Here are 100 books that Nan Domi fans have personally recommended if you like
Nan Domi.
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I am a historian of the eighteenth-century Atlantic World, specializing in the American and French Revolutions. The relationship between ideas and politics has fascinated me since I worked in media relations in Washington, DC. Because I think history can help us better understand our current political controversies and challenges, I write about the origins of representative democracy in the eighteenth century. I’m also an Assistant Professor of History at the University of Notre Dame where I teach classes on colonial and revolutionary America, the Constitution, and history of the media.
The Haitian Revolution was long left out of the history of Atlantic revolutions, dismissed as a violent uprising of enslaved people without an ideological dimension.
Dubois’s book walks readers through the twists and turns of this decade-long revolution, highlighting the intellectual agency of enslaved and freed people and the ideological consequences of this transformative event.
The Haitian Revolution is a notoriously complicated event, but I found that this book provided coherence and a compelling analysis of the effects of this crucial moment in the history of democracy and movement for human rights. And it was a gripping read at that.
The first and only successful slave revolution in the Americas began in 1791 when thousands of brutally exploited slaves rose up against their masters on Saint-Domingue, the most profitable colony in the eighteenth-century Atlantic world. Within a few years, the slave insurgents forced the French administrators of the colony to emancipate them, a decision ratified by revolutionary Paris in 1794. This victory was a stunning challenge to the order of master/slave relations throughout the Americas, including the southern United States, reinforcing the most fervent hopes of slaves and the worst fears of masters.
The Beatles are widely regarded as the foremost and most influential music band in history and their career has been the subject of many biographies. Yet the band's historical significance has not received sustained academic treatment to date. In The Beatles and the 1960s, Kenneth L. Campbell uses The…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Katz was in Haiti as an AP stringer at the time of the 2010 earthquake that devastated Port au Prince and was the only non-Haitian reporter to experience that event directly. He went on to do investigative reporting in the aftermath of the quake and was the one to discover that one of the UN deployments had introduced cholera into Haiti by building latrines that drained into the Artibonite River. Katz’s book is sharp and thorough on the damage done to Haiti by both well- and ill-intentioned foreign interference, and also includes a short, clear, efficient, and accurate history of the country from its eighteenth-century founding to the present.
In the aftermath of the devastating 7.0 earthquake that hit Haiti in 2010, there was an outpouring of support and aid from countries around the world. Yet, two years after the quake, seemingly little has changed as the country continues to suffer from widespread poverty, crippled infrastructure, and a cholera epidemic. Acommon Haitian street slang refers to"the big truck," the half-hearted efforts by the "blancs" who arrive to help but wind up bypassing the victims. In The Big Truck That Went By, award-winning author Jonathan Katz ties together the two crises that continue to cripple Haiti: the aftermath of the…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Lyonel Trouillot is one of the most powerful novelists of our time, extremely well known in the Francophone world, though less so in the US, in part because of the difficulty of translating his intensely lyrical prose. He has a rare ability to make artistically sound texts based on very immediate reportage on the various Haitian crises. This particular novel is especially valuable in the way it relates the desperation of Haitian life today to the country’s heroic past.
Deux enfants courent, fuyant la misère du bidonville, le destin, le corps d'un père alcoolique et violent qu'ils viennent de tuer. Tableau d'une population désorientée et meurtrie, privée d'échappatoire, ce récit est un bouleversant cri d'alarme au coeur de l'indifférence.
In a world filled with uncertainty, it’s easy to feel overwhelmed by risk. But what if you had a guide to help you discern, reshape, and navigate the dangers ahead with wisdom? Facing Danger: A Guide through Risk is that resource. Drawing from her family’s experiences in perilous places, Anna…
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Chauvet is another of the all-time great Haitian novelist, best known for her Amour, Colère, Folie, which depicted the horrors of the Duvalier regime--- obliquely and somewhat allegorically, but sharply enough that the book was banned and most copies destroyed—it did not become generally available until after the author’s death. La Danse sur le Volcan, a historical novel, is equally powerful and gives a wonderfully complete and complex view of all the complications of race, class, and culture that existed in Haiti while still a French sugar colony, on the eve of Revolution.
Dance on the Volcano tells the story of two sisters growing up during the Haitian Revolution in a culture that swings heavily between decadence and poverty, sensuality and depravity. One sister, because of her singing ability, is able to enter into the white colonial society otherwise generally off limits to people of color. Closely examining a society sagging under the white supremacy of the French colonist rulers, Dance on the Volcano is one of only novels to closely depict the seeds and fruition of the Haitian Revolution, tracking an elaborate hierarchy of skin color and class through the experiences of…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love anything by Zora Neale Hurston but this one I love because she mixed her training as an anthropologist and her talent for storytelling to create this book of tales of magic based on her travels through the Caribbean. I find Hurston’s unique approach to studying and sharing knowledge to be so clearly artful, and she has inspired researchers and writers to this day.
“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”
—New York Times Book Review
Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
This time, let’s have a look at a young adult novel. In Color Blind, April Lockhart's dad has passed away, and since she's only 17 years old she has to go live with her aunt in New Orleans. To say that April is unhappy about this is to greatly understate the situation. She meets Miles Baptiste when she decides to take a cemetery and voodoo tour ... and that's when she meets Marguerite, as well.
The voodoo priestess seems to know a good many things about April. The book proceeds through April's misadventures, taking the reader on a tour of New Orleans that touches not only the tourist spots but also the Lower Nine and more hard-hit areas yet to recover after Hurricane Katrina. We see April go on a journey of maturation and self-discovery as well.
What I loved about this book was its examination of New Orleans…
A 2017 Killer Nashville Award Winner A 2017 Readers' Choice Award for Best Fiction-Young Adult
April is alone in the world. When she was only a baby, her teenage mother took off and now, unbelievably, her dad has died. Nobody's left to take April in except her mom's sister, a free spirit who's a chef in New Orleans--and someone who April's never met. In the aftermath of Hurricane Katrina, April is suddenly supposed to navigate a city that feels just like she feels, fighting back from impossibly bad breaks. But it's Miles, a bayou boy, who really brings April into…
Ancient truths hidden in plain sight for thousands of years.
A gradual realization has been dawning, first among ancient alien theorists, and then among the general public, that the Bible has been hiding secret UFO stories. This book closely examines the scriptures, employing exegesis and etymology of eighty-six Hebrew words…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
I love a biography that is as well-researched as it is immersive, and this book does not disappoint! Marie Laveau―a free woman of color who all but ruled New Orleans in the mid-1800s—may be the most legendary American practitioner of the magical arts, and in this book, Denise Alvarado—a New Orleans born, native Creole who studies African and Indigenous-based healing traditions from a personal and academic perspective—separates the myth from the fact.
Moving seamlessly between historical archives and her personal experience as a practitioner, Alvarado introduces us to the New Orleans Voodoo queen, her reign and legacy, and the spells, charms, prayers, rituals, and recipes that bring her magic to life.
The life and work of the legendary “Pope of Voodoo,” Marie Laveau―a free woman of color who practically ruled New Orleans in the mid-1800s
Marie Laveau may be the most influential American practitioner of the magical arts; certainly, she is among the most famous. She is the subject of songs, films, and legends and the star of New Orleans ghost tours. Her grave in New Orleans ranks among the most popular spiritual pilgrimages in the US. Devotees venerate votive images of Laveau, who proclaimed herself the “Pope of Voodoo.” She is the subject of respected historical biographies and the inspiration…
My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.
A unique city such as New Orleans should have unique guidebooks. Fear Dat is just that.
While the book gives the usual tourist information about hotels, restaurants, shops, and tours, it has so much more. Fear Dat is full of stories of the cemeteries, Voodoo, ghosts, vampires, and more.
Whether it’s your first visit or your twentieth, this book will get you ready for a trip to the Crescent City.
Fear Dat New Orleans explores the eccentric and often macabre dark corners of America's most unique city. In addition to detailed histories of bizarre burials, ghastly murders, and the greatest concentration of haunted places in America, Fear Dat features a "bone watcher's guide" with useful directions of who's buried where, from Marie Laveau to Ruthie the Duck Girl. You'll also find where to buy the most authentic gris-gris or to get the best psychic reading.
The Huffington Post tagged Michael Murphy's first book Eat Dat, about the city's food culture, the #1 "essential" book to read before coming to New…
Of the 918 Americans who died in the shocking murder-suicides of November 18, 1978, in the tiny South American country of Guyana, a third were under eighteen. More than half were in their twenties or younger.
The authors taught in a small high school in San Francisco where Reverend Jim…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
