of working with psychedelics. In the new psychedelic renaissance, there is a need for comprehensive and interdisciplinary resources to integrate all forms of psychedelic experiences, especially when the focus of psychedelic usage is on psychotherapy.

Aixala's work is a foundational contribution to this field.

Michael Pollan’s scientific and personal investigations into the powers of psychedelics reveal how malleable our brains and minds are and illustrate the potential for people to change from a closed-minded way of viewing the world to one that is considerably more open-minded.

Pollan’s review of the scientific research on psychedelics shows, for instance, that the psychedelic compounds can lead to changes in the openness to experience dimension of Big Five personality traits. This and other similar findings, as well as Pollan’s narrative about his own personal experiences, are useful for suggesting another potential mechanism for changing minds.

My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.

No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.

Now for some facts, although they will appear stranger than the fiction above. Born with a club foot and unable to join the army during World War II, Sydney Gottlieb became a leading covert warrior. For years, he oversaw some of the CIA’s most controversial programs. He developed poisons to kill foreign leaders and officials, and he worked in MKULTRA, the Agency’s program for mind control, which included the use of LSD, drugs, isolation, and other invasive experiments and forms of torture on witting and unwitting subjects.

The book is a detailed, if harrowing, history. It is even more impressive as most of the documents on these programs were destroyed by Gottlieb himself in 1973, under orders from the CIA Director at the time, Richard Helms. 

Mike Jay is the best writer I know of when it comes to highlighting the human stories behind the history of drugs. He is also fabulously engaging and original.

Jay’s most recent book is a compelling history of self-experimentation with drugs, which ranges from Romantic-era opium eaters like Thomas de Quincey to pioneer neuroscientists and Siberian shamans—and, of course, the hilariously weird nitrous oxide experiments of William James, who graces the book’s cover.