Fans pick 61 books like Fanny Newcomb and the Irish Channel Ripper

Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.

Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.

When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.

I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.

In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.

People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book. 

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This time, let’s have a look at a young adult novel. In Color Blind, April Lockhart's dad has passed away, and since she's only 17 years old she has to go live with her aunt in New Orleans. To say that April is unhappy about this is to greatly understate the situation. She meets Miles Baptiste when she decides to take a cemetery and voodoo tour ... and that's when she meets Marguerite, as well.

The voodoo priestess seems to know a good many things about April. The book proceeds through April's misadventures, taking the reader on a tour of New Orleans that touches not only the tourist spots but also the Lower Nine and more hard-hit areas yet to recover after Hurricane Katrina. We see April go on a journey of maturation and self-discovery as well.

What I loved about this book was its examination of New Orleans… show more.

Schnauzer rescuer Brandy Alexander is tired of living with her parents, not sure what's going on in her relationship with her boyfriend, Dante, and is looking for a little fun. She gets way more than she bargained for when she kisses a handsome stranger during a Mardi Gras parade ... as he's shot in front of her and pretty soon it seems like the New Orleans gangsters are after her, too. This is a super-cute cozy mystery featuring dogs, intrigue, fun characters, and the Big Easy. What more could you ask for?

Winders captures the hardening racial attitudes of America’s “Gilded Age” and white society’s embrace of segregation and exploitation in his study of one of the all-time great fighters.

A man of contradictions, George Dixon would become a famous world champion and one of North America’s richest and most popular Black men. Dixon would also die of alcoholism, destitute, alone, and forgotten. Winders claims that, to the then fledgling Black culture in North America, “Dixon was the single-most significant athlete of nineteenth century.”

Yet at the same time, he was a man “who could be indifferent to his race.” Satisfied to live in a white world that celebrated him while he was winning, Dixon found that that same world could turn on him when he was too successful. His gory victory over Jack Skelly in the 1892 Carnival fight in New Orleans put an end to mixed race fights in the… show more.

This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.

Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.

It was in Asbury’s social history of the French Quarter that I first read about the deadly yet intriguing fencing masters of old New Orleans that swagger through my own series.

I was also fascinated by the richly painted French and Spanish culture from the colonial period, the daily life among the French Creole elite in the city, the unique courting and marriage customs, male and female amusements, education, religious observances, and much more.

In addition, the book is famous, or infamous, for its gritty details of the city's underworld at that time, from cutthroat barrel houses and gambling dens to the names of famous madams and the locations of their brothels in the red-light district known as Storyville.

Nell Kimball was the least educated of the prostitute authors I read but also the most colorful. And the only one who didn’t feel trapped in the profession. Like Josie Washburn, Nell couldn’t find a publisher for her memoir when she looked for one in 1932. She was 78 years old and reportedly in dire straits financially. Nell had started in the “trade” in St. Louis at the age of fifteen in 1867 and worked as a prostitute and then as a madam, lastly in New Orleans’s famed Storyville red-light district, until it was shut down in 1917. Nell died in 1934. Her book was finally published by Macmillan in 1970.

I’m grateful that Madeleine, Josie, and Nell were fortuitous enough to pen their stories, to record a first-hand account of an era that we otherwise would not be privy to in such a personal way.

As the name implies, Midnight Bayou is another romantic ghost story set in New Orleans—a place I’ve now been fortunate enough to visit!

Sometimes called the “City of the Dead”, NOLA makes a perfect location for this haunting mystery. I literally could not put this book down, despite having young children when I read it! Once again, the past and present intertwine as a sassy Cajun heroine and a hunky carpenter unravel the dark secrets of Manet Hall in a passionate journey.  

Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.

A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc.