93 books like The French Quarter

I picked this book up from a second-hand street bookshop. It was the wisteria that did it. Something about those climbing vines made me fall right into the world of Lestat and Louis, and I’ve never fallen out again. Also, I love love, and there’s nothing more intriguing than three unrelated people/beings managing to stay together for sixty-five years.

Of course, there was murder and mayhem, but the love endured, and my secret romantic heart ate that shit up.

I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.

The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.

I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.

Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.

I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.

With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore. 

I love old photographs. Nothing else is as exact or reliable when it comes to studying a time and place for research purposes. Whether it’s the long-ago appearance of a particular street or building, the design of a wrought iron balcony, the style of an antique ballgown, or the setting of a mausoleum, the details are all there.

Huber’s book contains over a thousand entries. Not only are photographs shown, but also photographed copies of drawings, paintings, and portraits that predate the invention of the camera. They depict famous landmarks but a vast selection of people as well, from servants and street vendors to the highest society. Each picture is carefully described and, where possible, dated.

I’ve spent many happy hours paging through them, often forgetting what I intended to find.

This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.

Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.

American Indian Jane Whitefield rescues people the police can’t protect and helps them find new identities and new homes. But now her job is complicated because Pete Hatcher, a Vegas gambling executive, is the target of Earl and Linda, a lethal tag team who will become very rich if Hatcher dies. The job is even more complicated because Jane has recently married Corey, a successful local surgeon, so it’s harder to maintain a low profile in the town. When Earl and Linda hone in on Corey, Jane realizes she has to protect her own family as well as her client, and her foes know every trick that she knows, too.

This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre. 

Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.

Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.

I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,… show more.

A doctor interviews an elderly Japanese yakuza (gangster) as he recalls his life. Adhering to his own criminal code, the yakuza exudes a wayward nobility as he discusses the choices he made. Bob Dylan saw romance in this and quoted from the yakuza’s dialogue on his album, Love and Theft.

This is another modern venture into Victoriana, with a love affair straight out of Thomas Hardy, ruined by mutual misunderstanding. Its characters are heartbreakingly real and utterly original, and it closes with one of the most memorable set-piece scenes I’ve ever read. I won’t spoil the surprise because it occurs about 400 pages into this long, seductive novel, but it’s a stunningly sensory and dramatic moment.

In a self-conscious effort to re-enact Positively Fifth Street’s reimagining of the writer’s journey, Grantland Magazine assigned Colson Whitehead to cover the 2011 World Series in exchange for the $10,000 entry fee. He falls short of matching McManus’ success on the felt, but that’s not really the point: the meat is in the interaction between the poker and Whitehead’s struggle with depression. Which might be unbearable in the hands of anyone other than Colson Whitehead, maybe the best there is at crafting sentences that will make you laugh and wince at the same time.