90 books like The French Quarter

No one has ever captured the darkly lush and sensual atmosphere of New Orleans quite like Anne Rice.

I am in awe of this accomplishment, even as I suspect she came to it from a dark place of her own. Born in New Orleans, she moved away for a time, married, and had a daughter. This child died young, a tragedy from which Anne never fully recovered. Returning to the city afterward, she bought a home in the historic Garden District.

There, she wrote this incredible tale with its tortured protagonist, a story imbued with the tragedy of being ever an outsider, with the fascination for death and immortality she found within herself and in the city that surrounded her. 

I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.

The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.

I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.

Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.

I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.

With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore. 

I love old photographs. Nothing else is as exact or reliable when it comes to studying a time and place for research purposes. Whether it’s the long-ago appearance of a particular street or building, the design of a wrought iron balcony, the style of an antique ballgown, or the setting of a mausoleum, the details are all there.

Huber’s book contains over a thousand entries. Not only are photographs shown, but also photographed copies of drawings, paintings, and portraits that predate the invention of the camera. They depict famous landmarks but a vast selection of people as well, from servants and street vendors to the highest society. Each picture is carefully described and, where possible, dated.

I’ve spent many happy hours paging through them, often forgetting what I intended to find.

This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.

Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.

How does a girl go from working in a Thai restaurant to running a sports gambling operation in Costa Rica? All roads lead through Las Vegas, where Beth meets Dink a math genius. Sports bettors love to hang out in casinos it’s like a contact high. He hires her and she trains in the Vegas casinos. She not only becomes enthralled with the eccentric Dink and the colorful cast of characters that surround him but she shares their stories with you. It was the early days of Internet gambling, a free for all or so they thought. It is great to view the industry through the observant eyes of Beth whose colorful descriptions bring the characters to life. 

American Indian Jane Whitefield rescues people the police can’t protect and helps them find new identities and new homes. But now her job is complicated because Pete Hatcher, a Vegas gambling executive, is the target of Earl and Linda, a lethal tag team who will become very rich if Hatcher dies. The job is even more complicated because Jane has recently married Corey, a successful local surgeon, so it’s harder to maintain a low profile in the town. When Earl and Linda hone in on Corey, Jane realizes she has to protect her own family as well as her client, and her foes know every trick that she knows, too.

No list of Las Vegas entrepreneurs is complete without Bob Stupak, the marketing mastermind who successfully sold many tourists on a visit to Vegas World, a small casino at the far northern end of the Las Vegas Strip. 

The self-described maverick challenged the more established Las Vegas casinos throughout his career, culminating in the building of the Stratosphere Tower which now anchors the Las Vegas skyline. His story mingling success and failure is skillfully told here by a titan of Nevada journalism.

This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre. 

Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.

Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.

I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,… show more.

Really fun true stories about six gambling legends. Titanic Thompson never entered an official PGA event, yet made more money playing golf than most of the top pros in his era, often by beating the famous pros at their own game. Minnesota Fats never won a major pool tournament, but made so much money traveling from city to city to hustle the local pool sharks he became a legend in the Midwest pool halls. Johnny Moss cut his gambling teeth in illegal poker games in Texas and Oklahoma, then went on to win the first two World Series of Poker championships in 1970 and 1971, winning nine WSOP bracelets in total, his last one in 1988 at the age of 81, making him the oldest WSOP bracelet winner ever.