Here are 100 books that Color Blind fans have personally recommended if you like
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I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.
People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book.
With nothing but horror behind her, Emma Farnsworth pilots the Airship Vigilance into the night sky outside of Chicago City on a one-way trip to New Orleans. She’s carrying precious cargo: her lover and four other strays that escaped the nightmare of gods and monsters on the shores of Lake Michigan. The trip hasn’t been anything like fun, but it’s been quiet. And for Emma’s money, quiet equals good. Good enough to think they might make it to New Orleans without a hitch. Like the saying goes . . . The good things come to a fast end. Emma and…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Schnauzer rescuer Brandy Alexander is tired of living with her parents, not sure what's going on in her relationship with her boyfriend, Dante, and is looking for a little fun. She gets way more than she bargained for when she kisses a handsome stranger during a Mardi Gras parade ... as he's shot in front of her and pretty soon it seems like the New Orleans gangsters are after her, too. This is a super-cute cozy mystery featuring dogs, intrigue, fun characters, and the Big Easy. What more could you ask for?
One kiss and her world turns upside down. Can she solve the case that threatens his life?
Brandy Alexander never thought living in the Big Easy could feel so dull. And, as she waits painfully for her long-time NOPD boyfriend to propose, she’s not sure their hearts are beating to the same tune. When she’s kissed by a handsome stranger at a Mardi Gras parade, her electric thrills turn to shock when he’s shot right before her eyes.
Watching in horror as he’s whisked away by an ambulance, she is haunted by his gasping request. Brandy races to track down…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.
A unique city such as New Orleans should have unique guidebooks. Fear Dat is just that.
While the book gives the usual tourist information about hotels, restaurants, shops, and tours, it has so much more. Fear Dat is full of stories of the cemeteries, Voodoo, ghosts, vampires, and more.
Whether it’s your first visit or your twentieth, this book will get you ready for a trip to the Crescent City.
Fear Dat New Orleans explores the eccentric and often macabre dark corners of America's most unique city. In addition to detailed histories of bizarre burials, ghastly murders, and the greatest concentration of haunted places in America, Fear Dat features a "bone watcher's guide" with useful directions of who's buried where, from Marie Laveau to Ruthie the Duck Girl. You'll also find where to buy the most authentic gris-gris or to get the best psychic reading.
The Huffington Post tagged Michael Murphy's first book Eat Dat, about the city's food culture, the #1 "essential" book to read before coming to New…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Nan Domi is the only book I know of that reports on the interior, private, mystical practices of Vodou—one of the world’s great religions, though much misunderstood and despised outside of Haiti. A preface I wrote for the book gives an efficient introduction to the basic history, beliefs, and practices of Vodou, providing the necessary context for Beaubrun’s more esoteric text.
"This new and valuable book delves into the 'interior' experience of voodoo, as opposed to the usual outsider focus on ritual and cosmology. In telling the story of her own initiation and painstaking education in voodoo, Beaubrun takes us into the mystical dimensions of this ancient religion."--The Guardian UK Like all the great religions Vodou has an external, public practice of rituals and ceremonies--and also an internal, mystical dimension. Before Nan Domi, works about Vodou have concentrated on the spectacular outward manifestations of Vodou observance--hypnotic drumming and chanting, frenetic dancing, fits of spirit possession. But practically all reports on Vodou…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love anything by Zora Neale Hurston but this one I love because she mixed her training as an anthropologist and her talent for storytelling to create this book of tales of magic based on her travels through the Caribbean. I find Hurston’s unique approach to studying and sharing knowledge to be so clearly artful, and she has inspired researchers and writers to this day.
“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”
—New York Times Book Review
Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
