Fans pick 100 books like Set My Heart to Five

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

Every book on my list has changed my life in some way, but this novel probably had the biggest impact. When I first read it, my life had followed a similar trajectory to the protagonist. I had become disillusioned with the meaning of life, quit my job, and left home to travel the world for a year or so. This book explores a lot of big themes in deceptively simple language. I re-read it any time I feel a bit lost in life. It always helps me to feel better, and see that things fit together, in just the right way.

A funny book about suicide, what more do you want? If like me you’re prone to those dark thoughts, you really do have to laugh about it. This book is absurd yes but also has so much to say about human nature and spirit. It’s a cult classic that’s about life, not death, that will make you feel hopeful, the same way I hope my book does.

A beautiful book by one of my favourite comics about one man’s mental breakdown and how music and the people who made it saved him from the worst year of his life. It’s funny and tender and all the music he references was made by people going through their own shit and about how they used their music to save themselves. It’s a book about how we fall apart and how we put ourselves back together and you don’t have to know about music to be moved by it.

Ranging from very short to very bizarre, these stories are out there. One story is about a melancholy octopus who travels to the White House. Other stories are about ants, mice, birds, dogs, sharks, and whales doing mundane things or experiencing existential crises. Weird, surreal, and whacky, Zac Smith is on a mission to have fun with his stories. This book may not be for everyone. But, if it does tickle your fancy, then you’ll be glad you immersed yourself in Zac Smith’s unique mind.

Among the proliferation of contemporary self-help books, Myths, Rites and Symbols elucidated what I consider to be a 'missing link’. As Eliade described ancient and indigenous initiatory rites of passage I discovered there are specific stages of transformative growth after the shock of betrayal. Initiation ceremonies often begin with isolation and separation—an existential crisis designed to train a novice (and the reader) to confront symbolic death and embrace the unpredictable vicissitudes of life’s ordeals as spiritual tests. The process awakens self-discovery and inner wisdom, which inspires a spiritual rebirth, renewed creativity, and a purpose-driven return to life.

Eliade planted a seed in my imagination: reframe separation as a ‘sacred separation’—and use the shock of betrayal (and its many ordeals) as part of a grand, personal ceremony of initiation.

Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.

Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world. 

The relentless and erudite work of Arendt never ceases to challenge me. In the books included here—Thinking and Willing—she explores what it means that the self knows itself to be a self, and how that knowledge refracts and splits upon encountering others, and then changes when returning to solitude again. I read her knowing that she has not just considered but felt her ideas. “To be alive means to be possessed by an urge toward self-display. . . .Up to a point we can choose how to appear to others.”

This path-breaking book presents a view of human communication as theater, where speakers choose their words to create desired impressions, and listeners try to interpret speech while guarding against manipulation and deceit.

Strategic interaction and interpretation are central to the argument. In effect, Goffman is examining dynamic games with incomplete information, decades below the formal language for such analyses was developed. 

Everybody knows Ahab, but do you know Bartleby? It’s a strange story about a strange man, which, of course, attracts me. Bartleby is a lawyer’s copyist who decides he doesn’t want to do this sort of writing anymore and meets every instruction with the words: I would prefer not to. You can read Bartleby as simply a humorous tale. Or you can read it as a story of the existential crisis most writers, myself included, face at one time or the other. Melville was feeling dissatisfied with his choice of a writing career—the critics were unfriendly—and, in my opinion, the title character reflects this. It’s also, in my view, an implicit critique of economic control in America—my SDS youth would approve! It’s not for nothing that the story’s final words are: “Ah Bartleby! Ah humanity!”