When I was young, I worked on fishing boats in Alaska and developed an affection for weird sea creatures. All manner of unusual marine life would come up on the line, like wild-looking sea stars, pointy-nosed skates, and alien-looking ratfish. Later, I graduated from the University of Alaska-Fairbanks with a degree in Communications. One of my early jobs was with the Washington Department of Wildlife public information department, writing about fish, as well as other wildlife-related topics. When I moved to Bozeman, Montana, I had the opportunity to create content for a museum exhibit on early life forms. That hooked me on all things paleo. It is a joy to write about and share the things I love—like oddball creatures from deep time.
This fascinating, nail-biter of a tale has all the elements of a novel: quirky characters, chance encounters, a determined female curator, chase scenes, mystery, and hunt for something that scientists believed existed only in the fossil record. The story begins in 1938 in South Africa on the deck of a trawler, with young Marjorie Courtenay-Latimer picking through a pile of sharks, starfish, and ratfish—to uncover a beautiful, five-foot-long fish with hard iridescent scales and limb-like fins. Weinberg brings the story, and the coelacanth, to life, weaving a narrative as breathtaking as the fish itself. I enjoyed this book immensely!
A gripping story of obsession, adventure and the search for our oldest surviving ancestor - 400 million years old - a four-limbed dinofish!
In 1938, Marjorie Courtenay-Latimer, a young South African museum curator, caught sight of a specimen among a fisherman's trawl that she knew was special. With limb-like protuberances culminating in fins the strange fish was unlike anything she had ever seen. The museum board members dismissed it as a common lungfish, but when Marjorie eventually contacted Professor JLB Smith, he immediately identified her fish as a coelacanth - a species known to have lived 400 million years ago,…
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This is the classic book on the deep history of the Earth. Hutton is known as the father of modern geology, because he understood that today’s rocks represent the accumulation of changes over incredibly long geologic epochs. In publishing his ideas he went against the then-popular notion of catastrophism, which held that sudden, violent events such as floods had shaped most of the Earth’s surface. Hutton instead argued for slow changes over time — a concept known as uniformitarianism — and, crucially, recognized that two rock types at Siccar Point, Scotland, had formed at different times separated by many millions of years. “The mind seemed to grow giddy by looking so far into the abyss of time,” one of Hutton’s companions said. That realization set the stage for future scientists to explore the ramifications of a deep geologic past.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
I’ve always loved stories about people, places, and times other than those I can know myself. As a child, I was fascinated by a book of stories from “the steppes” of Central Asia. My drive to know more has taken me (through books or physically) along the Silk Road, given me tales from ancient Mesopotamia, shown me glimpses into the lives of Orthodox Jewish women, European immigrants to the “New World,” survivors of the transatlantic slave trade or the Korean War, and many other cultures and experiences. I am basically awe-struck by what humans have thought, created, suffered, and sung about throughout times and places.
This fascinating book by the evolutionary biologist Stephen J. Gould taught me so much about what good non-fiction writing looks like.
Although it is strictly a science book, Time’s Arrow, Time’s Cycle is history, philosophy, and storytelling at its best. It illustrates how complex metaphors work in our conceptualization about the past, time as following a repeating cycle and time as linear, forward moving.
Using the concepts of arrow and cycle, Gould explores the discovery of “deep time” a few hundred years ago. The almost unfathomable age of the earth and the universe was a shock and had monumental consequences for our understanding of human history, just a short bubble of existence.
This book also excels in imploding some of the myths that arise about scientific discoveries and the stories we tell about them.
Rarely has a scholar attained such popular acclaim merely by doing what he does best and enjoys most. But such is Stephen Jay Gould's command of paleontology and evolutionary theory, and his gift for brilliant explication, that he has brought dust and dead bones to life, and developed an immense following for the seeming arcana of this field.
In Time's Arrow, Time's Cycle his subject is nothing less than geology's signal contribution to human thought-the discovery of "deep time," the vastness of earth's history, a history so ancient that we can comprehend it only as metaphor. He follows a single…
Macfarlane took me under the earth: I climbed with him
into dark caves miles deep, into prehistoric burial sites 65,000 years old,
into the understory of living creatures just beneath our feet and the wide web
of the forest that connects all trees into a community, and into underground spaces where physicists unravel the cosmos searching for dark
matter.
I now know there is a doomsday vault in the Arctic that preserves ninety
million seeds for a post-apocalyptic future. I can never look at trees, the earth, or the cosmos in the same way. He
warns of “species loneliness” if extinctions continue. But Macfarlane offers
hope.
The world is utterly precious. Mystery abounds. There is so much to
discover.
In Underland, Robert Macfarlane delivers an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time-from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come-Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.
Global in its geography and written with great lyricism, Underland speaks powerfully to our present…
I am a holistic adult and child psychiatrist, astrologer, shamanic practitioner, and energy healer who has been in practice for 35 years. I am thoroughly familiar with the conventional paradigm for treating psychiatric illness, but I no longer endorse it and, in fact, believe that it causes harm. I am convinced that there is an urgent need for a paradigm shift in medicine at this time of collapse and breakdown on the planet. The sacred's vital role in healing needs to be acknowledged, as does the role of nutrition and lifestyle, as well as a need to identify and treat the root causes of illness rather than simply suppressing symptoms with pharmaceuticals.
I love this author’s voice, which feels very authentic and fresh. The writing is beautiful, both magical and earthy, and I loved the description of her spiritual journey growing up with atheist parents and her discovery of the helpful real presence of the ancestors in her life.
The author’s description of the presence of the dead in her life, her relationships with them, and their influence on her life have the potential to open up the reader to their experience of their ancestor’s presence in their own lives, which can be both so enormously helpful, enriching and comforting. I loved the description of the evolution of her relationship with her complicated father, both over the course of her lifetime and then as the years passed after he was gone.
The book models a reality, which I share, that our relationships with our loved ones continue in a very alive way…
"Finn weaves a spellbinding meditation . . . an affecting ode to the power of the unseen." -Publisher's Weekly
What if you could live in a world where the guidance of those who were gone was available, right at your very fingertips? It's possible, if we are open to it. Anyone can reclaim the forgotten guidance of the dead, and anyone can return to the realm of magic and miracles. In Take Back the Magic: Conversations with the Unseen World, author, spiritual teacher, and co-founder of The Way of the Rose Perdita Finn reveals that life is beginningless, love is…
I am an honorary senior fellow at Keele University and have written books on philosophy, art history, and archaeology. In philosophy one of my main interests is the comparative analysis of a wide range of philosophical approaches to the question of the meaning of life.
This book provides short summaries of the views of about one hundred philosophers of the twentieth and twentieth-first centuries.
Only one earlier philosopher is included, “the most prominent pessimist of the entire western philosophical tradition,” Arthur Schopenhauer.
One of the interesting features of the book – partly because it has rarely been attempted – is a taxonomy of the different answers that have been given to the question.
The Meaning of Life: Religious, Philosophical, Transhumanist, and Scientific Perspectives is the first book to summarize the writings of the important contemporary theologians, philosophers, and scientists on the question of the meaning of life. In addition the book deals with the relevance of death for the question as well the huge importance that the potential scientific elimination of death will have for humanity’s concern regarding meaning. Finally the book considers the question in the context of cosmic evolution and deep time, offering in the end an answer to the question of whether life is or is not ultimately meaningful. Show…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
When I was young, I worked on fishing boats in Alaska and developed an affection for weird sea creatures. All manner of unusual marine life would come up on the line, like wild-looking sea stars, pointy-nosed skates, and alien-looking ratfish. Later, I graduated from the University of Alaska-Fairbanks with a degree in Communications. One of my early jobs was with the Washington Department of Wildlife public information department, writing about fish, as well as other wildlife-related topics. When I moved to Bozeman, Montana, I had the opportunity to create content for a museum exhibit on early life forms. That hooked me on all things paleo. It is a joy to write about and share the things I love—like oddball creatures from deep time.
Planet Ocean is a rollicking romp of a book, even while it is being deeply informative. The writing is full of wit and story, with a strong undertow of awe at the wonders of evolution and geologic time. We learn about these things along with Matsen as he and Troll go on a trilobite safari, visit museums and scientists, and dig for dinosaurs in the badlands of Alberta. The book is lavishly illustrated with Troll’s surreal, sublime, whimsical, and always arresting depictions of such creatures as Xiphactinus, Anomalocaris, Hesperornis, Hallucigenia, and of course Helicoprion.
This is the paperback edition of the great pop-paleontology book with the fabulous art that inspired a show that toured the nation's natural history museums. In its own way it has inspired many people to take a new look at the fossil record and imagine creatures and things as they might have been—a blend of word and image unlike any other.
When I was young, I worked on fishing boats in Alaska and developed an affection for weird sea creatures. All manner of unusual marine life would come up on the line, like wild-looking sea stars, pointy-nosed skates, and alien-looking ratfish. Later, I graduated from the University of Alaska-Fairbanks with a degree in Communications. One of my early jobs was with the Washington Department of Wildlife public information department, writing about fish, as well as other wildlife-related topics. When I moved to Bozeman, Montana, I had the opportunity to create content for a museum exhibit on early life forms. That hooked me on all things paleo. It is a joy to write about and share the things I love—like oddball creatures from deep time.
Evolution, extinction, evo-devo, a “vampire squid from hell”—what more could a paleo-curious reader ask for? Staaf keeps it interesting and breezy as she takes a deep dive into the mysteries of that most ancient and fascinating group, the cephalopods. The fossil record for this extraordinary, important, and long-surviving class (which includes ammonoids and nautiloids as well as the shell-free squids and octopuses) goes back 500 million years. The book is full of “wows,” like a 20-foot-long fossil shell, and the fact that ink has been reconstituted from fossil belemnites and used for illustration. Just wow.
An epic and fun history spanning from the mollusks that invented swimming to the octopuses and other intelligent cephalopods of today Publisher's Note: Monarchs of the Sea was previously published in hardcover as Squid Empire.
Before mammals, there were dinosaurs. And before dinosaurs, there were cephalopods--the ancestors of modern squid, octopuses, and more creatures--Earth's first truly substantial animals. Essentially inventing the act of swimming, cephalopods presided over an undersea empire for millions of years--until fish evolved jaws, and cephalopods had to step up their game or risk being eaten. To keep up, some streamlined their shells and added defensive spines,…
