Here are 67 books that Notes from Deep Time fans have personally recommended if you like
Notes from Deep Time.
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I am an astronomer and educator (Ph.D. Astrophysics, University of Colorado), and I’ve now been teaching about global warming for more than 40 years (in courses on astronomy, astrobiology, and mathematics). While it’s frustrating to see how little progress we’ve made in combatting the ongoing warming during this time, my background as an astronomer gives me a “cosmic perspective” that reminds me that decades are not really so long, and that we still have time to act and to build a “post-global warming future.” I hope my work can help inspire all of us to act while we still can for the benefit of all.
I love the way this book brings perspective to modern issues by emphasizing the idea of “deep time” – that we are part of a long history that makes our current existence possible.
By thinking in this way, we also realize that our current predicament is one that we have the tools to address, and that by doing so, we would be honoring the miracles of nature that lie behind everything we are and do. Along the way, this book also helped me understand – and teach about – a variety of important geological processes.
Why an awareness of Earth's temporal rhythms is critical to our planetary survival
Few of us have any conception of the enormous timescales of our planet's long history, and this narrow perspective underlies many of the environmental problems we are creating. The lifespan of Earth can seem unfathomable compared to the brevity of human existence, but this view of time denies our deep roots in Earth's history-and the magnitude of our effects on the planet. Timefulness reveals how knowing the rhythms of Earth's deep past and conceiving of time as a geologist does can give us the perspective we need…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.
The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This gorgeously illustrated coffee-table volume draws on Black’s expertise in science writing and paleontology. She begins with the Big Bang that created the universe 13.8 billion years ago, then moves in short chapters through milestones of the rise of life on Earth. Prehistoric plants harden into coal in the Carboniferous Period, 359 million years ago; dinosaurs roam the Morrison Formation of the western US, 156 million years ago; and small blobs of molten glass from Laos reveal a powerful meteorite impact 790,000 years ago. You’ll never see the timeline of life the same way again.
Deep time is the timescale of the geological events that have shaped our planet. Whilst so immense as to challenge human understanding, its evidence is nonetheless visible all around us.
Through explanations of the latest research and over 200 fascinating images, Deep Time explores this evidence, from the visible layers in ancient rock to the hiss of static on the radio, and from fossilized shark's teeth to underwater forests. These relics of ancient epochs, many of which we can see and touch today, connect our present to the distant past and answer broader questions about our place in the timeline…
I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.
This is the classic book on the deep history of the Earth. Hutton is known as the father of modern geology, because he understood that today’s rocks represent the accumulation of changes over incredibly long geologic epochs. In publishing his ideas he went against the then-popular notion of catastrophism, which held that sudden, violent events such as floods had shaped most of the Earth’s surface. Hutton instead argued for slow changes over time — a concept known as uniformitarianism — and, crucially, recognized that two rock types at Siccar Point, Scotland, had formed at different times separated by many millions of years. “The mind seemed to grow giddy by looking so far into the abyss of time,” one of Hutton’s companions said. That realization set the stage for future scientists to explore the ramifications of a deep geologic past.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
What do we mean by landscape? What do we mean by Britain?
Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.
It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.
Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate's climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; 'Trespass', 'Landscape and Identity', and 'Climate Breakdown', there will be around 100 works in total…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.
Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.
It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.
Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched. On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four.
Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
Robert M. Hazen, Senior Staff Scientist at the Carnegie Institution of Washington’s Earth and Planets Laboratory and the Clarence Robinson Professor of Earth Science at George Mason University, received the B.S. and S.M. in geology at the Massachusetts Institute of Technology and the Ph.D. at Harvard University in Earth science. His most recent book is The Story of Earth: The First 4.5 Billion Years from Stardust to Living Planet, which explores the intricate coevolution of the geosphere and biosphere.
At their very best, textbooks synthesize knowledge in new, informative ways. Understanding Earth is a classic, covering the basics of geology, geophysics, and environmental science with stylish prose, classy illustrations, and the insights of two great scientist educators (earlier editions were championed by Frank Press and Ray Siever, who began the franchise). It’s a whirlwind tour of modern science, from the microscopic view of rocks and minerals to the global sweep of plate tectonics.
The field of physical geology continues to evolve with new tools, new ideas new approaches. Working closely with Frank Press and Ray Siever, the new co-authors of the fourth edition, John Grotzinger and Tom Jordan, have introduced a wealth of more recent data and applications to keep the science in the text on the cutting edge. This introductory physical geology textbook aims to help students understand what physical geology teaches us about the world and what it brings to our lives. It is designed to bring the worldview of the working geologist to an audience not only new to this…
I was introduced to Fluorescent Mineral collecting by my son. I started going to shows, joining mineral groups, and reading everything I could on fluorescent minerals. Realizing that there were no books with lots of photographs on the subject, and having written quite a few heavily illustrated books of collecting subjects, I decided to to a book that would appeal to new and old mineral collectors. The book was a success and lead to the publishing of a second book. Lots of fluorescent mineral experts helped by reviewing the text and photos for accuracy, and my publisher was pleased with the success of the books. Schiffer Books started an entirely new avenue of books on Minerals that it now publishes.
The Collector's Book of Fluorescent Minerals is the first illustrated book on the subject. It came out in 1983 and is by Manuel Robbins. The book originally sold for $45, but now it fetches $175 or more when you can find it (Amazon sometimes has it available - the latest price was over $300). It is a great reading book with stories about the miners and the early discovery of the fluorescence in rocks in the Franklin and Sterling Hill mines. An arcing electric spark caused the stones on the sorting table (called the Picking Table) to glow in colors. The miners found that the rocks that glowed green contained zinc while the rocks that glowed red did not. A fellow named Tom Warren obtained a barrel of rocks from the Franklin mine and perfected his company's UV lamps to become portable mineral UV lamps. This improved the mine's ability…
Over the last several decades, the number of people who are actively involved in the hobby or science of mineral collecting has grown at an increasing pace. In response to the growing demand for informa tion which this large and active group has created, a number of books have been published dealing with mineralogy. As a result, the reader now has a choice among mineral locality guides, field handbooks, photo collections, or books dedicated to the systematic description of minerals. However, as interest in mineralogy has grown, as collectors have become increasingly knowledgeable and aware of mineralogy in its many…
