99 books like On the Track Of Unknown Animals

I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.

I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.

I’m a food and travel journalist, raised by a Greek father and a British mother. I’ve always been obsessed with the fostering of my Greek culture, heritage, and identity and have been particularly interested in the duality of my two identities, since moving to England from Greece as a young girl. During my teenage years in grey and drizzly England, the food we ate as a family transported me to my grandmothers’ white-washed alleyway, dotted with geraniums and bursting with the colours and flavours of Greece. Since then I’ve become obsessed with what food and time-perfected recipes can tell us about our heritage. 

I come from a family of some of the earliest big-game hunters turned conservationists of India and grew up treading jungles with my naturalist father. As a child, I was often found trying to catch a snake or spin a yarn or reading from the collection of wildlife and natural history books at home. Jungles were as much a part of growing up as was going to school, and I learnt precious life lessons from them. To pursue the cause of conservation, I’ve written several fiction and non-fiction books, as well as articles in national dailies/magazines on wildlife and nature, and I was appointed the Honorary Wildlife Warden of Udaipur, India.

I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.

I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).

I’ve been fascinated with forests ever since running wild as a kid in the Appalachian woods of Pennsylvania. Now living at the edge of the Pacific in the Coast Range in Oregon, I’ve engaged with a host of forest issues involving watershed health, wilderness protection, fire management, and fish. Among the 30 books I’ve written, three are germane here: Trees and Forests of America, Twilight or the Hemlocks and Beeches, and America’s Great Forest Trails. I’m always learning more by reading everything I find about forests. For my afternoon break and exercise I typically work on my own 8-acre wooded parcel where I maintain trails, eradicate exotic invaders, and restore native trees.  

I've been the resident playwright at First Stage Children’s Theater in Milwaukee for over twenty years. I began my career by adapting classic titles for the stage: Little House Christmas, Treasure Island, Huck Finn, Through the Looking Glass, Tom Sawyer. As I researched previous adaptions of these novels, I discovered how so many of them were quite different from the author’s original intentions. I don’t feel these adaptations are 'bad,' by any means—in fact, I believe you have to break free of a novel to truly adapt it for a different medium—but often the 'adaptation' is the only part of the story that gets passed down to us.